大学女孩羽田小鸟（冈野真也 饰）最喜欢一边看书一边吃零食，在安静的校园里，热爱幻想的她不知不觉度过了无忧无虑的学生时代。某天，她在实习场所邂逅清秀男孩岛崎江波（成田凌 饰），两人的距离迅速缩短。不久后，岛崎向小鸟表白，他们由此坠入爱河。时光流逝，岛崎每天都在残酷的职场奋力打拼，小鸟则作为笃定不变的存在支持着恋人。只不过在此过程中，她一层纯洁无瑕的内心也被某些黑暗的东西所侵蚀，没来由的担心、嫉妒、占有欲无时无刻不扰乱着她的心思。恋爱和工作已经到了危险的境地，而这时候小鸟则闯入了充满幻想的世界……

挖墓人父亲为了不让幼子走出墓地园陵，费劲心机为儿子置办游乐园，只为让儿子开怀大笑，清晨，曙光初现，一切真相大白，欢乐表相的背后隐藏的却是深沉的父爱……

The story goes that Maria’s father is presumed dead and some four million dollars left in his care are unaccounted for. Maria’s elusive sister Liz (Danièle Gegauff, a producer on Out 1 and star of a single Chabrol film) summons Maria and Joe (Liz’s boyfriend) but fails to show up herself, so these two meet and go on an adventure together. Liz shows up briefly, along with a bunch more characters, each of whom want to help either Maria or her possibly-alive father, or more likely, want a share of the money. Most suspicious is Shirley (Sylvie Matton, whose husband directed her and Udo Kier in his adult horror Spermula), who is possibly either Liz’s best friend, the father’s ex-lover, Joe’s sister or none of the above. The movie seems to fits neatly in the Rivette filmography, with on-camera musicians like predecessor Duelle, and a couple of characters chasing around the country trying to solve a possibly imagined mystery a la follow-up Pont du Nord. But there are some wrinkles. The grasp on the mystery is soon lost and Joe and Maria ramble, their relationship growing increasingly unpleasant, then the plot returns with a puzzling vengeance in the last half hour. Plus there are unexplained fantasy scenes, with Joe and a suspiciously Maria-like girl (played by Hermine Karagheuz, Marie in Out 1) chasing each other through forests and deserts, with appearances by snakes, rifles and a mounted armored knight.

乔恩（张瑞希饰）和乔榛（秀爱饰）是一对感情十分要好的姐妹，原本富裕的家庭突遭变故，一夜之间，两个女孩失去了包括家庭在内的一切，过起了半工半读的…

当我们离开父母踏上旅程的时候，是否会陷入现实的纷繁华丽的漩涡而不能自拔？抑或是与一些人不期而遇，热恋，然后离开。 是否随波逐流的时候想念起当时还是孩童的时光，有父母可以依偎────你愿意重新来过么？

匈牙利新浪潮代表人物佐尔坦.法布里的代表作。 匈牙利历史上第一部入围戛纳电影节的影片。 根据小说改编，获戛纳金棕榈提名。 一对年轻人在游乐场相遇，他们整夜跳舞，男孩向女孩倾诉了衷肠，谁知却引来令人吃惊的回应... 本片的弥漫的哀伤情绪长久不衰。是匈牙利历史上第一部入围戛纳电影节的影片。

Norman Kerry and Mary Philbin in Merry-Go-Round (1923) A nobleman posing as a necktie salesman falls in love with the daughter of a circus puppeteer although he is already married to the daughter of his country's war minister.

Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?

Details on the indie’s plot are being kept under wraps, other than it being a love story.