动漫画家陆仔沉迷创作，忽略了女友。某日，他接到出版社的面试电话，欣然前往。他吃饭时，遇到同桌客人冲突，逃之夭夭。此后，又遇到赛车的司机动手。好不容易赶到了面试地点，他跟冷淡的编辑讲述了自己创作的故事：一个保险经纪约见客户时意外发现妹夫出轨，但碍于妹妹，并未说破。吃团圆饭的时候，男友的因故迟到引发了一场家庭大战。但是故事并不受欢迎。更惨的是无奈的陆仔街头遇险，报警求助，却意外邂逅了女生方美芳。其后，他参加昔日老友玲玲的婚礼，却碰见新郎的旧爱Marietta。他被动漫公司老板叫来陪酒，再次遇到方美芳，并悉心劝慰……

电影《死神傻了》故事讲述漫画发烧友陆仔构思了一个不应该死人而最后死了人的故事前往出版社。故事讲述保险经纪家姐相约妹妹与妹夫一起打边炉团年，姗姗来迟的姐夫原来去了花天酒地，结果引发一场家庭惨剧。　　可是，陈总编辑好像不大喜欢陆仔的故事，失败的陆仔独自走在旺角街头时遇到有人高空投掷腐蚀性液体，见义勇为的陆仔立刻报警求助，赢得妙龄女学生方美芳的注意，却因要照顾受伤的途人而失去结识的机会。事后，为免惹上麻烦的陆仔决定换手机及更改电话号码，防止警察找上门。　　晚上，陆仔参加旧同学玲玲的婚宴，与新郎哥及新娘寒暄几句便打牌去了，三只雀脚恰巧是一对新人的旧情人可乐、Marietta和六宝竹战，酷爱打牌的婚礼摄影师阿朗已忘却本身的工作，不断在旁依牙松杠当‘雀评家’，结果惹毛六宝引发一场打斗。　　沿楼梯走避的陆仔来到下一层，发现穿着新娘服的玲玲正在招呼客人，惊觉方才去错婚宴。此时，出版社编辑打来说老板儿哥约他在卡拉OK见面听桥，来到卡拉OK陆仔才发觉周围都是纹身大汉，更见到大家姐龙女姐正在讲数……

暂无剧情简介

暂无剧情简介

在中国唐代历史上有一个悬而未决的千古之迷：为了权位，武则天先后处死了十多位亲生的皇子、皇女、皇孙，留下万世骂名；为了权位，她不惜发动“武周革命”，任用酷吏，废除大唐旧制；但是，就在这一切得以实现之时，武则天却还政李唐，恢复唐代建制并让自己的儿子李哲复位。这，是为什么？两年后，武则天去世了，身后留下一块无字石碑。十二年后，大唐帝国迎来永垂青史的“开元盛世”。这，又是因为什么？ 　　大型电视历史剧《上官婉儿》将从一个崭新的视角为你解开这千古之迷。上官婉儿，罪臣之后。祖父上官仪是唐高宗李治与皇后武则天共同信任的宰相。婉儿诞生之际，其祖父上官仪和其父上官庭芝皆因起草“废后诏书”而被武则天处死。纯真温柔、美丽动人的婉儿与母亲郑十三娘相依为命，在唐掖庭长大成人，期间得到当朝宰相斐炎（上官仪之门生）的极力护持。十五岁时，婉儿进宫，先为太子侍读。情窦初开的她与英俊睿智的太子李贤演绎出一幕缠绵绯恻的爱情故事。当太子贤的治国理念与其母武则天发生冲突时，婉儿毅然站在太子贤一边，痛责武则天，被下狱。太子贤被废后，徐敬业杨州起兵，震动天下。为见太子贤一面并向武则天剖明心迹，婉儿毅然闯营，探到实情，并为平息叛乱立下大功。回宫后，婉儿声泪俱下，揭露真相，武则天为误杀太子贤悔恨不已。此后，婉儿随侍武则天左右，在狡诘复杂的政治风云中一一战胜对手，被武则天誉为“天下第一女宫”、“内宰相”，名倾一时。

在中国唐代历史上有一个悬而未决的千古之迷：为了权位，武则天先后处死了十多位亲生的皇子、皇女、皇孙，留下万世骂名；为了权位，她不惜发动“武周革命”，任用酷吏，废除大唐旧制；但是，就在这一切得以实现之时，武则天却还政李唐，恢复唐代建制并让自己的儿子李哲复位。这，是为什么？两年后，武则天去世了，身后留下一块无字石碑。十二年后，大唐帝国迎来永垂青史的“开元盛世”。这，又是因为什么？ 　　大型电视历史剧《上官婉儿》将从一个崭新的视角为你解开这千古之迷。上官婉儿，罪臣之后。祖父上官仪是唐高宗李治与皇后武则天共同信任的宰相。婉儿诞生之际，其祖父上官仪和其父上官庭芝皆因起草“废后诏书”而被武则天处死。纯真温柔、美丽动人的婉儿与母亲郑十三娘相依为命，在唐掖庭长大成人，期间得到当朝宰相斐炎（上官仪之门生）的极力护持。十五岁时，婉儿进宫，先为太子侍读。情窦初开的她与英俊睿智的太子李贤演绎出一幕缠绵绯恻的爱情故事。当太子贤的治国理念与其母武则天发生冲突时，婉儿毅然站在太子贤一边，痛责武则天，被下狱。太子贤被废后，徐敬业杨州起兵，震动天下。为见太子贤一面并向武则天剖明心迹，婉儿毅然闯营，探到实情，并为平息叛乱立下大功。回宫后，婉儿声泪俱下，揭露真相，武则天为误杀太子贤悔恨不已。此后，婉儿随侍武则天左右，在狡诘复杂的政治风云中一一战胜对手，被武则天誉为“天下第一女宫”、“内宰相”，名倾一时。

本剧讲述了中国历史上唯一一位“女 中宰相”上官婉儿的传奇人生。公元664 年，患病的唐高宗李治不满皇后武则天 专权，欲与宰相上官仪联手废黜武后， 结果事败，上官仪被杀，襁褓中的孙女 上官婉儿随母一起被抓入宫中为奴。上 官婉儿从小在宫中饱尝艰辛，却在母亲 的悉心教育下成长为秀外慧中的少女， 并偶然被武则天赏识，后历经磨难，成 为武则天倚重的左膀右臂。期间，上官 婉儿与宰相之子裴崇光相恋，二人共同 谱写了一段百转千回、生死相依的爱情 故事。在武则天篡唐称帝、重用酷吏之 际，上官婉儿自觉肩负起匡扶社稷、造 福苍生的历史使命，与酷吏集团斗智斗 勇，以过人的智慧和胆识保护了李唐宗 室，最后与张柬之等人发动神龙政变， 推翻了武则天，再造了大唐王朝。

该剧讲述了中国历史上唯一一位“女中宰相”上官婉儿的传奇人生。 公元664年，患病的唐高宗李治不满皇后武则天专权，欲与宰相上官仪联手废黜武后，结…

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses