Edited screen tests of Parajanov's unfinished film. On the twentieth anniversary of the liberation of Kiev from the Nazis, a film director pays a stevedore to deliver a bunch of flowers to a general. By accident the director gives the wrong address and the stevedore delivers the flowers to a war widow who is currently working at an art museum.

While searching the archives for his found footage film Babi Yar. Context (2021), Ukrainian director Sergei Loznitsa stumbled upon unique but forgotten film material of a criminal trial in Kiev in January 1946. In this prelude to the Nuremberg trials, 15 Nazis and Nazi sympathizers stood trial for crimes against humanity. 　　As in his previous films, Loznitsa presents the material without commentary, and uses short intertitles to inform the viewer of the necessary facts. These harrowing texts describe the mass slaughter of civilians (including women, children and the elderly) in places such as Melitopol, Kodra and Raska. Also addressed is the bloodbath at Babi Yar, where 33,000 Jewish people were shot dead by the Nazis. 　　The testimonies of witnesses and perpetrators are bone-chilling. One of the Nazis gives his reason for shooting children: “[They] were all running around.” The bloody history of Ukraine remains alarmingly relevant in the present day, and Loznitsa lets that bloody history speak loud and clear in The Kiev Trial. 　　源自：https://www.idfa.nl/en/film/111ec19c-abae-45c0-bab4-aed7bfefd6eb/the-kiev-trial

4分钟。李的感情丰富而有力的对日本袭击珍珠港的描绘，是作为抽象的动画作品展示的。它充分利用柯达胶片可能的色彩，最后，世界被隐喻为黑色的战场。

4分钟。李的感情丰富而有力的对日本袭击珍珠港的描绘，是作为抽象的动画作品展示的。它充分利用柯达胶片可能的色彩，最后，世界被隐喻为黑色的战场。

A time-lapse documentary shot by Ukrainian DoP and volunteer paramedic Yevhen Titarenko. It depicts the life of medical staff near the front line in 2014 and 2022. Titarenko followed a unit of paramedics around and managed to get a peek into their private lives.

A photo album bears silent witness to history. Handsomely bound and carefully labelled, it traces the path of the 6th Regiment of the Romanian army in the war years of 1941 and 1942. Romania had allied itself with Nazi Germany to fight the Soviet army. This film soberly dissects the perspective of these war photographs. Making use of quotations from historical sources, it puts these banal images of everyday military life in a larger context, supplementing that which has been deliberately left out.

这个故事描述了1941年纳粹践踏波兰期间，一个犹太裔家庭避难到村庄并发生的一段错综复杂的爱情故事。凯雅（克莱儿·希金斯 Clare Higgins 饰）是一位犹太裔的大提琴家，她和丈夫亚达（约瑟夫·费因斯 Joseph Fiennes 饰）及他们的女儿在面对纳粹迫害时被迫逃离城市，寻找避难之地。在村庄中，他们得到了杂货店女主人艾美娜的帮助和庇护。为了保护他们的身份，亚达被要求冒充艾美娜的丈夫，而凯雅和女儿则躲藏在阁楼上。 　　在这段逆境中，亚达与艾美娜之间产生了情感上的联系和吸引力。然而，凯雅作为观察者，只能默默忍受这个错综情感三角关系。外面是战乱残酷的世界，而内部则是充满了灵魂的交战。在这艰难的时刻，这个三角错爱是否成为了患难中真情的展现，抑或是死亡的阴霾，或者是对生存意愿的一种追求。

1941年，当纳粹的铁蹄正在践踏波兰的时候，犹太裔大提琴家凯雅和本为医生的丈夫亚达及女儿从城市避走到一村庄。村庄的杂货店女主人艾美娜愿意收容他们，并叫亚达冒称她上了战场的丈夫，凯雅和女儿则躲在阁楼内。亚达和艾莲娜日久生情，凯雅从阁楼中目睹一齐，但只可哑忍无言……外面是纷乱的世代，裡面是灵慾的交战。到底这三角错恋是患难见真情，是死亡的阴霾，抑或是求生的意慾？

《喋血1941》讲述的是日本侵略中国期间，关于一批黄金的斗争，围绕着国家利益、日本侵略、爱情等展开。

《喋血1941》讲述的是日本侵略中国期间，关于一批黄金的斗争，围绕着国家利益、日本侵略、爱情等展开。