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    他对花一无所知 - 短剧

    短剧
    表姐开了一间澡堂,八千八一张门票,只接待女性。每个从澡堂出来的女人都容光焕发,像是一下子年轻了五岁。爱美的老婆也闹着我给她买了一张票,说要去享受享受。回来后,她满脸通红地表示还想再去,我有点心疼钱,一向体贴的老婆却直接跟我翻了脸……

    一无所知 - 电影

    2019奥地利动画·短片·剧情
    你不知道自己在看什麼,但人聲和語言卻變成聲響和樂 曲,現實影像成為超現實的抽象電影,都是為了與你嬉 戲,擴展你對影像的預期。 The idea of the film is to combine entertainment cinema with avant-garde film/video art and to play with the expectations of different audiences, even if they Don't Know What they are watching at first.
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    尽管你一无所知 - 电影

    2001西班牙剧情·爱情
    胡安(加里·皮奎尔 Gary Piquer 饰)是一个内向而又敏感的孩子,一心想要成为生物学家的他常常因为这个梦想而被其他的孩子嘲笑,因此倍感孤独。一次偶然中,胡安邂逅了住在家对面的名为露西亚(西尔维娅·蒙特 Silvia Munt 饰)的女孩,露西亚的美丽和开朗深深的吸引了胡安的注意,为了能够接近露西亚,胡安常常在躲在窗帘后面默默的观察着女孩的一举一动。 终于,露西亚答应了胡安的约会请求,然而约会当天,胡安却因为意外的发生而迟到了,当胡安终于赶到剧院时,一切都已经为时已晚。一晃眼多年过去,胡安如愿成为了知名的生物学家,而露西亚也嫁为人妻,可是,她的感情生活却并不顺利。
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    少年,你对群马一无所知 - 动漫

    2017日本电视剧·喜剧·动画
    主人公是从千叶县转学到此的男高中生神月纪。一本正经地描绘了从他的眼睛里看到的群马独特的地方文化和疯狂热爱群马这片土地的原住民的种种行为。
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    一无所求 - 电影

    2024中国大陆喜剧·脱口秀
    《一无所求》是王十七第二次的专场录制了,专场名源自于泰戈尔的一首诗,《园丁集》的第13首。与王十七第一个专场《方心未艾》不同的是,这个专场更像一部电影,从他读书时的趣事到病愈后的新生,大量活灵活现的场景呈现,让人几乎忘记这是一场单口喜剧表演;而和《方心未艾》相同的是,它依然老少咸宜,幽默生动又温情脉脉。而选择在北京秋天傍晚的大草坪搭景录制,更是给了所有人意料之外的美妙体验。
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    一无所获 - 电影

    2018法国动画·短片·剧情
    转自场库,NON!她满世界到处寻找着什么,翻遍了中空的杯子,混乱的星球,还跳进一个时空隧道,被折跃进另一个世界。但她还是说NON!什么也没有,什么也不是,我们想要的东西总是难以得到的东西。 这是创作者Louis Fourel在DMA动画电影(Cournon d'Auvergne)框架下制作的年终电影。简易凌乱的线条,看起来像是小孩子胡乱的涂鸦,搭上梯子爬进眼睛里查看,画面带了些许印象派的味道。 她到底在找什么呢,她的声音无波无澜,然后开始着急,然后逐渐崩溃。随着情绪的起伏,画面有彩色转为昏黑,一片混沌中,脑内思绪如同杂乱无章的线条,像是要把人逼疯……她找到自己想要的东西了吗?
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    一无所有 - 电影

    2002法国·英国剧情·喜剧·动画
    《折翼天使》是麦克李再度以英国蓝领阶级家庭为题材的作品。开计程车的丈夫、在超市当收银员的妻子,两个过于肥胖的子女,幸福似乎已离他们远去,直到儿子突然被诊断出先天性心脏病,这家人才又开始沟通。从主角到他们的左邻右舍,每个人几乎都有说不尽的故事,麦克李没有告诉你他们从此过著幸福快乐的日子,却带你一块经历这段深刻的心路历程。
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    一无所有 - 电影

    1998波兰剧情
    影片讲述一个年轻母亲海伦(安妮塔·库斯克思娃-博克思娃 Anita Kuskowska-Borkowska饰)带着三个年幼的孩子艰难生活的心酸故事。她的丈夫安东尼(詹纽思·潘纳西兹Janusz Panasewicz饰)经常扔下他们母女不管。害怕被丈夫遗弃的海伦,被迫杀死了自己的第四个孩子,海伦落下自责和痛苦的泪水,一无所有。波兰女导演用极为优美的光影和画面,向我们讲述这个悲惨的故事,配以浪漫的钢琴、竖琴和很多管弦乐团作为背景音乐,从美学角度将片中人物的痛苦美化了,从而引起强烈的争论和讨论。 电影荣获1999年布鲁塞尔电影节最佳女演员奖、波兰电影奖最佳导演奖等数十奖项。
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    一无所有 - 电影

