Joe believed in right and wrong until... His job outsourced to India. His teaser rate spiked. His wife bailed. But Joe has a plan...to get it all back, and more. Joe returns home, to the last place on planet Earth where real men can be found...Chicago. Joe's Uncle Dominic is "connected". Joe wants in...to The Mob, or "The Outfit", as it is called in Chicago. And he'll do anything to make it happen. Can a wanna-be wise guy live a long and happy life ? A way cool element of The Return of Joe Rich is amazing HD documentary footage of 10 real-life "Chicago Guys" ages 73 to 89. These "guys" found themselves in the same predicament, in real life, in the 1930's, 40's, and 50's, that Joe does today. They form a "Greek Chorus" which inter-cuts with the present day narrative of The Return of Joe Rich. Written by Sam Auster

Joy Levine is shabby and worn-out on the outside while well-kept and filled with joy on the inside. Her family is a mess, her father is losing bladder control, her overbearing mother nags her to find a husband and her brother lost his job, but pretends to go to work each day to keep his marriage together. Joy’s life changes when she signs up as a candidate for a TV show named “Gotta Be Happy”. To her astonishment, she is chosen to throw a surprise party for her parent's on the upcoming show. The show is to be aired right after Yom Kippur, with forgiveness being its theme. Joy is required to get all her parent's friends to the party in order to conduct the reconciliation. However, there is a price to pay for all this: she has to let the viewers into her private inner world and share with them an event that has been overshadowing her family's life for the past 22 years; An event that caused a tight-knit bunch of friends to shun her parent's, Chaya and Yitzhak Levine. Joy is a heartbreakingly unforgettable character and the rapturous Sigalit Fuchs is pitch perfect in her depiction. The film is a masterful work from a director who has the uncanny ability to encompass the endearing and the bleak, the innocent and the contemptible with richly drawn characters. The Israeli Film Academy for Best Actress The Israeli Film Academy for - Best Supporting Actress The Israeli Film Academy for - Best Art Director The Israeli Film Academy - Best Costume Design The Israeli Film Academy Award for - Best Original Music

塔莉娅·莱德、黛安·克鲁格将主演传记新片[乔伊卡]！詹姆斯·纳皮尔·罗伯逊([黑马])自编自导。莱德饰演著名芭蕾舞女演员乔伊·沃马克，“乔伊卡”为其俄语名，她是第二位与莫斯科大剧院芭蕾舞团签约的美国女性。克鲁格则饰演乔伊卡的导师沃尔科娃。托马辛·麦肯齐退出该项目。

一位天真纯朴的圭亚那移民在布里克斯顿犹太人区接触到了赫斯特林的生活方式。

改编自真实故事，劳伦斯饰演的乔伊·曼加诺原本是一名普通的单身母亲，之后她凭借发明“魔术拖把”起家，单凭这一项发明就获得了数百万美元的回报。之后她还改良了衣架、熨斗等家用用品，逐渐成为一名成功的企业家，建立起自己的商业帝国。

本作是由遊戲改編而成動畫的,原遊戲的內容將力求原汁原味地保留在動畫中,相信玩過這遊戲的人必定蠻了解故事內容,不懷還是稍微為沒玩過的人稍微介紹一下故事內容。故事描述主角--JOE,一個平凡的青年,最大的興趣就是觀看超級英雄--Captain Blue的電影,以及收集相關的週邊產品。某日,JOE聽說戲院將播映傳說中從未上映的Captain Blue電影,立刻慫恿女朋友--Silvia一起去看,正當Captain Blue與邪惡的敵人們展開一場正邪大戰時,出現了不可思議現象。首先,無敵的Captain Blue被敵人打敗了,Captain Blue駕駛得機器人--Six魔神竟然從電影跑到真實世界中,還倒在JOE的旁邊,可是Captain Blue卻不見人影。更怪異的是剛力怪人,竟然把Silvia抓走了,JOE為了救Silvia,也奮不顧身的衝進電影中。這時Captain Blue又出現了,他跟JOE說他已經老了,希望JOE能夠繼承他成為新的超級英雄,就這樣,新一代的超級英雄--Viewtiful Joe登場啦。一部充滿美式卡通風格,在加上2頭身造型的人物設計,就故事而言也是美式的超級英雄VS邪惡的敵人,完全有別於日式的動畫,對於喜好美式動漫的人是一個不錯的選擇吧,而且從1,2集來看,似乎也有蠻多搞笑的場面的,打鬥場面十分有趣,看看笑笑不錯啦!!

剧情围绕英国侦探托马斯·林利警官及其搭档芭芭拉·哈弗斯警官展开，他们在解决与社会问题交织的犯罪案件的过程中合作。作为第八代阿舍顿伯爵，林利出身于英国王室之外的最高贵族阶层，而哈弗斯则是一位敏锐的女性，没有显赫的家世。他们的社会地位差异常常带来有趣的对话和不同的视角，从而探讨阶级与性别的主题。

吉莉和乔伊接到了Tingelstein姐妹交给她们的一项任务：照顾她们的哥哥Gadgetus。Gadgetus是个心不在焉的发明家，还拥有一座农场。 吉莉和乔伊逐渐发现了这座农场的奇妙与美好之处。然而，当农场面临被拆除的危机时，她们开启了一场冒险之旅。 吉莉和乔伊借助Gadgetus发明的装置拯救农场，在救援过程中，她们得到了一头名叫阿姆斯特朗的迷你猪以及住在玫瑰园里的人们的帮助。

在一个沉闷、荒凉的小镇上，27岁的乔伊（Joy）是一名孤儿，她虔诚地践行着自己的信仰，几乎从未离开过她所在的教堂。直到有一天，她目睹了年轻男子安德烈（Andriy）在她面前被人殴打。很快，她坚信他们的相遇是命中注定……

Reuniting after last year's Between the Temples, director Nathan SIlver and star Carol Kane shift focus to the actress' 98-year-old mother, Joy Kane—a music teacher and former dancer who lives with Carol on the Upper West Side, and who regales them (and us) with fascinating cultural histories and piano performances over the course of a single afternoon. Carol & Joy is a documentary replete with love, pain, and texture: a close-quarter view of artistic vocation, mother-daughter bonds, and two women's journeys through one century and into another.