七十年代的中国，知青罗明（陈坤 饰）和马剑铃（刘烨 饰）上山下乡来到湘西的一个小山村，接受贫下中农再教育，可是乡下贫乏的生活使他们逐渐感到厌倦。他们与村子里的小裁缝（周迅 饰）相遇，活泼开朗的小裁缝给他们死水般的生活带来了光亮。而他们也发现了一箱所谓的“禁书”，此后，他们生活 中惟一的乐趣便是偷看箱子里的一本本书——巴尔扎克的小说。禁书令少年与小裁缝幻想中的世界豁然开朗，慢慢地两人同时爱上了小裁缝，他们的爱情之火越烧越炽热...

该片改编自导演戴思杰同名畅销书。该书在19个国家销售并荣获5个奖项。影片是戛纳电影节“一种注视”开幕影片。　　知青罗明和马剑铃上山下乡来到…

伯爵和伯爵夫人，他们的爱情失去了热情，或许可以邀请一些人过来...

伯爵和伯爵夫人，他们的爱情失去了热情，或许可以邀请一些人过来...

法国人自己拍摄的关于18世纪法国文豪巴尔扎克的生平传奇，由大鼻子扮演的巴尔扎克是本片最大的看点，电影围绕着这位桀骜不驯的怪才不平淡的一生，把他的婚姻、爱情、小说创作和家庭关系一一进行剖析，突破了过往对巴尔扎克的完美塑造，将他描绘成一个性格古怪、脾气暴躁、风流倜傥、最后因痴肥而卧床不起的失败男人--也许事业上是成功者，但生活上他是个地地道道的失败者。 　　阿尔当扮演的女子是巴尔扎克在生命弥留时的最大安慰，整部戏很有文艺味道，影片将那无可奈何式的人生落幕表现得很哀惋。

法国人自己拍摄的关于18世纪法国文豪巴尔扎克的生平传奇，由大鼻子扮演的巴尔扎克是本片最大的看点，电影围绕着这位桀骜不驯的怪才不平淡的一生，把他的婚姻、爱情、小说创作和家庭关系一一进行剖析，突破了过往对巴尔扎克的完美塑造，将他描绘成一个性格古怪、脾气暴躁、风流倜傥、最后因痴肥而卧床不起的失败男人--也许事业上是成功者，但生活上他是个地地道道的失败者。 　　阿尔当扮演的女子是巴尔扎克在生命弥留时的最大安慰，整部戏很有文艺味道，影片将那无可奈何式的人生落幕表现得很哀惋。

品目：映画チラシ 　　タイトル：サンリオ世界名作映画館 　　公開年：1991年 　　製作総指揮：辻信太郎 　　上映作品： 　　■ けろけろけろっぴの三銃士（1991年作品） 　　総監督：波多正美 　　監督：波多正美 　　声の出演：佐久間レイ/小山茉美/戸田恵子/松尾佳子/林原めぐみ/田中真弓/高木早苗 他 　　■ みんなのたあ坊の竜宮星大冒険（1991年作品） 　　監督：睦月三日生 　　声の出演：高木早苗/鈴木みえ/三田ゆう子/玄田哲章/富田耕生 他 　　■ ハローキティの魔法の森のお姫さま（1991年作品） 　　総監督：波多正美 　　監督：鹿島典夫 　　声の出演：林原めぐみ/阪口あや/竹村拓/川村万梨阿/内海賢二

品目：映画チラシ 　　タイトル：サンリオ世界名作映画館 　　公開年：1991年 　　製作総指揮：辻信太郎 　　上映作品： 　　■ けろけろけろっぴの三銃士（1991年作品） 　　総監督：波多正美 　　監督：波多正美 　　声の出演：佐久間レイ/小山茉美/戸田恵子/松尾佳子/林原めぐみ/田中真弓/高木早苗 他 　　■ みんなのたあ坊の竜宮星大冒険（1991年作品） 　　監督：睦月三日生 　　声の出演：高木早苗/鈴木みえ/三田ゆう子/玄田哲章/富田耕生 他 　　■ ハローキティの魔法の森のお姫さま（1991年作品） 　　総監督：波多正美 　　監督：鹿島典夫 　　声の出演：林原めぐみ/阪口あや/竹村拓/川村万梨阿/内海賢二

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.