八十年代大院，学霸叶矜重生归来一心重拾学业，奈何总被”小霸王“陆展花式追爱。乌龙闹剧接连不断，陆展还因吃醋闹出不少笑话。一场暴雨来袭，陆展满城寻找被困的叶矜，用肩膀替她扛下所有风雨。患难之中，爱情开始悄悄生根发芽。

摔跤手姜小满为凑弟弟医药费，前往贺家陪护轮椅少爷贺闻舟，意外发现对方假装残疾，暗中调查三年前车祸。家族内鬼不断设局，旧案线索陆续浮现，二人从互怼变为搭档，携手揭穿豪门阴谋，惩治恶人。小满凭自身努力逆袭，与贺闻舟双向奔赴，诠释正义与实干的力量。

婚期将至，林漫意外得知未婚夫陈豪早已卖掉许诺的全款婚房，长期用租赁房屋伪造房产证，欺骗她两年之久。林漫不动声色收集完整证据，没有当场撕破脸，反倒卖掉自身房产，伪装成负债累累、一无所有的模样。一心图谋她财产的陈家母子当即翻脸，借着债务借口主动提出退婚。此时林漫拿出对方骗婚全部证据，委托律师索要赔偿，同时以报警、曝光其职场失信行为施压。陈豪恼羞成怒上门纠缠，还实施抢劫未遂，被警方当场带走。最终陈家变卖房产完成赔偿，林漫全额追回损失，彻底斩断错付感情，专心打拼事业开启新生活。

打工人顾城意外穿越进龙王爽文小说，成为书中终将身败名裂的终极反派顾少。系统发布任务，只要走完既定剧情，便可获得百亿奖励重返现实世界。为此，顾城一心安分扮演纨绔恶少，盼着早日剧情杀青回归现实。 不料冰山女总裁苏清雪，竟可以听见顾城的内心想法。顾城表面嚣张作恶，内心却只想摸鱼下班；苏清雪看透反派的悲剧结局，不愿任由命运摆布，执意要拉着顾城打破原著宿命。 既定剧情不断脱轨崩坏，处处脱离剧本走向，一心只想完成任务的顾城，能否如愿完成系统任务，顺利回到现实？

职场精英女主在米其林餐厅用餐，却遭遇偏执服务员小柔反复强行推销甜点、恶意挑衅，甚至故意损毁她的电脑、包包与重要工作资料。小柔颠倒黑白、卖惨博同情，店长包庇、路人跟风指责，让她陷入孤立无援的境地。女主冷静取证、果断报警，在餐厅老板与监控证据加持下，彻底揭穿真相。多年后两人再度重逢，女主早已站上更高处，而小柔终于在适合自己的位置上安稳度日，完成各自的人生成长。

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

置身于充满危险和欺骗的世界。在这个暗潮涌动的舞台上，他不断地换装、伪装自己，巧妙地隐藏踪迹。每一次任务都如同走在钢丝上，紧张刺激，与敌人展开着惊心动魄的智斗。敌人狡猾而强大，他必须时刻保持警惕，稍有不慎就可能陷入万劫不复之地。然而，在这过程中，他也面临着内心的挣扎和道德困境。任务的要求与自己的良知不断碰撞，让他陷入深深的矛盾之中，但他依然坚定地前行，在黑暗中守护着光明。

一名女子醒来时发现自己被锁在一个房子里。受伤且失去了记忆，她很害怕。但她发现一个女人被绑在另一个房间里后，她松了一口气。这两个陌生人必须共同努力，在打开门之前弄清楚到底发生了什么。

For two minutes, all we see are calves, bare feet and asphalt. Every time a foot hits the ground, it makes a slapping sound, accompanied by the runner’s rapid breathing. The rhythm is steady, and yet there is an urgency to the shot. The runner is Félix Bruzzone, a writer who lives near the Campo de Mayo military base on the outskirts of Buenos Aires. His research and experiences serve as the basis for Jonathan Perel’s film Camuflaje. He explains what drives him in voice-over: his mother was disappeared by the military when he was an infant. It was only after purchasing a property close to Campo de Mayo that he learnt that she also died there. What should be done with this wasteland on which the military killed its opponents 45 years ago? Bruzzone speaks with those who live in the area in a series of staged encounters. An estate agent gushes over the rise in property values, a run-in with soldiers turns out better than expected, a survivor of the camp describes how much resistance she faced in trying to erect a memorial, to say nothing of a documentation centre. Bruzzone keeps on running, tirelessly.