相恋五年，中秋归家途中，男友靳屿深为照顾轻伤的青梅温梨，将熟睡的蒲雨独自丢在高铁上。蒲雨坐过站滞留鹤城，不幸遭遇旅馆火情重伤昏迷，医院多次致电靳屿深却被挂断拉黑。清醒后，蒲雨看清靳屿深的冷漠偏心与温梨的步步算计，决绝退婚，凭全优成绩公费出国深造。两年后她涅槃重生、学成归国，面对靳屿深苦守两年的卑微求和与温梨的歇斯底里，内心毫无波澜，以一句你也滚彻底斩断旧情，开启全新人生。

暂无剧情简介

一部公路电影的浪漫故事，让人联想到自由爱情和世界末日阴谋的令人兴奋的混合物。

男主人公罗伯特与前女友分手几周后，因朋友暗自牵线在酒吧奇妙地认识了女主角，两人迅速被对方吸引，坠入爱河。此后，女主角擅自开着罗伯特的车想带他去见见自己的父母，并且提议让罗伯特假扮她的未婚夫。在此过程中，罗伯特发现一切并非偶然，两人由此产生摩擦和猜疑。故事环环相扣，引人入胜。

A micro-macroscopic journey inside Jean-Luc Godard’s Rolle studio, a place of light and shadow and a tree of thoughts: an inner forest of cinema. [FR] Voyage micro-macroscopique dans le studio de Jean-Luc Godard à Rolle, lieu d’ombre et de lumière et arbre à pensées : forêt intérieure du cinéma.

Wealthy Chennai woman flaunts riches, constantly vying with daughter-in-law in humorous pranks and misadventures, their relationship akin to Tom and Jerry's.

‘46 years with the second wife of my husband… Life is so ironic.’ The first wife, Mak-i, who lost her two sons to measles and a typhoon, let the second wife, Chun-hee, into the house to carry on a family line. Long after the husband passed away, the two lived together for 46 years, maintaining an ambiguous relationship as if they were mother and daughter, sisters, or friends. A harsh and special bond between two grandmothers. Now they continue to be the most beautiful companions in the world as the only people who will look after each other's end... 源自：https://www.eidf.co.kr/eng/movie/view/1357

二人在沈家宴会相识，因女主林晚身世特殊，二人的感情一路历经波折，走得磕磕绊绊，接连遭遇不少挫折与考验，后来林晚坦诚了自己过往的经历，男主顾淮舟不在意她的过去，坚定专一选择她，双向奔赴，最后二人收获幸福，修成正果。

A disembodied figure is carried off underground, where he encounters a vast living archive. Attached to this ever-expanding “network body” are capsules filled with fragments of thoughts. The only way our hero can escape is to fulfill the Sisyphean task that has been imposed on him. A Stretch of Time is a new chapter in Ali Eslami’s ongoing project False Mirror, an artistic exploration of post-human life in digital spaces. The Iranian-born, Amsterdam-based artist won the IDFA DocLab Award for Best Immersive Non-Fiction in 2016 for his VR project DeathTolls Experience. For this “flattie” film production, he used the virtual world of False Mirror as a film studio. The result is an intriguing blend of the languages of cinema, video games and virtual reality. It is as artificial as it is tangible, both real and unreal—a document from a world that exists only digitally.