16-year-old Ivan grew up in luxury, and his peer Danila comes from a poor family. Suddenly their parents learn that huo87.com their sons got mixed up at the hospital because they have the same last name. They wouldn't have met under any other circumstances, but now their lives are connected.

这是对契诃夫戏剧的全新演绎，该剧是他应企业家费奥多尔·科尔什（Fyodor Korsh）之约创作的。1887年11月19日，该剧在如今国家剧院（Theater of Nations）所在的历史建筑中举行了首演。

This film is today - more than four decades after its creation - has more documentation values. Mediates a form of theatrical performance Cechovovy games, as demonstrated by the drama Slovak National Theater in Bratislava. Theatrical and film directed by Joseph took Budska, seeking to bring in particular details of mind of individual characters, as the maturing in possession of the body, the gesture in the face. Maintains, however, a purely theatrical actor's speech, especially in deklamativní speech. Karol played Machata, Maria Kralovicova, Viliam Zaborska, Eva Polakova. Directed by Joseph Budská. (80 minutes) (Slovak version).

暂无剧情简介

讲述了两个不同收入的伊万诺夫家庭。 在孩子16岁后，两家人都意识到，当年在妇产科医院，他们把孩子混在一起。 成年人决定纠正当年的错误：现在，富裕家庭养大的孩子被迫在其贫穷的亲生父母的家中学习生存，而贫穷家庭养大的孩子则要熟悉人情世故。

暂无剧情简介

An ambulance driver in a small Russian town becomes inspired to make some life changes after he unexpectedly becomes the temporary guardian of a 7-year- old girl.

一名俄罗斯小镇的救护车司机在意外成为一名7岁女孩的临时监护人后，受到启发，决定做出一些生活上的改变。

Alexander Dovzhenko’s first sound film, revolving around the construction of a giant dam on the Dnieper River, is one of his greatest, though it was poorly received in the Soviet Union when it came out in 1932. It’s only one of the eccentricities of this lyrical and monumental feature that the title refers to three different characters, and it’s telling that the father of one of them, an illiterate peasant who proudly spends his time fishing and loafing while everyone else works, is treated with considerable warmth. (A sequence in which he’s frightened when addressed by an outdoor loudspeaker evokes Chaplin as well as Tati.) As in all of Dovzhenko’s best work, the style veers closer to lyrical poetry (its opening sequence about the river) and portraiture (a later segment introducing us to various workers) than to narrative, though it’s innovative in other respects as well: the final sequence includes some striking jump cuts almost 30 years before Jean-Luc Godard purportedly invented them in Breathless.

(Russian with English subtitles) Vanya, a young scientist, has spent all his life in a satellite town next to one of the biggest nuclear stations. Just like his parents, Vanya works at the nuclear station, but only because his girlfriend, Tanya, also works in the facility. When the ambitious Tanya decides to end their relationship, Vanya must find his resolve and steer himself to true love.