Sevgi and Doğan, a young couple, steal cars in the poorer districts of Istanbul and sell them to the junkyard to be pressed. One day, however, an unsettling event shakes them to the core, pushing them to face some truths about their relationship and the harsh realities of life. 　　源自：https://tickets.sff.ba/films/1776

Sevgi and Doğan, a young couple, steal cars in the poorer districts of Istanbul and sell them to the junkyard to be pressed. One day, however, an unsettling event shakes them to the core, pushing them to face some truths about their relationship and the harsh realities of life. 　　源自：https://tickets.sff.ba/films/1776

二十六年前三位母亲同一个病房里生下了自己儿子……二十六年后鲁夕阳、王东、夏季枫三个同年同月同日生好朋友老大不小三条光棍同居一起 　　网络奇才鲁夕阳“海归派女”女强人李思文两个针锋相对互不相让 　　造型设计师王东光谈恋爱不结婚周围又有美女相伴女友何雅大为吃醋于便大吵一三五小吵天天有把情场变成战场 　　煎馒头大师傅夏季枫诚实有余而灵活不足最想结婚却又找不到对象 　　《一个人不如两个人》由著名青年编剧肖峰创作讲述了三个同年同月同日生男孩，找寻真爱故事。展示了当代青年爱情观和价值观，值得一提。 　　尽管是一部清新幽默偶像剧，但由于剧情发展需要，6位男女主角最后必须一起以剃光头方式，帮助其中一位身患白血病好友，鼓起与病魔抗争勇气。 　　因此主演该剧，6位目前正当走红帅哥美女为求艺术真实性，舍下了一头青丝。电视剧生产异常红火，今天对于这群年轻艺人而言，这确需要很大勇气。 　　尽管当初剔发时，女演员们都流下了不舍眼泪。可如今看着自己作品赢得那么多赞誉，张咏荷、王一楠均表示：“为这样好戏剃去三千青丝真值了！”

二十六年前三位母亲同一个病房里生下了自己儿子……二十六年后鲁夕阳、王东、夏季枫三个同年同月同日生好朋友老大不小三条光棍同居一起 　　网络奇才鲁夕阳“海归派女”女强人李思文两个针锋相对互不相让 　　造型设计师王东光谈恋爱不结婚周围又有美女相伴女友何雅大为吃醋于便大吵一三五小吵天天有把情场变成战场 　　煎馒头大师傅夏季枫诚实有余而灵活不足最想结婚却又找不到对象 　　《一个人不如两个人》由著名青年编剧肖峰创作讲述了三个同年同月同日生男孩，找寻真爱故事。展示了当代青年爱情观和价值观，值得一提。 　　尽管是一部清新幽默偶像剧，但由于剧情发展需要，6位男女主角最后必须一起以剃光头方式，帮助其中一位身患白血病好友，鼓起与病魔抗争勇气。 　　因此主演该剧，6位目前正当走红帅哥美女为求艺术真实性，舍下了一头青丝。电视剧生产异常红火，今天对于这群年轻艺人而言，这确需要很大勇气。 　　尽管当初剔发时，女演员们都流下了不舍眼泪。可如今看着自己作品赢得那么多赞誉，张咏荷、王一楠均表示：“为这样好戏剃去三千青丝真值了！”

riko“我周围的人们，总觉得有点不对劲……” 一天，佳人（尹珍熙饰）和青梅竹马的医生男友贤重（李基宇饰）前来探望生病的大姑姑智善，不料却亲眼目睹了最小的姑姑贞善（徐有情饰）杀害大姑姑的惨况。佳人因此受到了很大的精神冲击。此事件慢慢平息后，佳人的身上总是会发生一些很莫名其妙的事情。高中时期的异常回忆也慢慢涌上心头：同班同学恩京好像时时想置佳人于死地，甚至连原来和蔼的班主任也冷言冷语地攻击她，佳人陷入了毫无信任和安全感的困境。更离奇的是，每次出现在现场的男孩锡民（朴基雄饰）总是用可疑的眼神默默地在旁注视着佳人。 “从我最信任，以为最爱我的两个人要暗算我的瞬间开始，我将面临比死更阴冷的恐怖反击”。 锡民性格孤僻，身上总缠绕着是其杀害自己亲生父亲的可怕传闻，所以平时总是被人群疏离，是众人口中的“怪物”。佳人每次身感害怕的时候，他都会守护在身边，尽管一声不吱。眼看佳人高中就要毕业，他对佳人说的唯一一句话就是：“什么也不要相信，或者可以继续平安地表活下去。”佳人听了这没前文结语的话，很不能理解，也只能半信半疑。 “神婆说，我从出生起就带有神秘的死亡诅咒，我却不愿意相信”。 最近，佳人老是连续做恶梦。现在，她只能相信自己的亲人和总是无怨言地给她温暖和关爱的男朋友贤重，就像堕入一个连环的迷宫，不管佳人怎么小心翼翼，努力挣脱出来，死亡的圈套还是渐渐地“勒紧”了她的脖子。 声称誓死守护佳人的贤重？陌生而亲切的基雄？熟悉的亲人？想杀死佳人的“两个人”到底会是谁呢？

