劇情大綱： 　　紀梵希（Hubert de Givenchy）被讚譽為「二十世紀最才華洋溢的服裝設計師」。他憑藉著獨樹一幟的優雅格調，並且在巴黎世家創辦人巴倫夏加的鼓勵之下，24歲即自創品牌，隨後在時尚界享有「時尚巨人」的盛名，半個世紀以來屹立至今。他是銀幕女神奧黛莉赫本的幕後推手，從《龍鳳配》、《甜姐兒》，尤其是《第凡內早餐》的黑色洋裝蔚為風潮，所有人爭相模仿，成為巴黎少女的制服，這就是他一手創造的「赫本旋風」。崇拜他的時尚信徒包括溫莎公爵夫人、奧黛莉赫本以及美國總統夫人賈桂琳甘迺迪。1963年，美國總統甘迺迪遇刺身亡，紀梵希甚至為賈桂琳設計出席葬禮的喪服。 　　紀梵希為女性設計的服裝，對象從八歲到八十歲，從白天上班、逛街到晚上出席宴會的衣服都有，適合任何時刻、任何場合。紀梵希對時尚的熱情，不但不隨著光陰流逝，而是與日俱進。1995年退休之後，直到今天，紀梵希仍每天創作與畫畫，他確信生活的小確幸就是這麼隨手可得。 　　◎1952年，自創品牌，成立紀梵希工作室（the House of Givenchy）。 　　◎1953年，開始為好萊塢明星奧黛莉赫本設計服裝，隨後成為品牌代言人。 　　◎1982年，在紐約時裝院舉辦「紀梵希三十年回顧展」。 　　◎1988年，紀梵希品牌正式併入路易威登(LVMH)集團。 　　◎1992年，在巴黎凡爾賽宮舉辦「紀梵希四十年回顧展」。 　　◎1995年，紀梵希在最後一場告別秀，正式宣告退休。 　　紀梵希與奧黛麗赫本 　　1993年「永遠的甜姐兒」奧黛麗赫本逝世。陪著她走完最後一程的抬棺人，是她生命中最重要的五個男人-她的兒子尚恩與盧卡、最後的伴侶羅伯特沃德斯、第二任丈夫安德烈·多蒂、以及一生的摯友雨伯紀梵希。兩人真摯的友誼始於1953年，奧黛莉赫本的演藝事業剛起步，朋友推薦她來到紀梵希的工作室挑選戲服，正忙於製作新裝發表服裝的紀梵希，見到眼前這位少女便告訴她自己無法為她設計適合的衣服，然而，奧黛麗看著工作室模特兒架上現成的衣服，因為真的很喜歡，於是堅持試一試，沒想到每一套都非常適合奧黛麗。奧黛麗非常興奮地告訴他關於電影的角色以及腳本，於是紀梵希答應為她試試看。 　　奧黛麗的新片【龍鳳配】上映之後，紀梵希為電影設計的戲服，深深獲得大家的喜愛，然而電影片尾居然沒有紀梵希的名字，這讓奧黛麗震怒，她告訴紀梵希：「這種事不會再發生了，我要你為我設計以後所有電影的戲服。」從此開啟了紀梵希與奧黛麗長達四十年的友誼。奧黛麗在【第凡內早餐】裡戴著寬大的帽子，拿下墨鏡的模樣，成為影史經典。她那襲黑色洋裝更為少女們爭相模仿，巴黎街頭處處是穿著奧黛麗洋裝的少女，稱作制服一點也不誇張。 　　而奧黛麗赫本也知恩圖報，成為紀梵希第一支香水的代言人，造成全球熱銷。此後，紀梵希為奧黛麗設計戲服、出席宴會的禮服，奧黛麗有一年擔任聯合國慈善大使，紀梵希也特別為她設計了活動方便的褲裝。直到奧黛麗臨終前，紀梵希應她之邀，飛到瑞士看她，奧黛麗留給紀梵希一件大衣，她說：「當你覺得孤獨，穿上這件大衣，就好像我緊緊擁抱著你」兩人深刻的感情，令人動容。

