该剧描写了发生在医院急诊室的故事。 某医院急症室的医生们，抢救过许多危重病人，经医护 人员的悉心照顾后，都康复出院。 农民工郑贵车祸后，心脏受创，康复后寻机答谢，与王珠医生的女儿相爱，共去农村创业，经努力成了优秀的农民工。 大学生丁亮 被打入院，母亲患乳疾而亡，家庭的裂变让他决心与同学一起去乡下当教师。 赵小妹受伤，昏迷两月之久，经治疗终于苏醒，但面容已毁欲轻生，医生们治其心病， 使其协助刑警抓赌抓毒，并与刑警相爱。 医生们为寻找肺吸虫病之源赴灾区救灾民，不怕险不怕难，在工作中产生了爱情的几对情侣，终于喜结良缘。

出品单位: 山东泰山影视传媒有限公司 本片根据真人真事改编，取材于无臂女书画家陈倩女士的真实生活状态中的酸甜苦辣和喜怒哀乐，她与丈夫坚贞的爱情给带来的生活变迁和命运的改变……

Brother and sister are driving through Kansas during their road trip. Suddenly, they hear calls for help coming. They stop to investigate and …

自古以来，尤利乌斯·冯·塔里恩贵族家庭中的女性就常引发混乱与丑闻。近期，尤利乌斯的妹妹在 17 岁时怀孕并和情人私奔，被家族剥夺了继承权。此后，妹妹巴利亚的名字便成了家族里不光彩的象征，成了谈话的禁忌，直至她的女儿巴巴拉到来，一切都改变了。尤利乌斯得知妹妹去世的消息后十分悲痛，后悔当初没劝父亲把妹妹接回家。于是，他将所有愧疚化作了对巴巴拉的关爱。 尽管舅母和表姐玛利安娜对巴巴拉的到来极为不满，但舅舅和表妹德里斯的关怀让巴巴拉感受到了久违的幸福。在这里，她邂逅了挚爱——年轻有为的青年克里斯蒂安，二人度过了一段美好时光。然而，克里斯蒂安即将离婚的妻子莉莉亚娜的出现，破坏了他们刚刚建立起的信任。伤心之余，巴巴拉接受了表姐未婚夫莫尔卡的求爱，并与他私奔。 离家出走后的巴巴拉并不快乐，莫尔卡的小气和猜忌让她苦恼不已。为了维持日常的……

自古以来，尤利乌斯·冯·塔里恩贵族家庭里的女人，总是会制造混乱和丑闻。最近一次，是尤利乌斯的妹妹，她17岁怀孕又和情人私奔，被家族取消了继承权。而从此妹妹巴利亚的名字就成了家庭里不名誉的象征和谈话的禁忌，直到她的女儿巴巴拉到来后，一切发生了变化。得知妹妹去世后，尤里乌斯十分难过，后悔当初没有劝说父亲把妹妹接回到家里。于是，所有的愧疚都化成了对巴巴拉的关爱。 虽然舅母和表姐玛利安娜对她的到来十分不满，但舅舅和表妹德里斯的关爱还是让巴巴拉感受到了久未得到的幸福。在这里，她还遇到了挚爱——克里斯蒂安，一个年轻有为的青年。二人度过了一段美好的时光，但很快，与克里斯蒂安即将离婚的妻子莉莉亚娜的出现破坏了两人刚刚建立起来的信任。在伤心之下，巴巴拉接受了表姐未婚夫莫尔卡的求爱，并与之私奔。 离家出走后的巴巴拉并不幸福，莫尔卡的小气和猜忌让她十分苦闷。为了维持日常的开支，她甚至卖掉了母亲留给她的项链。巴巴拉深知已经不可能再回到尤里乌斯家族，于是离开莫尔卡后独自回到曾经生活的意大利小镇。得知一系列变故，克里斯蒂安十分自责，劝说尤里乌斯接回巴巴拉。丑闻早已过去，大女儿玛利安娜也因为失掉了一场危险的婚姻，而找到了真正的真爱。 尤里乌斯不想再重复妹妹巴利亚当年的悲剧，于是决定亲自去小镇寻找侄女。经过一番促膝长谈，巴巴拉终于答应重新回到家族。舅妈及妹妹原谅了她犯下的错误，这让巴巴拉十分感动，幸福的生活又回来了。只是面对克里斯蒂安，巴巴拉还有些许遗憾。但克里斯蒂安不计前嫌，他依然还爱着巴巴拉，一切误会烟消云散，一对有情人终于又走到了一起。

As professional clowns Tito and Simon are traveling, they happen upon an abandoned child, whom they take in and name Simonetta. When Simonetta is older, she becomes a circus performer herself. One day she is looking for roses, and climbs into the garden of Count Luigi Ravelli. The count becomes infatuated with her, but she leaves as soon as possible. Sometime later, Ravelli consults a doctor about his fits of uncontrollable laughter, and there he meets Tito, who has come to seek help for his fits of uncontrollable weeping. The two decide to help each other, and they establish a friendship, but problems arise when they realize that they are both in love with Simonetta.

1979年，中央新闻纪录电影制片厂出品了一部很有意思的纪录片《笑》。影片记录了“文革”之后崛起的一大批优秀相声段子，成为那一特定时代人们文化生活和精神生活的一个缩影。

暂无剧情简介

Director Arthur Hiller (Love Story, Silver Streak), working from screenwriter Edward Anhalt's (Becket) adaptation, transforms actor-playwright Robert Shaw's The Man in the Glass Booth into a film the Los Angeles Times dubbed, "daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective." Millionaire Jewish entrepreneur Arthur Goldman (Maximilian Schell) benvolently rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant (Lawrence Pressman) and chauffeur (Henry Brown) dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, Academy Award© winner Schell (Judgement at Nuremberg) crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession. Veteran cinematographer Sam Leavitt enables Hiller to coax a vividly personal and electrifying intelligent dual portrait out of Schell. The Man in the Glass Booth is a timeless drama of surprising intimacy and indefatigable courage, "possessing," declared the Los Angeles Times, "a remarkably resilient sense of lightness for all the profound questions it ponders."