这是玩具商Tomy制作的人偶丽佳娃娃所衍生的第一部动画。

Tomy于1992年制作的第三部丽佳娃娃的OVA

Reginald "Cool" Coolidge is a struggling actor, fed up with taking stereotypical African American roles and waiting for his big break in a legitimate production. Until this time comes, he works at his mother's boyfriend's gas station to repay him for covering his college tuition. One day at the station, his ex-fiancé - and one true love - reappears at the pumps after 3 years of silence. Cool discovers that it is 36 hours until her wedding to a local lawyer. As Cool embarks on last-ditch attempts to win her back, he takes on the biggest "role" of his life while also learning the secret to mastering his craft.

主人公是新搬家到笑嘻嘻银座的香花.从香花的家开始走正好100步,有着真正的魔女--福子小姐经营的药店.在福子的指导下,成为见习魔女的香花得到了使用魔法的道具---阿鲁德鲁小瓶.然后,在搬到笑嘻嘻银座的一年间,通过和街上的人,四季的精灵和魔女进行交流,香花作为魔女,作为人类成长着.

魔法师让汤姆看管的戒指，被杰瑞当王冠戴在头上，拿不下来了……

Recently divorced Kevin Keegan is a photo journalist who quits his job and returns to alma mater, Roosevelt High School, to teach journalism. He then teaches his class how to produce a television news program instead of a traditional school newspaper...TV 101 is an American drama series that aired on CBS from 1988 until 1989. The series stars Sam Robards, Brynn Thayer, Leon Russom and Andrew Cassese. Other notable cast members include Stacey Dash, Teri Polo, Alex Désert and Matt LeBlanc. The music for this show was created and produced by Todd Rundgren.

布莱恩（保罗·达诺 Paul Dano 饰）上过大学，家境殷实，还有两个中产哥哥，但他却选择做了高级床垫推销员，也毫无成家立业的打算，只是有一个古怪的人生目标——领养一个中国婴儿，但因他散漫的生活状态和条件，总是申请不到。一日，一个美丽的女孩海贝（佐伊·丹斯切尔 Zooey Deschanel 饰）走进了他的床垫店，还在试睡时候真的睡着了，两人就此相识，擦出火花。海贝是个标准富家女，她没有正经工作，也没有认真交过男朋友，和富豪老爸一起生活，心里留着风流老妈的阴影。布莱尔和海贝的交往在认真和逃避之间左右摇摆地进行起来，直到布莱恩的中国婴儿终于申请下来，已经决定离开他去巴黎学厨艺的海贝似乎也开始动摇……

Antoine, an accountant by trade, becomes a private detective to support his family. His wanderings lead him to transport a cargo of malachite to Le Havre, in the hope of a large bonus. With the help of his family, and despite a few mishaps, Antoine achieves his goal.

A fantastically atmospheric but rarely seen missing link in the development of Tod Browning’s artistry, set amid his favored milieu of shadowy sideshows and clever criminals, The Mystic provides a striking showcase for silent-era diva Aileen Pringle, who sports a series of memorably outré looks (courtesy of art-deco designer Erté) as Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man (Conway Tearle), crashes—and proceeds to swindle—American high society. Browning’s fascination with the weird is on full display in the eerie séance sequences, while his subversive moral ambiguity extends surprising sympathy to even the most seemingly irredeemable of antiheroes.