riko“我周围的人们，总觉得有点不对劲……” 一天，佳人（尹珍熙饰）和青梅竹马的医生男友贤重（李基宇饰）前来探望生病的大姑姑智善，不料却亲眼目睹了最小的姑姑贞善（徐有情饰）杀害大姑姑的惨况。佳人因此受到了很大的精神冲击。此事件慢慢平息后，佳人的身上总是会发生一些很莫名其妙的事情。高中时期的异常回忆也慢慢涌上心头：同班同学恩京好像时时想置佳人于死地，甚至连原来和蔼的班主任也冷言冷语地攻击她，佳人陷入了毫无信任和安全感的困境。更离奇的是，每次出现在现场的男孩锡民（朴基雄饰）总是用可疑的眼神默默地在旁注视着佳人。 “从我最信任，以为最爱我的两个人要暗算我的瞬间开始，我将面临比死更阴冷的恐怖反击”。 锡民性格孤僻，身上总缠绕着是其杀害自己亲生父亲的可怕传闻，所以平时总是被人群疏离，是众人口中的“怪物”。佳人每次身感害怕的时候，他都会守护在身边，尽管一声不吱。眼看佳人高中就要毕业，他对佳人说的唯一一句话就是：“什么也不要相信，或者可以继续平安地表活下去。”佳人听了这没前文结语的话，很不能理解，也只能半信半疑。 “神婆说，我从出生起就带有神秘的死亡诅咒，我却不愿意相信”。 最近，佳人老是连续做恶梦。现在，她只能相信自己的亲人和总是无怨言地给她温暖和关爱的男朋友贤重，就像堕入一个连环的迷宫，不管佳人怎么小心翼翼，努力挣脱出来，死亡的圈套还是渐渐地“勒紧”了她的脖子。 声称誓死守护佳人的贤重？陌生而亲切的基雄？熟悉的亲人？想杀死佳人的“两个人”到底会是谁呢？

实加（石田光 饰）和千津子（中岛朋子 饰）是情同手足的姐妹，千津子非常疼爱自己的妹妹，而实加也心安理得的生活在千津子的照顾之下，不用为任何事情操心。不幸的是，一场意外夺走了千津子的生命，为了安抚心碎欲绝的母亲，实加不得不在家中扮演起了姐姐的角色，这一切令她感到十分的疲倦，无人倾诉的实加只得将心里的郁闷诉说给姐姐的遗像听。 　　一天夜里，实加在路上遇见了几个小流氓，在这千钧一发之际，姐姐的魂魄竟然显灵了，千津子赋予了实加强大的力量，帮助她击退了流氓。实加终于发现，即便已经不再人世，千津子依然挂念着她。

实加（石田光 饰）和千津子（中岛朋子 饰）是情同手足的姐妹，千津子非常疼爱自己的妹妹，而实加也心安理得的生活在千津子的照顾之下，不用为任何事情操心。不幸的是，一场意外夺走了千津子的生命，为了安抚心碎欲绝的母亲，实加不得不在家中扮演起了姐姐的角色，这一切令她感到十分的疲倦，无人倾诉的实加只得将心里的郁闷诉说给姐姐的遗像听。 　　一天夜里，实加在路上遇见了几个小流氓，在这千钧一发之际，姐姐的魂魄竟然显灵了，千津子赋予了实加强大的力量，帮助她击退了流氓。实加终于发现，即便已经不再人世，千津子依然挂念着她。

In a fairy tale like treatment, the film shows an encounter of two boys - a rich kid living in big house and a boy living in a slum. The rich boy’s window overlooks the slum. 　　The film moves through the attempts at one-upmanship evident in their successive display of their toys. When the slum boy takes out a flute, the rich boy drowns its sound by his loud toy-trumpet; when the slum boy switches to a home-made mask and spear, the rich boy becomes a cowboy with a gun; when the slum boy tries to fly a humble kite, the rich boy shoots it down by his toy rifle… The slum boy gives up trying to be friends with the rich boy and the rich boy seems proud of his victory. Not for long, though… 　　Notes of the slum boy’s flute are heard again as the rich boys noisy toy-robot trips and breaks down. The film ends with the rich boy pondering over his unspoken defeat. 　　Comments 　　Two was made as part of a trilogy of short films from India that were commissioned by the US Public Television under the banner of Esso World Theater. The other two films featured Pandit Ravi Shankar and a ballet troupe from Bombay. 　　Ray was asked make a film in English in a Bengali setting. Not very happy with the prospect, he opted to do away with the spoken word. A great admirer of the silent cinema, Ray pays a tribute to the genre. 　　The film “packs quite a punch in its ten (actually 15) minutes”, Ray wrote to Marie Seton at the timing of making the film.

In a fairy tale like treatment, the film shows an encounter of two boys - a rich kid living in big house and a boy living in a slum. The rich boy’s window overlooks the slum. 　　The film moves through the attempts at one-upmanship evident in their successive display of their toys. When the slum boy takes out a flute, the rich boy drowns its sound by his loud toy-trumpet; when the slum boy switches to a home-made mask and spear, the rich boy becomes a cowboy with a gun; when the slum boy tries to fly a humble kite, the rich boy shoots it down by his toy rifle… The slum boy gives up trying to be friends with the rich boy and the rich boy seems proud of his victory. Not for long, though… 　　Notes of the slum boy’s flute are heard again as the rich boys noisy toy-robot trips and breaks down. The film ends with the rich boy pondering over his unspoken defeat. 　　Comments 　　Two was made as part of a trilogy of short films from India that were commissioned by the US Public Television under the banner of Esso World Theater. The other two films featured Pandit Ravi Shankar and a ballet troupe from Bombay. 　　Ray was asked make a film in English in a Bengali setting. Not very happy with the prospect, he opted to do away with the spoken word. A great admirer of the silent cinema, Ray pays a tribute to the genre. 　　The film “packs quite a punch in its ten (actually 15) minutes”, Ray wrote to Marie Seton at the timing of making the film.