the best pet shop boys video collection ever Jack Bond (videos "Always On My Mind" and "Heart") Howard Greenhulgh (videos "Can You Forgive Her?", "Go West", "I Wouldn't Normally Do This Kind of Thing", "Liberation", "Yesterday, When I Was Mad", "Paninaro '95", "Before", "Single-Bilingual", "A Red Letter Day", "New York City Boy") Annie Griffin (video "Somewhere") Derek Jarman (videos "It's a Sin" and "Rent") Liam Kan (videos "How Can You Expect to Be Taken Seriously?" and "Where the Streets Have No Name [I Can't Take My Eyes Off You]") Chris Lowe (video "Paninaro") Andrew Morahan (videos "West End Girls", "Love Comes Quickly" and "Opportunities [Let's Make Lots of Money]") (as Andy Morahan) Martin Parr (video "London") Pedro Romhanyl (videos "I Don't Know What You Want But I Can't Give It Any More" and "You Only Tell Me You Love Me When You're Drunk") Zbigniew Rybczynski (video "Opportunities [Second Version]") Neil Tennant (video "Paninaro") Wolfgang Tillmans (video "Home and Dry") Eric Watson (videos "Love Comes Quickly", "Suburbia", "What Have I Done to Deserve This?", "Domino Dancing", "Left to My Own Devices", "It's Alright", "So Hard", "Jealousy", "DJ Culture") Bruce Weber (videos "Being Boring", "Se a vida é - That's the Way Life Is", "I Get Along/E-Mail")

Pop Go the Women: The Other Story of Pop Art The story of pop art has been culturally canonised as the preserve of a ground-breaking gang of boys, focusing on the likes of Roy Lichtenstein, Andy Warhol, Peter Blake, Richard Hamilton, or Tom Wesselman. Just like Andy Warhol's soup cans or Lichtenstein's comics, women were simply commodified objects. However back in the day, pop art was not just a boys' club. The scene was full of female artists, tussling with sexuality, violence and consumer culture every bit as much as their male counterparts. Strangely, their work has been consigned to the margins of history - they started out together, shared the same art dealers and were shown in the same exhibitions, but as the boys' prices skyrocketed, the girls' stayed put. By the end of the sixties they had pretty much been erased from the pop narrative. In this Culture Show special, Alistair Sooke tracks down the forgotten women artists of pop, finding many of them are still alive and working, their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer and Jann Haworth.

Alastair Sooke celebrates the protean genius of one of America's most prolific and original artists, Robert Rauschenberg. Fearless and influential, he blazed a trail for artists in the second half of the 20th century, and yet his work is rarely seen here in the UK. That is about to change with a major retrospective at Tate Modern in December 2016. Rauschenberg was the first artist to win the Golden Lion at the Venice Biennale in 1964, creating a crucial bridge between the abstract expressionists of the 50s and the pop artists who emerged in the 60s. Famous for his 'combines' that elevated the rich junk of life to the status of high art, he continued to work right up to his death in 2008, collaborating with dancers, scientists and social activists on a startlingly broad array of projects. Presenter Alastair Sooke travels to the east coast of the USA to talk to those closest to Rauschenberg to reveal the boundless curiosity and restless experimentation that kept him engaged till the very end of his six-decade career.

二十世纪最重要的艺术形式之一，波普艺术的拥趸，阿拉斯泰尔·苏克将剥去波普艺术空洞、玩世不恭的表面，为观众揭示它内在的颠覆性智慧和激进理念的艺术风格。他将采用一种全新的视角来审视波普艺术大师，安迪·沃霍尔和罗伊·利希滕斯坦的大作，并追溯到这门艺术的先驱者们，包括美国的詹姆斯·罗森奎斯特、克拉斯·欧登伯格和埃德·拉斯查，以及英国的神父彼得·布莱克和艾伦·琼斯。同时，他也将揭示波普艺术是如何让那些名人、广告界和大众媒体为之着迷，并最终掀起了一次席卷全球的艺术运动。此外，阿拉斯泰尔还将前往中国，见证这里新一代的艺术家是如何在二十一世纪对波普艺术进行重塑。

艺术就一定高档？杜尚话你知尿兜可以是艺术品，名画《蒙娜丽莎》也可以被他加上两撇须，流芳后世。杜尚轻而易举地颠覆造反，重新定义几百年以来的艺术。这位概念艺术之父，挑战传统的审美观，打破艺术的规范和形式，拒绝重复的创作模式，让后世的艺术家毫无包袱，发挥无远弗届的想像力，启发安迪・华荷（Andy Warhol）、约翰・凯吉（John Cage）、小野洋子（Yoko Ono），甚至Lady Gaga。本片聚焦费城艺术博物馆及耶鲁大学美术馆等珍藏的杜尚作品，透过如《大玻璃》，投射超越身体和现实的四维空间，提倡以不同的角度去感受艺术品。当代艺术名家库恩斯（Jeff Koons）、鬼才导演米高・歌治（Michel Gondry）、行为艺术教母玛莉娜（Marina Abramović）更会在片中亮相，细说杜尚如何反艺术至上。

杰克是一个正在探索自我身份的小男孩，他结识了刚出狱的前罪犯波普。两人建立了友谊，但波普的过去以及他无法控制自己的情绪，可能会让杰克陷入危险。

导演点评：本片中只有火车行驶的画面。运用了剪纸和赛璐珞画卡。我剪贴了各类火车的图形，并且配以烟的动画。之所以命名为“POP”，是想体现波普艺术元素和火车行驶时发出的声响。

《杜尚尼亚VR》讲述的是一场运动的故事。这件艺术作品聚焦于社会中权力和性别失衡的主题，旨在颠覆我们集体文化中一个常见的形象：即女性走下楼梯的形象……