劇情大綱：紀梵希（HubertdeGivenchy）被讚譽為「二十世紀最才華洋溢的服裝設計師」。他憑藉著獨樹一幟的優雅格調，並且在巴黎世家創辦人巴倫夏加的鼓勵之下，24歲即自創品牌，隨後在時尚界享有「時尚巨人」的盛名，半個世紀以來屹立至今。他是銀幕女神奧黛莉赫本的幕後推手，從《龍鳳配》、《甜姐兒》，尤其是《第凡內早餐》的黑色洋裝蔚為風潮，所有人爭相模仿，成為巴黎少女的制服，這就是他一手創造的「赫本旋風」。崇拜他的時尚信徒包括溫莎公爵夫人、奧黛莉赫本以及美國總統夫人賈桂琳甘迺迪。1963年，美國總統甘迺迪遇刺身亡，紀梵希甚至為賈桂琳設計出席葬禮的喪服。

自2018年8岁的安娜贝尔·斯塔恩斯失踪以来，没有任何线索浮出水面。所以约克县警察局决定公布从住所找到的录像希望能找到她的下落。这就是那段录像。

自2018年8岁的安娜贝尔·斯塔恩斯失踪以来，没有任何线索浮出水面。所以约克县警察局决定公布从住所找到的录像希望能找到她的下落。这就是那段录像。

Dior 首席裁縫Esther已屆退休年齡。某日，她在地鐵中被一個二十歳少女Jade偷去手袋。她不但沒有報警，反而決定照顧她。Esther覺得Jade是一顆好苗子，可以將她畢生所學的縫紉技術傳授給Jade。Jade從Esther身上學到的優美舉止讓她得以在狂熱的高級時裝界找到超越自我的途徑。

尼克·卡萨维蒂(《恋恋笔记本》《阿尔法狗》)商谈执导时尚题材新片《高级定制》(Couture)，剧本由他和肖恩·格洛弗(《一切过后》)编写。 　　设定在现代，讲述一个传奇时装设计师的帝国必须为其女儿的精神疾病让步，揭示精神分裂症对青少年和亲人的影响。

该剧是一部都市青春言情剧作，该剧已经正式亮相万达2017年正式公布的最新电视片单中

PROGRAM DESCRIPTION 　　This film uncovers the anachronistic and surprising fairytale world of haute couture through its players past and present, featuring rare archive from the BBC vaults. 　　Margy Kinmonth takes a journey from Paris to New York and California to meet both designers and customers in this much talked about but little explained pocket of the fashion industry. Haute couture’s traditional American customers are getting old and dying off now and fewer wealthy young women are taking their place to ensure its survival. She discovers how much has changed and surprisingly how much has stayed the same in this story of decadent decline. 　　Since its heyday after WW 2 the number of fashion houses showing haute couture in Paris has fallen from over a hundred to barely a dozen today. Margy Kinmonth goes behind the scenes at the haute couture giant Chanel as it prepares for the January shows in which its spring/summer collection is launched. We are given a rare interview and glimpse of the famous Karl Lagerfeld of Chanel at work drawing in his studio. We follow the making and complicated construction of one dress to fully understand what “hand made in Paris” really means. Margy interviews John Galliano,Dior’s designer, veteran Italian designer Valentino and French favourite Christian Lacroix. We are treated to vintage archive of early haute couture shows. 　　The film follows key haute couture customers as they visit Paris to see the shows and shop for dresses that can cost up to 100,000 dollars each. Kinmonth asks who are these women and why are they prepared to spend so much money on one dress? There are strict unwritten rules for belonging to this exclusive shopping club.What are they? Why is it all so hush hush? 　　We visit keen haute couture aficionado Betsy Bloomingdale in Los Angeles and see her large collection of haute couture. We meet one of the oldest multi- millionaire collectors in New York City - Carol Petrie whose wedding dress was made by Christian Dior himself in the late 1940’s. We see U. S designer Ralph Rucci’s collection in New York. He is one of the few foreigners allowed to show haute couture in Paris. 　　Texan oil and gas tycoon’s wife Becca Cason Thrash, Susan Gutfreund – wife of the 80’s bond dealer John Gutfreund and Daphne Guinness, a Brit with a passion for haute couture are all interviewed. They mingle on the front rows of the catwalk shows alongside celebrities such as Victoria Beckham. Insider Baroness Helene de Ludinghausen, who was for 31 years the directrice of Yves Saint Laurent, spills the beans about the subject no one ever mentions – how much this frocks cost. 　　Is haute couture now an art form? The customers all think so.

