Svensk-danskt äventyr från 2005. Ulf tror att det ska bli en vanlig sommar. Att han ska åka till farfar och farmor på landet, bada, retas med brorsan, vara med sina sommarkompisar och räkna farfars fisar om natten. Men så blir det inte. För i år blir han kär i Pia. Och så kommer Percy på besök, fast Ulf egentligen inte vill det. Och inte vill han att Percy ska dansa med Pia heller. Det blir en sommar av äventyr, kärlek, svartsjuka och vänskap. Och en sommar då farfar förvandlas till den gamla västernhjälten Buffalo Bill. I rollerna: Börje Ahlstedt, Niklas Hjulström, Hampus Nyström, Daniel Bragderyd, Lena Strömdahl,. Regi: Anders Gustafsson.

William Wellman skillfully directs the life story of William F. Cody, who's better known as Buffalo Bill. Based on a story by Frank Winch, there is plenty of action as the stages of his life unfold. The journey begins with his early years as an Indian fighter, jumps to his days as a scout and campaigner for Indian rights, and culminates in a display of his later years of Wild West showmanship. The full-on conflict between the U.S. Cavalry and the Cheyenne tribe at War Bonnet Gorge, in which Cody finds himself going head to head with his former Indian friend, is one of the most riveting sequences in the film. Joel McCrea is completely convincing in the title role, and Maureen O' Hara is both earnest and sensual as the senator's daughter who becomes his wife. The film is escapist in the best sense, revealing a number of colorful exterior panoramas. The rest of the solid cast, which includes Linda Darnell as a schoolteacher who loves Cody, keeps this light fare worthwhile.

一天，一头从屠夫那里逃脱的水牛跑遍了整个村庄。村里的所有男人都跑出来抓这头水牛，场面一片混乱，原本宁静的村庄也被背叛、暴力和破坏所笼罩。

70年代的法国小城。6岁的让要上学了。当老师问同学们的爸爸妈妈做什么工作时，让发现他和别人不一样。紧张的他编出了一个答案：“我妈妈是秘书。”其实，让的妈妈一直在外旅行，她不断给儿子的小邻居米谢尔寄明信片，以便这个已经识字的小女孩把她的旅行故事读给让听。然而事实却另有真相 。今年，在9月到圣诞节这段时间，让渐渐开始懂了…… 根据Jean Regnaud和Emile Bravo的同名漫画改编。

The Wild West times are a crazy time, a horny cowboy wanders through the town in search of a woman to satisfy his inner urges, from woman to woman from pussy to pussy this crazy cowboy will find what he needs before a big showdown in the mid-west town. Magma Film brings you 7 scenes of how people got down to fucking in the Western days. Both funny and sexy!

象征野牛得郑志奇自小在孤儿院长大，为了生存他从擦皮鞋到送报纸、夜总会放唱片，无事不做，终于熬到某工专五年级。在一次偶然得机会认识富家女苏盈盈，苏对他有好感，却引起另一追求者钱正兴得不快。钱家境良好，代表挥金如土得金牛。为了苏盈盈，屡次向郑挑衅，但郑反而以德报怨，在一次登山中救了钱的性命，终于化敌为友。

大家都知道DC漫畫裡，布魯斯韋恩是蝙蝠俠的真實身份，但他的真實創造者始終是個真正的謎。所有人都認為是鮑勃凱恩創造了蝙蝠俠，但還有另一位蝙蝠俠創作者的功績被歷史給埋沒。他並沒有戴著面具和斗篷，身分卻比蝙蝠俠還要神秘。

Rivette is relatively precise in his dealings with meaning. He is the most atavistically ceremonious of the Vague, in the sense that his abstraction as a journey leading inwards is always attended by signs and codas that affirm our passage. The transcendent rite of passage, in more ways than one, is about the symbolic enactment that paves the way. The transcendence itself is left to our sphere of experience, but we're at least brought to the doorstep. Oh, there's the improvisational flow that seems to throw people off, that things seem to be randomly bubbling up from nothing without significant plan or substance. The chance encounters in a world that we may recognize, the geography vaguely familiar whose nature is yet ultimately insoluble. There's a lot of that here. As in Celine, it is the breathing space that conducts our preparation to step beyond the mechanisms of reason. We don't reason with it, rather trust its intuitive flow. Like the dream world, it is only the figment of the known world spontaneously arisen as a stage or blank slate for the atavistic portents and divinations of the subconscious mind to be writ. But the rite of passage matters, in spite of the seemingly aimless wandering. Here it is about human effort to bypass the 'wall of paradise' constituted by the coincidence of apparent opposites (good and evil, light and dark, being and non-being). A barrier that obscures vision and traps in a world of names and forms that is only an apparent reality. Rendered in the film as twin goddesses of sun and moon, vying for a precious stone that enables their descend into the human world. The human characters are mere pawns to their schemes; to be seduced, tricked, threatened, or ultimately destroyed. Twin femme fatales, weaving spells in an inverse noir universe magnified into a macrocosmic struggle. The ill-prepared man who chances to steal a glimpse of them in their true form, like in the myth of Actaion who steals upon the Greek goddess Artemis bathing naked in a pool, has his consciousness shattered by the revelation. His mirrored image (the soul, the reflected half) is cracked. The woman who finally shatters the illusionary duality that quarantines human consciousness into meaningless dilemmas, does so by a sacrifice of blood. And this is the problem of the film. So much of it is a stridently symbolic enactment, a matter of ceremony. The sacrifice is, quite literally, a matter of spilling blood upon the symbolic stone and does not flow from anything - it is simply the schematic end of the spiritual myth. Although valuable as insight, the meaning of the film is trapped inside the rituals performed to signify it. Having cracked the outer shell to absorb it, the film seizes to resonate.