《世界树之巅·荣光与落幕》聚焦特奥蒂瓦坎、阿兹特克与印加三大美洲古代文明。从墨西哥高原上的“众神之城”，到湖泊中央崛起的阿兹特克帝国，再到横跨安第斯山脉的印加帝国，作品沿着三大文明兴起、扩张、鼎盛与衰落的历史轨迹，呈现其独特的信仰体系、权力结构、城市建设与社会生活。短片运用AI影像重现古城、神庙、战争与日常生活，在展现帝国荣光的同时，也直面内部矛盾、权力崩塌与殖民征服带来的历史转折。王朝虽已落幕，但语言、技艺、信仰与记忆仍在延续，那些古老文明也在今天的土地与生活中留下悠长回响。

由百视通出品的《世界树之巅：起源与跨越》是一部以中美洲文明的起源、发展、辉煌、危机与延续为叙事主线，聚焦奥尔梅克与玛雅两大文明的AI纪实短剧，共22集，分为"起源篇"与"跨越篇"两个部分。"起源篇"以奥尔梅克文明为核心，讲述中美洲早期文明如何在热带沼泽中诞生，如何通过巨石、玉石、神话、贸易、祭祀与符号影响后世；"跨越篇"以玛雅文明为核心，讲述这一文明如何从玉米、世界树与创世神话中生长，如何走向古典期高峰，又如何经历系统性崩塌、殖民征服与政治终结，并最终在当代玛雅人的语言、作物、仪式与族群记忆中延续。

颁奖典礼上身为队长的男友中途失联，女主独自上台领取属于他的荣誉，台下众人打趣，她满心难堪。等候许久归家，没有预想中的温情相拥，只剩冰冷的现实，爱意尽数消散。

曾经万众瞩目的赛车冠军林风，被嫉妒自己的队友设计陷害，车祸过后失去全部记忆，背负巨额欠款落魄送餐。受尽职场刁难与同行排挤，一次次被夺走本该属于自己的收获。幸得苏晴一路陪伴扶持，携手搭建配送平台，依靠自研算法在激烈商战中突围。记忆苏醒后，他查清多年前的阴谋，报仇雪恨。事业蒸蒸日上，迎娶挚爱，投身公益，昔日跌落尘埃的车神，以全新姿态踏上人生巅峰。

暂无剧情简介

包工头林泽在工地照顾孤苦哑女沈知宁，二人相濡以沫。面对经理钱德旺使用劣质钢筋的威胁，林泽坚守底线却遭报复。危急时刻沈知宁展现专业素养救人，身份揭晓为集团继承人。最终林泽拒绝利益诱惑，二人携手重建工地，收获事业与爱情。

冰岛,一片独特的土地，拥有无与伦比的景观和世界上最幸福的居民。雄伟的火山，壮观的瀑布，奇特的峡湾和冰川，这部影片将带我们体验多样且壮观的自然奇观和强大的自然力量！主要为风景，不包含当地人采访。

The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. Papatakis might have thought he was making a poignant political statement but he comes across as a bargain basement imitation of Costas-Gavras. In fact, one suspects that all he really wanted to do was make a dirty movie but provided himself with a pseudo intellectual cover. (In one prolonged film-within-a-film sequence, a despicable French military officer engages a prostitute to engage in bizarre practices that include using a rather difficult and innovative method of opening champagne bottles.) By Lee Pfeiffer -cinemaretro.com-

新加坡动画短片《大象与树》在第九届日本野生生物电影节（Japan Wildlife Film Festival）中，击败40多个地区的334部动画片，荣获最佳动画奖。这部动画改编自本地创意人李金苹的绘本处女作， 由堪称本地动画业拓荒者“桃源媒体”（Peach Blossom Media）制作，董石慧任监制，制作人是林琳丽和黄坤权（KQ），动画监督是Ric Borja。虽然动画全长不到3分钟，但保育主题鲜明，干净简约的线条讨好。故事中的象与树，从小是好朋友，长大后因人类的破坏而分开。评审的评语包括：“设计感独特”，“表现手法美丽，触动人心”，动画主角也被选作本届电影节的标志。制作人林琳丽说：“这个奖项是进一步的肯定，证明本地作品已达世界水平。希望以此为起点，把这部短片扩大为动画系列，向更多小朋友传达保育信息。”

讲述了人类与自然界、人与人之间的故事。