PROGRAM DESCRIPTION 　　This film uncovers the anachronistic and surprising fairytale world of haute couture through its players past and present, featuring rare archive from the BBC vaults. 　　Margy Kinmonth takes a journey from Paris to New York and California to meet both designers and customers in this much talked about but little explained pocket of the fashion industry. Haute couture’s traditional American customers are getting old and dying off now and fewer wealthy young women are taking their place to ensure its survival. She discovers how much has changed and surprisingly how much has stayed the same in this story of decadent decline. 　　Since its heyday after WW 2 the number of fashion houses showing haute couture in Paris has fallen from over a hundred to barely a dozen today. Margy Kinmonth goes behind the scenes at the haute couture giant Chanel as it prepares for the January shows in which its spring/summer collection is launched. We are given a rare interview and glimpse of the famous Karl Lagerfeld of Chanel at work drawing in his studio. We follow the making and complicated construction of one dress to fully understand what “hand made in Paris” really means. Margy interviews John Galliano,Dior’s designer, veteran Italian designer Valentino and French favourite Christian Lacroix. We are treated to vintage archive of early haute couture shows. 　　The film follows key haute couture customers as they visit Paris to see the shows and shop for dresses that can cost up to 100,000 dollars each. Kinmonth asks who are these women and why are they prepared to spend so much money on one dress? There are strict unwritten rules for belonging to this exclusive shopping club.What are they? Why is it all so hush hush? 　　We visit keen haute couture aficionado Betsy Bloomingdale in Los Angeles and see her large collection of haute couture. We meet one of the oldest multi- millionaire collectors in New York City - Carol Petrie whose wedding dress was made by Christian Dior himself in the late 1940’s. We see U. S designer Ralph Rucci’s collection in New York. He is one of the few foreigners allowed to show haute couture in Paris. 　　Texan oil and gas tycoon’s wife Becca Cason Thrash, Susan Gutfreund – wife of the 80’s bond dealer John Gutfreund and Daphne Guinness, a Brit with a passion for haute couture are all interviewed. They mingle on the front rows of the catwalk shows alongside celebrities such as Victoria Beckham. Insider Baroness Helene de Ludinghausen, who was for 31 years the directrice of Yves Saint Laurent, spills the beans about the subject no one ever mentions – how much this frocks cost. 　　Is haute couture now an art form? The customers all think so.

一贫如洗的流浪汉查理终日忍受着饥饿的困扰，他试图找一份工作，却比登天还难——失业的人太多了。这一天，当他再一次从招工的队伍中悻悻而归时，却偶遇了一只受伤的小狗斯凯普。心地善良的流浪汉从此与斯凯普相依为命，“合伙”偷来午餐车里的香肠解决了肚子问题。他们又来到一个舞厅，邂逅了歌女埃德娜，却因付不起钱而被人扔出了场子。当查理垂头丧气地回到破烂不堪的小屋时，斯凯普突然发现了什么——它拼命刨坑，竟挖出了一个装满钱的钱夹，于是一切都改变了……