夏晓凝得知婆婆患肝癌需肝移植，肝源仅剩一天有效期，紧急筹钱时，丈夫田楠误认得病的是她母亲，联合姐姐田慧、姐夫李哲拒绝出钱，还故意拖延时间导致肝源被调走。真相揭晓后，田楠等人追悔莫及，想卖房救母却需夏晓凝配合。最终，夏晓凝为报婆婆恩情同意卖房，却坚持离婚，让田楠一家为自私付出代价

高中生波琳娜在新学校摆脱了欺凌，并与主要欺凌者巴尔斯达成了协议：他必须假装是她的男朋友并保护她，而她则必须听从他的所有吩咐。在这段交往过程中，这对情侣逐渐产生了真挚的感情，但她的家人和同学们却有理由让他们分开。

在这个以“善解人意”为名的华丽牢笼中，她本应谨遵母亲教诲，成为他人眼中的温婉贤淑。然而，当亲人接连遇害，家族恩怨如潮水般涌来，她才明白，所谓的“善解人意”，不过是步步被逼的催命符。为报杀母之仇，她将仇人溺毙于池，手段狠辣；为祭奠亡母，她送外室母女一同前往黄泉，绝不留情；甚至面对祖母对父亲继室的急切，她以绝子药终结了老人的念想，目光决绝。她以为自己已是“善解人意”的典范，直到夫君带着外室母子逼她让位，质问她“断子绝孙”的罪名。那一刻，她明白了，真正的“善解人意”，是让所有试图摧毁她的人，都尝到他们亲手种下的恶果。在这场波诡云谲的权力斗争和生存游戏里，她将用另一种方式，“善解”这命运的安排。

廊下那抹青衣总是安静。他研墨时垂着眼睫，袖间松香随动作隐隐浮动。直到某日暴雨突至，我避入廊角，他迟疑着递来半幅未干的宣纸——上面墨迹淋漓，不是情诗，竟是我昨日随口吟残的半阕词。雨珠沿着瓦檐坠成串，他耳尖微红，转身时，袖口那缕墨香忽然就缠住了潮湿的黄昏。

The final film by filmmaker Marlon Riggs jumps into the middle of explosive debates over Black identity. BLACK IS... BLACK AIN'T is a fi lm every African American should see, ponder and discuss. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating. Is there an essential Black identity? Is there a litmus test defining the real Black man and true Black woman? Riggs uses his grandmother's gumbo as a metaphor for the rich diversity of Black identities. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of "Blackness." Riggs mixes performances by choreographer Bill T. Jones and poet Essex Hemphill with commentary by noted cultural critics Angela Davis, bell hooks, Cornel West, Michele Wallace, Barbara Smith and Maulana Karenga to create a flavorful stew of personal testimony, music, and history.

The final film by filmmaker Marlon Riggs jumps into the middle of explosive debates over Black identity. BLACK IS... BLACK AIN'T is a fi lm every African American should see, ponder and discuss. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating. Is there an essential Black identity? Is there a litmus test defining the real Black man and true Black woman? Riggs uses his grandmother's gumbo as a metaphor for the rich diversity of Black identities. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of "Blackness." Riggs mixes performances by choreographer Bill T. Jones and poet Essex Hemphill with commentary by noted cultural critics Angela Davis, bell hooks, Cornel West, Michele Wallace, Barbara Smith and Maulana Karenga to create a flavorful stew of personal testimony, music, and history.

讲述霸道总裁卢卡斯和多年前因争执而离去的养弟小甘以及新贼克兰之间的三角恋。 　　十三年前，陈的养弟甘因一场激烈争吵离家出走，从此再也没有回来，这让陈变得极度沮丧，后来陈改名为“卢卡斯”，成为一名成功的CEO。 　　小甘离家后被小偷家族收留他认识了新哥哥Crane（周鹤） 　　一个晴朗的日子，娜娜来了，她冒充甘的亲妹妹，利用卢卡斯对甘的愧疚感，说服卢卡斯与她订婚。 　　但卢卡斯不知道的是刚刚逃跑的小偷克兰Crane，他的下一个抢劫目标已经确定，就是卢卡斯和娜娜的新家。

虞希为父还债嫁给周秉森，可周秉森只是因为家人逼迫才娶了虞希，根本就不爱她，两人彼此也没见过面。但周秉森却在装修新房的过程中，爱上设计师虞希，虞希虽对他也有感情，却因他有家室而始终和他保持距离，直到顶替了虞希身份的冯莉莉算计被揭露，虞希周秉森两人才知道全部真相走到一起。

虞希为父还债嫁给周秉森，可周秉森只是因为家人逼迫才娶了虞希，根本就不爱她，两人彼此也没见过面。但周秉森却在装修新房的过程中，爱上设计师虞希，虞希虽对他也有感情，却因他有家室而始终和他保持距离，直到顶替了虞希身份的冯莉莉算计被揭露，虞希周秉森两人才知道全部真相走到一起。

三男三女围坐在桌边结为情侣，在酒会上享受时光的同时，其中一人提议各自分享一段性经验，朋友们纷纷分享自己的故事，他们沉浸在幻想中，想成为对方讲述的故事中的主角。