茱莉亚·罗伯茨和詹妮弗·安妮斯顿将主演一部交换身体题材的喜剧片，该片由《棕榈泉》导演马克斯·巴尔巴科夫执导、编剧。

茱莉亚·罗伯茨和詹妮弗·安妮斯顿将主演一部交换身体题材的喜剧片，该片由《棕榈泉》导演马克斯·巴尔巴科夫执导、编剧。

The CINETECA NACIONAL DE CHILE will organise an extensive program within the framework of the Day of the audiovisual heritage. The main event will be the screening of the restored film "El Cuerpo y la Sangre", by Rafael Sanchez (1962), on the evening of 27th October 2006. 　　Rafael Sanchez has been an important figure of the CINETECA NACIONAL. He has been active as film maker, teacher and founder of the Film Institute of the Catholic University of Santiago, in 1955. As a documentarist, he has made more than 30 documentaries between the 50's and the 80's.

现代少女某天意外进到自己老公作家的书中，没想到成为拥有七个侍郎的护国夫人，更没想到的是，二侍和自己老公长得一模一样，于是她处处试探......难道这是一场婚姻上的阴谋？

现代少女意外闯入丈夫所创作的书中，成为备受尊崇的护国夫人，手下有七位侍郎。其中二侍郎的面容与她的丈夫如出一辙，这让她心中充满疑惑与好奇。她小心翼翼地观察他们，试图弄清丈夫和二侍郎是否也从现代穿越而来。随着探索的深入，少女开始怀疑这一切是否巧合，或是隐藏的婚姻阴谋。她回忆与丈夫的点滴，感到迷茫与不安，决心勇敢寻找真相，解开这个复杂的谜团

在一个灾难性的气候变化时刻，乔恩·赖特，一个同性恋牧民，面临着一个两难的境地。他22年来致力于改变牛群的基因，这与牛肉行业的态度形成了鲜明对比，后者掌握着家族第四代农场的未来。在这一段失去和幸存的不可思议的旅程中，我们学会了如何不惜任何代价对自己保持真诚。

Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. Born and raised on the harsh streets of Magadan, a frigid outpost of the Soviet gulag, Gena is only 21. She stages radical performances in public that become a new form of art and activism. By doing that, she wants to change people’s perception of beauty and queerness and bring attention to the harassment of the LGBTQ+ community. The performances - often dark, strange, evocative, and queer at their core - are a manifestation of Gena’s subconscious. But they come at a price. 　　源自：https://schedule.sxsw.com/2023/films/2078988

One fascinating facet of late capitalism is that it can take in almost anything and sell it back to us for profit. Particularly in Europe and North America, this has seen the absorption of drag culture and its commodification as mildly irreverent, high-ratings entertainment. Its significant value in normalising gender fluidity notwithstanding, that version of drag loses its inherent radicality, as a repudiation of the very foundations of oppressive social structures. 　　Avant-Drag! paints portraits of nine drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism. 　　A line from the film’s exquisite punk-poetic narration describes this impulse perfectly: it’s “a demand to change the world that comes from the past, looking straight into the future.” And, lest you be concerned, have no fear that there is no shortage of gloriously outlandish outfits and towering high-heeled boots. This is drag, after all.

Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. Born and raised on the harsh streets of Magadan, a frigid outpost of the Soviet gulag, Gena is only 21. She stages radical performances in public that become a new form of art and activism. By doing that, she wants to change people’s perception of beauty and queerness and bring attention to the harassment of the LGBTQ+ community. The performances - often dark, strange, evocative, and queer at their core - are a manifestation of Gena’s subconscious. But they come at a price. 　　源自：https://schedule.sxsw.com/2023/films/2078988

当前歌星Gilles变为有些古怪的会计师Ranu时，Gilles的回来计划搞砸了，而Ranu的生活变得混乱，当他发现被杀的Gilles上了他的身。他们本身的情况已经够复杂，而现在一个身体两个人用，那更加是乱七八糟了。