Still hurting after their breakup, Tabby's stunned when she comes face to face with ex girlfriend Heidi at a friend's sleepover. Forced to spend the night together - can they put the past behind them? Or will they fall in love again?

上视动画制片厂

电影改编自王尔德的作品《理想丈夫》。 在众人眼中，罗伯特（杰瑞米·诺森 Jeremy Northam 饰）是一个完美的绅士，他为人正直温文尔雅，对妻子忠贞不二矢志不渝，享受着事业和家庭的双重成功的他几乎可以说是攀上了人生的巅峰。然而，这美好的一切在一个名叫西维利（朱丽安 ·摩尔 Julianne Moore 饰）的女人出现之后全部都化为了泡影。 西维利威胁罗伯特，高揭露他的秘密，拆穿他苦心经营的假象，这突如其来的进攻让罗伯特手足无措，无奈中，他只得请求朋友格林（鲁伯特·艾弗雷特 Rupert Everett 饰）帮忙。每个人都有秘密，那么罗伯特的秘密是什么呢？时至今日才出现在罗伯特的面前，西维利又在打着什么样的算盘呢？

2016年5月2日发售的第21卷限定版

即将告别高中时代的浅井由（池松壮亮 饰），在最后一年里品味到青春的甜蜜和酸涩。他对同班同学入江杏（桥本爱 饰）一直抱有好感，只是没有说出口而已，反倒是坐在前面的小春（小林凉子 饰）与他如同好哥们儿一样无话不谈。耐不住另一个朋友冈田始（前野朋哉 饰）的软磨硬泡，浅井策划安排冈田和入江的约会，结果却惹恼了女孩，从此对她不理不睬。他几次三番想将对不起的话语说出口，无奈话到嘴边生生咽了下去，直到某天入江退学的消息突然传来。入江的父亲罹患晚期癌症，期间又因为情人的关系和妻子离婚。远离城市喧嚣的海边，女孩和爸爸的情人悉心照顾即将离世的人。毫无征兆的一天，她迎来了浅井和冈田的拜访…… 本片根据樋口直哉的原作改编。

网剧【不及格】FLUNK 第一季， 16岁的叛逆少女Stella桀骜不驯，她正在放肆的享受青春时光， ED努力兼顾着家庭和学校之间的生活。 而Ingrid在不知不觉中发觉慢慢对自己的闺蜜Stella产生了不一样的感情。 三位少年每个人都有不同的青春烦恼 LGBT网剧FLUNK 不及格。

Sabina and Esther's relationship is pushed to breaking point when international exchange student Annie comes to stay. The Exchange is a new feature film from the creators of Flunk.

不及格系列之“永无止境”的留堂 高中时期的青春物语，像一盒包装精美的巧克力礼品盒。扑鼻是可可的苦涩，每一格里放着敏感、不安、迷茫、悸动……各式各样“青春限定”的糖果。微博@亿万同人字幕分享

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016