中国绘画艺术历史悠久，源远流长，经过数千年的不断丰富、革新和发展，以汉族为主、包括少数民族在内的画家和匠师，创造了具有鲜明民族风格和丰富多彩的形式手法，形成了独具中国意味的绘画语言体系，在东方以至世界艺术中都具有重要的地位与影响。

探索发现—中国绘画艺术（第一集）笔墨春秋 探索发现—中国绘画艺术（第二集）胸中造化 探索发现—中国绘画艺术（第三集）缤纷万象 探索发现—中国绘画艺术（第四集）丹青妙绘 探索发现—中国绘画艺术（第五集）三分鼎足 探索发现—中国绘画艺术（第六集）物华天宝

蒋兆和，我国著名国画大师。代表作《流民图》、《给爷爷读报》、《杜甫像》等。他自学成才，后师从徐悲鸿，新中国成立后在中央美术学院国画系任教。他将西洋画中的写实技法与中国画传统结合起来，成为徐悲鸿“改造中国画”一脉的代表画家，为中国画的人物画创作做出了新的贡献，被苏联艺术界誉为“东方的伦勃朗”。此片由北京科学教育电影制片厂制作，深入浅出地介绍了蒋兆和的艺术创作，包括许多珍贵的蒋兆和写生片段，具有重要的研究价值和美育价值。（Gwtw吕）

2008年7月的北京，在距奥运会开幕越来越近的日子里，上班途中的中国美术馆馆长的思绪并没有离开在2008年一月的敦煌艺术展……

《海报师》是关于香港艺术家阮大勇先生的真实纪录电影，涵盖阮氏生平事迹、作品、艺术成就及其对华语电影文化的影响和贡献。阮大勇1941年出生于浙江省，1950年代随父移居香港，1976年凭手绘《半斤八两》电影海报成名，其后创作海报超过200套。代表作包括：李小龙、许氏兄弟、麦嘉、周星驰、成龙、洪金宝的功夫喜剧电影系列。

The Renaissance is the remarkable story of the age in which the techniques and inspirations which had been lost since the classical era were rediscovered and reintroduced into the world of art. This episode features the work of Leonardo da Vinci, Raphael, Holbein and Michaelangelo.

暂无剧情简介

Following the development of non-secular art in the seventeenth century, the world of art in the eighteenth century assumed a more decorative role with a greater emphasis on pastoral themes. This episode features the work of Watteau, Boucher, Hogarth, Gainsborough and Reynolds.

一个面积相当于一个大陆的国家,拥有13亿人口,如何去了解这样一个国度,以及塑造她的各种力量?探索中国的艺术无疑是最好的方法。中国山水中透出的宁静平和是古代诗人与画家的心灵港湾,凭借一个世纪以来考古学上的惊人发现,中国人凭借双手创造出的最引人注目的杰作从尘土中苏醒，中国古代艺术由此揭示了这个国家的文化之根。

In this four and a half hour documentary or filmic tavelogue, Ulrike Ottinger tries to impart new ways of seeing a foreign culture. "In my previous films I have dealt with the themes of exoticism, minorities and their differing role behaviour within their own culture. Now I am interested in expanding this theme, in getting to know a 'real exoticism' in a foreign land and in a different culture. I am attempting to conduct a visual discourse with my camera about exoticism as a question of point-of-view. In making the film, I was influenced by Chinese naturepainting: by the use of the scroll, which not only demands a different method of painting, but a different way of viewing - rolling out the scroll, focusing in on details, wandering to and fro, viewing piecemeal. So if I was filming a market square, for example, I'd pan very slowly and steadily across the square, rather than trying to capture the image in toto. – Ulrike Ottinger