When novelist Alessandro Battavia commits suicide, a taxi driver named Evangile and her brother Nord believe they are characters imagined in a novel, probably one written by God. Because they see their lives as "merde," they go in search of God to get their story rewritten. Along the way, believing everything is imaginary anyway, they shoot people, rob pharmacies, and tie up the residents of places they squat. They also gather a taxi full of eccentrics, including a priest, Battavia's suicidal widow, and a policewoman; various couples pair off. Soon life imitates art: the events and ellipses seem lifted from modern fiction as the group's quest for God continues. What's real?

花心大萝卜俊胜（宋承宪饰）跟他的好朋友仁棋（车承元饰）互相交换传呼机，以便甩掉前女友晓英（李娜英饰）。有一天，俊胜收到仁棋女友敏贞（崔智友饰）给仁棋的讯息，而对她渐渐产生兴趣。俊胜向仁棋询问有关敏贞的事情，而仁棋对敏贞毫不关心，甚至另有女友。俊胜为敏贞打抱不平，跟仁棋大吵一架，而开始给敏贞发讯息……

网络虚拟的情感空间令人痴迷，让人深陷其中难以自拔，然而接踵而至的却是无尽的空虚与矛盾，如此反复循环。

Love Is The Message, The Message Is Death is a new video by artist, director, and award-winning cinematographer Arthur Jafa. Set to the searing highs and lows of Kanye West’s gospel-inspired hip-hop track, “Ultralight Beam,” Love Is The Message is a masterful convergence of found footage that traces African-American identity through a vast spectrum of contemporary imagery. From photographs of civil rights leaders watermarked with “Getty Images” to helicopter views of the LA Riots to a wave of bodies dancing to “The Dougie,” the meticulously edited 7-minute video suspends viewers in a swelling, emotional montage that is a testament to Jafa’s profound ability to mine, scrutinize, and reclaim media’s representational modes and strategies. Alongside segments of familiar Black icons and historic events are also scenes featuring lesser known figures: anonymous bodies in various states of elation and despair. Excerpts from Jafa’s own stunning documentary film, Dreams are Colder than Death (2012) inflects a personal dimension to imagery mostly drawn from news media, television and the Internet. In this pointed inclusion, Jafa discloses both his vulnerability and authority as an artist—what it means to contribute to the vast and complex terrain of Black representation. While Love Is The Message poignantly embodies the artist’s desire to create a cinema that “replicates the power, beauty and alienation of Black Music,” it is also a reminder that the collective multitude defining Blackness is comprised of singular individuals, manifold identities and their unaccountable differences.

崔胜铉与日本女演员上野树里确认出演韩国CJ E&m和日本AMUSE INC.合作的电视剧。该电视剧经过一年的企划，主要表现活在不同世界的韩国男子“宇铉”和日本女子“はるか”之间克服初恋的疼痛寻找新的爱情的过程。

该节目将以“动摇你心的芳心俘获者（HEARTSHAKER）的惊人（AWESOME）一天”为主题，展开名流们的自拍真人秀，作为社交网站账号平均关注超50万的大V，艺人们也将在节目中亲自展现在美妆、美食、购物、旅游、健身等各个领域发布社交账号相关讯息的过程。此次参与的四位演出嘉宾将按照各自的生活方式确定不同的主题和频道名称，通过超精准的自拍设备拍摄内容后上传到社交网站上，节目中也将公开他们未在社交网站上公布的烦恼以及幕后故事，预计除这四位嘉宾外，节目后续也将会邀请更多的网络红人参与其中。

伊莉莎是谁？是一场梦，还是一幅画，街头卖唱青年John在这个冰冷的世界里追逐自己的音乐梦，却备受冷遇，唱片公司经纪人Kevin有意拉拢做商业音乐，却被John拒绝，而弱视女伊莉莎的出现为John早已麻木的内心荡起了一丝涟漪，他重拾信心，却无法见伊莉莎一面，他们最终能见面吗？能共同走向充满阳光的未来吗？

秦岭脚下的一个乡村天主教堂，一群面朝黄土北朝天的村民，这里是中国天主教的朝圣地，他们相信主会保佑他们。 婚丧嫁娶、朝圣祷告、村民的不满都在一代接一代的发生着，改变着，并延续着，像河水一样没有结局，也没有终点。 这里的人们过着与大多数中国农民一样面朝黄土、背朝天的生活，仅拥有微薄的收入和最基本的物质生活保。他们生存在天主教与现实之间，由此而产生出一套独特的处事哲学。神父为了筹集善款修缮雨水冲垮的修道院周旋于形态各异的普通百姓和官员之间，村民们也用独特的生活经验来看待世间诸事。

因超强飓风吹袭，由日本、韩国及俄罗斯联合建造的超级海上钻油台“兰格利亚”需要紧急疏散，海上保安厅的仙崎大辅（伊藤英明）及一众同伴亦奉命到场协助。可惜因尼加亚遭到船只猛撞，令大辅及一众待救者突然被困！无情海水，即将淹没钻油台每个角落……要逃生，唯有炸毁这座价值1500亿的超级设施！政府犹豫不决，飓风步步逼近，众人的生命就交托在最后的希望--潜水员大辅手中！

落魄渔郎沈修寒穿越异世，绑定每日情报系统。靠系统指引钓宝鱼、拜师梅氏武馆，快速突破练血、练骨境，智斗麻显阳、白家等仇敌。一边守护母亲与幼妹，一边搜集仇家罪证、暗中推演神功，从底层打渔人步步逆袭，终将武道通神，护亲复仇，安稳余生。