在你我所了知的世界中，绝大多数人服从所谓命运的安排，在生老病死的怪圈中循环，所来所去，无从知晓。少数最具智慧的人，能够清晰看破这个世界的虚无，直见实相。但也有一些人，却通过不同的方法突破虚幻的束缚。黑人短跑选手丹·戴维斯（维克托·威廉姆斯 Victor Williams 配音）便是其中一个。他曾打破世界纪录，取得9秒以内的成绩，却被指责服用违禁药物。为了证明自己的实力，丹不顾身边人的劝说，决定在选拔赛时便拼尽全力。枪声响起，丹全力以赴，身体因高负荷几近崩溃，而他在那一刹那仿佛突破了什么屏障……

一名自闭症男孩试图在平安夜打破世界纪录，在此过程中他的家人和社区团结起来。灵感来自真实事件。

这是一个探索性的电视剧，也是一个寓言性的电视剧。写了文化大革命中的一段故事。 “文革”中，百业俱废，一位游泳健儿默默地在向世界纪录冲刺。在造反派武斗冲突中，他被一派群众组织怀疑其向另一派泄露了该派的武斗行动计划而致使该派遭到伏击，损失惨重，他因而被“判处死刑”，他在被昔日好友枪杀之前，提出唯一的要求：让他最后游一次泳，就在这一次，他竟拼尽全力打破了当时的奥运会自由泳纪录——但却是无人知晓的世界纪录。 本剧获得第十届全国优秀电视剧飞天奖。

纪录电影

纽约市，美国人口最多的城市、纽约都会区的核心。自1609年英国探险者亨利·哈德逊驶入纽约港开始，本片讲述400年来纽约的编年史，全片总长17小时。

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. http://www.chicagoreader.com/features/stories/moviereviews/061110/

北方昆曲剧院创排的宫廷风格昆曲《游园·惊梦》，以汤显祖《牡丹亭》为蓝本，以梦境为线索，在“游园惊梦”“寻梦”“写真”“离魂”“冥判”“拾画叫画”“幽媾”中，深入挖掘杜丽娘与柳梦梅超越生死的爱情哲思，展现人类对爱与自由的永恒追求，使“情不知所起，一往而深”的情感更具时代厚度。

本片发掘了极为罕见的影像资料，并对安迪·沃霍尔的生活及其艺术影响进行了深刻准确的剖析。