    1991印度剧情·爱情
    The film takes place in Calcutta, 1971. Story begins with rehabilitation official Venu (Mohanlal) coming to Calcutta in one of his regular visits to shift about 35 - 40 refugee families to Andaman Islands. The current rehabilitation plan is only those who fall under the category of schedule caste farmers. People in Andaman too are not happy about taking in refugees. All the refugees have been staying in Permanent Liability Camp in Rana ghat, West Bengal for the past two decades. Experiencing the shattered lives of poor displaced people deeply hurts Venu, who in his silent moments alone in his small lodge room frequently finds himself lost in the thoughts about the lives of the refuge seekers he meets during the day. Living an oppressed life, their only hope being the occasional promises of land, cattle and other grants by the bureaucratic state. Aravindan takes us closer into the life of a refugee when Venu realizes that the sorrow of one refugee family is his own. One day, an old lady, Arthi Panicker(Neelanjana Mitra) comes to meet Venu in his lodge. She speaks broken malayalam which surprises Venu. She's a refugee from East Bengal. She desperately wants to move out of the wretched Calcutta for a better future of her children, a daughter (who's completed MA but never appeared of the examination) and a son about whom she's very sad. Her daughter Damayanti(Neena Gupta) quit studies and is a communist revolutionary on parole. Venu realizes that they are no one but his own uncle's family, his uncle Kunjunni Panicker whom he admired so much, a poet and revolutionary who left home long back (probably to join Bose's INA) when Venu was a child. Venu visits home in Kerala, a typical matrilineal nair household, to discuss about his chance meeting with Kunjunni uncle's family and also to secure their rightful share for them. Venu's mother has no sympathies for Arthi Panicker and her kids. Kunjunni uncle's land is in possession of Venu's aunt Bhavani(Padmini), who, as a beautiful teenager had secret affairs with both Kunjunni and his brother Anandan. Venu remembers his childhood days where he used to run secret errands for a young Bhavani played by Shobana. Aunt Bhavani is more sympathetic towards Arthi. Having never met the wife and children of the man she once loved, she's curious about them. She agrees to give them the land or money, whatever is convenient to them. (One gets the impression that at the late time of her life Bhavani is leading a lonely, guilt-ridden life, having destroyed the lives of both the brothers – She married Anandan who commits suicide, probably due to unhappy marriage.) Venu returns to Calcutta and reveals his identity to aunt Arthi. She is pleasantly surprised and she and Damayanti finally feel a sense of security and belonging in their lives. But Arthi rejects the financial help from her husband's family who hadn't allowed her to enter the compound of the house when she visited them years back. Arthi narrates the humiliation of having to return on a hot summer afternoon from the locked gates of her husband's ancestral house, both she and Kunjunni breaking down on their way back. Immediately after their return to East Bengal, the country gains independence and in the consequent partition they sought refuge in Indian side. Kunjunni dies of cholera in the refugee camp and a pregnant Arthi is left on her own in abject poverty, with two year old Damayanti by her side. Venu meets Damayanti's brother who is also a communist revolutionary hiding from the police. Venu's arrival into their life brings long lost hope and happiness. But its short-lived as its time for Venu to return to the Andaman Islands with the selected refugees. As the rest of Calcutta celebrates Durga puja, a few bunch of refugee families are packed in the back of a goods truck and offloaded at the harbor. Arthi and Damayanti arrive at the harbor to see him off. Damayanti is not able to control her emotions and breaks down inconsolably as Venu hugs her, himself overcome by sadness. Arthi Panicker looks on emotionless, here face hardened by years of victimization. The film ends tragically as Venu has to rush hastily into the ship about to depart, abruptly ending his goodbye to his uncle's family. As Venu rushes through the crowded stairways of the ship, a crying Damayanti shouts from behind, “Write to me Dada... Damayanti Panicker, Apilore Central Jail, Calcutta”. The ship moves towards Andaman, beginning a new journey, a new era for a few Vasthuharas, towards the green shores of a new promised land somewhere in the eastern islands, a land new hope. But even as a handful of them find hope, another wave of exodus begins, which ends in the Indo-Pak Bangaldesh liberation war in Dec 1971. Displaced from their homes, unwanted outsiders in their land of refuge, doing sundry small time jobs, working in abject conditions as bonded laborers, some wait to return to their land, some simply give up, and some others like Damayanti and her brother, become rebels.
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    一无所有 - 电影

    2023法国剧情·短片·惊悚
    Orphaned at birth, Jean abandons his wife and infant child, believing that he is protecting them from his criminal double life. On the run, his frantic odyssey will bring him back to the fatherhood he was fleeing.
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