Award winning artist and filmmaker Andrew Kotting adapts Hattie Naylor's curriculum, award-winning play, Ivan and the Dogs, for cinema. Based on the extraordinary true story of Ivan Mishukov, who walked out of his Moscow apartment at the age of four and spent two years living on the city streets where he was adopted by a pack of wild dogs. In the recession-ravaged city, the human world is dominated by deprivation and violence. When social breakdown from extremes of impoverishment, cruelty and selfishness starts to set in, a homeless child's only hope is to turn to feral dogs for company, protection and warmth. This spellbinding story of survival and need conjures the streets of Moscow in the 1990s through the eyes of a child. With innocence and fear, Ivan's perceptions of the world are beautifully described, from the acute awareness of hunger and fear, to the innocent understanding of chemical abuse in the 'empty eyes' of children and the ridiculed 'Bombzi'.

二战结束初期，北海道某渔场又迎来新的捕鱼期。鲱鱼肉鲜肥美，渔民欢天喜地，在北国的冰天雪地中引吭高歌。就在此时，渔场迎来两个不速之客：一个是渔场主九兵卫（山形勲 饰）的儿子阿铁（高倉健 饰），当初他无故失踪，渔民传言他已死于战乱；另一个是渔场的前雇员阿万（丹波哲郎 饰），绰号“杂鱼万”，当年他偷走九兵卫的渔船逃跑，半路上被苏联人抓获。这次，杂鱼万怀着对九兵卫和阿铁的憎恨回到了这里。阿铁和渔民的关系分外融洽，尽心帮助他们争取合法权利。阴险粗暴的万却处处与之作对。随着渔汛的到来，两人之间的战火也到了一触即发的地步…… 本片根据梶野悳三的小说《鰊漁場》改编，剧本由黑泽明执笔。

梶野恳三的《鲱鱼渔场》获得了大众杂志座谈会奖，由谷口千吉执导的悬疑剧作了脚色。黑泽明共同执笔剧本。1964年由深作欣二导演、高仓健主演翻拍。纪录片式的外景摄影得到了好评。 网元的九兵卫为了捕鲱鱼，用低廉的工资搜集了渔夫。其中有曾经在桦太一起的杂鱼万。被九兵卫遗弃的万当初面临死亡，对九兵卫怀有深深的仇恨。杂鱼万也不工作，只知道睡觉，但感到自负的九兵卫什么也说不出来。被认为是死在那里的九兵卫的儿子的铁回来。杂鱼万和铁互相反目，终于到了捕鲱鱼的时候了。

An ambulance driver in a small Russian town becomes inspired to make some life changes after he unexpectedly becomes the temporary guardian of a 7-year- old girl.

一名俄罗斯小镇的救护车司机在意外成为一名7岁女孩的临时监护人后，受到启发，决定做出一些生活上的改变。

Alexander Dovzhenko’s first sound film, revolving around the construction of a giant dam on the Dnieper River, is one of his greatest, though it was poorly received in the Soviet Union when it came out in 1932. It’s only one of the eccentricities of this lyrical and monumental feature that the title refers to three different characters, and it’s telling that the father of one of them, an illiterate peasant who proudly spends his time fishing and loafing while everyone else works, is treated with considerable warmth. (A sequence in which he’s frightened when addressed by an outdoor loudspeaker evokes Chaplin as well as Tati.) As in all of Dovzhenko’s best work, the style veers closer to lyrical poetry (its opening sequence about the river) and portraiture (a later segment introducing us to various workers) than to narrative, though it’s innovative in other respects as well: the final sequence includes some striking jump cuts almost 30 years before Jean-Luc Godard purportedly invented them in Breathless.

(Russian with English subtitles) Vanya, a young scientist, has spent all his life in a satellite town next to one of the biggest nuclear stations. Just like his parents, Vanya works at the nuclear station, but only because his girlfriend, Tanya, also works in the facility. When the ambitious Tanya decides to end their relationship, Vanya must find his resolve and steer himself to true love.