这是世界上最受欢迎的运动。这是地球上最大的赛事。这是最令人向往的奖杯。迄今为止，只有8个国家曾获得过它。此前从未有人对这一主题进行过如此深入的探讨。本系列纪录片将探索这8个成为冠军的国家。他们的伟大球星、个人故事以及他们独特的历史。这是一场探索胜利秘诀的旅程，我们将通过这些国家的亲身参与者和最权威的专家来揭开这些秘密。

这是国际象棋史上最惊心动魄的冠军争夺战——1978年，年轻有野心的苏联卫冕世界冠军阿纳托利·卡尔波夫与叛逃苏联的国际象棋大师维克多·科尔奇诺依的对决。

In 1989, a TV movie of the book was made by Thames Television, with major actors including Jeremy Irons, Cyril Cusack and Robbie Coltrane starring and directed by Gavin Millar. The movie was a family affair of sorts, given the fact that Jeremy Irons plays the Father, Samuel Irons, his son, plays Danny and his father-in-law, Cyril Cusack plays the affable country doctor in the movie.

讲述了四位开拓 “南斯拉夫篮球学校” 先驱们的故事，是他们的功劳使这项运动在国内和欧洲得以发展。核心时间是1970年在卢布尔雅那，南斯拉夫和美国队之间进行的的世界杯决赛。从主人公 Nebjja Popvii 的角度来看，人会追随拥抱热情的人生为榜样，是职业的精神，想法和努力使他们梦想成真 — 南斯拉夫在世界锦标赛上的第一枚金牌。

影片讲述安东尼·格里兹曼凭借自己的决心与毅力，成为了世界顶级足球运动员之一，并捧得世界杯冠军。

住西部大山的美丽村姑田枚，进城打工。巧遇电视台“美丽村姑”大赛的编导人员，大家一致认为田枚的形象、气质是理想中的村姑，于是田枚顺利通过村姑大赛的初赛进入决赛。但在建筑工地打工的男朋友二岩却对田的这种行为有成见。于是，在是否参赛和参赛后的种种猜忌中，两小无猜的田枚和二岩因为意见分岐而分了。“憨头憨脑”的田枚凭着她大山姑娘的刻苦、顽强和谦虚好学的那股“拙劲儿”，在大赛中各方面的表现都极好地超越了其他村姑，最后勇夺冠军 。

前知名经纪人余美凤（毛舜筠 饰），曾一手捧红多位歌手，却在婚后选择相夫教子。看似婚姻美满的她，在17岁儿子升学之际，断然决定复出乐坛。机缘巧合之下认识了茶餐厅外卖员方晴（姜涛 饰），方晴内心对唱歌跳舞充满热诚也相当有天赋。让美凤重新燃起了做经纪人的希望，正式出道后。方晴大火，美凤也在职场上锋芒毕露，儿子子轩（柳应廷 饰）感到妈妈的转变，再加上父亲的突然搬走，让他心里更是不安，母子感情也因此备受考验。与此同时，方晴接到海外公司邀约，请他到海外发展。而方晴的唯一条件是美凤必须跟随……美凤也在儿子与方晴之间面临抉择。

安德鲁（大卫·霍斯比 David Hornsby 饰）是一位专栏作家，专门撰写与礼仪教养相关的内容。虽然安德鲁是一个实打实的彬彬有礼的绅士，但是他待人接物的那一套放到现在来说，未免有些过时和死板，这也令他的文章读者数量渐渐缩减。终于，主编找到了安德鲁，命令他修改自己的文章风格，不然就要将他开除。 焦急的安德鲁想到了自己的朋友伯特（凯文·狄龙 Kevin Dillon 饰），伯特是一名健身教练，身强体壮的他从内到外都给人一种“大男子主义”的气息，包括他那粗鲁的举动和大大咧咧的性格。安德鲁决定委托伯特成为他的“教练”，教他如何成为一名“真正的男人”。

Omar Amiralay是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治、宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。 A Flood in Baath Country [TUFAN FI BALAD EL-BA'TH] Directed by Omar Amiralay Syria/France, 2003 Color. 46 min. Arabic with English subtitles. In 1970, Omar Amiralay made a short documentary, Film-Essay on the Euphrates Dam, in praise of the ruling Baath party's project to construct an impressive system of dams. Today, after fatal construction flaws have been discovered, his controversial new film, A Flood in Baath Country, explores the metaphorical implications of such weakness. Without commentary or criticism, Amiralay's film exposes Baath party propaganda and its debilitating effects on the people of al-Mashi village, 400 kilometers (250 miles) northeast of Damascus. The camera moves slowly from students to teachers to government officials, with everyone reciting the exact same praises for the president and slogans glorifying the Baath party. The film is the harshest indictment yet of the regime, portraying the devastating effects of 35 years of rigid Baath party rule on Syrian society. "There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images." – Stuart Klawans, The Nation The filmmaker's first film is a short film to the glory of the Euphrates dam, the pride of the ruling Baath party. "I regret this youthful error". 33 years later, he unveils the indoctrination at work in the village classroom. There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images. Among the most forceful of his films is A Flood in Baath Country (2003), which has the added benefit of encapsulating Amiralay's career for you. In 1970, fresh out of film school and fired with enthusiasm for the Baath regime, he made a short titled Film-Essay on the Euphrates Dam. At the beginning of A Flood in Baath Country, you see footage from this early work: brief views of dam construction, shot in expert imitation of Amiralay's beloved Dziga Vertov. Meanwhile, on the soundtrack, the present-day Amiralay speaks of his distress at having made such a film. Construction was shoddy; dams have fatally collapsed. As for the artificial Lake Assad, beneath whose waters stand inundated villages, it now seems to Amiralay to be the perfect symbol of the Baath regime, which seeks to submerge all life in Syria.

一部情色惊悚片，讲述了一位年轻艺术家对一种禁忌癖好的痴迷如何导致其生活发生改变的后果。