A record of the Yves Saint Laurent from his sketches to examining final versions of his designs. The clothes themselves have a starring role: spectacularly beautiful, made of the most exotic and fragile materials, modeled by women whose dimensions defy reality.

同性恋在上世纪60年代仍是禁忌，却因此更加刺激。翻看那些年的时装杂志，不难发现巴黎最时髦的同性恋审美观，是一种带着30年代脆弱、纤娇、又混合名著小说里书生气质的Dandy美态，包括Yves Saint Laurent。　　1957年接掌Dior时装屋后，Yves认识了到巴黎学画却成为艺术品商人的Pierre Berge。1961年开始，Yves Saint Laurent与Pierre Berge同居，并携手开创YSL时装屋。间中两人分分合合，但始终维持友好、搭档关系，共同投资艺术、别墅、买卖。　　Pierre生性霸道爱控制，Yves是个生活白痴。Yves不但依赖Pierre打点生活起居，甚至任由他在工作室指挥咆哮，策划买卖并购翻云覆雨。某次Pierre到纽约会见媒体大亨John Fairchild午餐时，接到Yves追魂夺命电话，原来家宅漏水他不知道要找谁。Yves相信“创意是痛苦的杰作”，随时处在崩溃边缘，口头禅是“死定了，没救了，我要自杀……”，是Pierre守着他，陪着他，逼着他，把每一季做完，甚至把他一步步推上T台谢幕。　　　　可是，两人的关系十分极端。这一秒如漆似胶，下一刻却世界大战。1976年，因Yves迷上Karl“圈养”的美少男Jacques de Bascher，大吵大闹后，Pierre搬离了他们的寓所。Yves觉得自己被抛弃，每天处于企图自杀的崩溃边缘。Yves与Pierre两人关系密切，但又看不出如Yves与Jacques般的情爱火花。Pierre时时刻刻提醒Yves的“时装大师”的责任，也替他实现创作梦想，却不是放纵的梦想。所以，Yves在Jacques身边，找到了罪恶、不羁，爱得欲火焚身。

伊夫·圣罗兰，法国历史上最伟大的设计师之一，在同名品牌创建后，从1962年至2002年，他每年会为他的品牌打造两个高级定制系列。而这些高级定制的背后，是一幅又一幅由圣罗兰本人亲自绘画的手稿。本片将最有代表性的几幅手稿展现在圣罗兰生前最亲密的同事和伙伴面前，让我们从他们的口中了解圣罗兰这个品牌的前世今生。

贝利 （凯文·德·保拉饰）儿时在贫民窟做擦鞋童，但是家境贫穷、旁人的冷眼、队友的排挤并没有阻碍贝利的成长，父母的教育一直影响着贝利，他靠自己的努力克服重重阻碍，逆转绝境成为足球世界的最强者，从被人贬低到万人瞩目，他一个人的逆袭，燃动了数十亿人的斗志 。

萧凡为神界神尊，修炼神功时心魔作祟，危在旦夕。如果不解决心魔，就会爆体而亡，所以为救自己性命，男主逆转时空，回到过去，代替曾经弱小的自己，救回不幸身亡的母亲，追回因嫌自己弱小而退婚的未婚妻，更是以神的身份和能力打脸那些曾经看不起自己的人。在这个过程中，男主渐渐的明白了所心魔代表的意义，也找到了解决心魔的真正办法，最终抱得美人归也成就了真正的不凡人生！

本片讲述了球王贝利从一个普通的巴西贫民靠自己的努力，成为足球世界的最强者的故事。

法国男星加斯帕德·尤利尔（Gaspard Ulliel）将在传奇大师伊夫圣罗兰（Yves Saint Laurent）的传记电影中饰演这位公开同性恋。YSL被誉为“色彩创造者”，…

At just under 10 minutes, the film brings to life a fusion of pleasure mixed with terror. It begins dark, transporting the viewer into a woodsy scene where it must be close to midnight and who knows what can happen in the middle of nowhere.

Yves Saint Laurent was the last of the great Parisian couturiers. In 2002, he bid the fashion world adieu with one final collection. Celebration is an immersive experience in an industry that can sometimes feel like you’re on another planet. This portrait of a fashion icon in those final years takes the form of a panoramic, no-nonsense montage of observations behind the scenes, with Saint Laurent seeming fragile and at times a little remote. The man himself remains out of the picture most of the time, and it’s his partner Pierre Bergé who directs the industrious seamstresses, the models, the photo sessions, and pretty much anything else happening on the work floor. Impressions filmed in black and white are intercut with other events, such as members of his staff visiting a vacant building where the fashion house was once based, a ceremony at the Luxor obelisk, a speech Saint Laurent gives in New York upon receiving an award, and excerpts from an interview with a journalist in which he seems vulnerable but optimistic. After initially cooperating with the film, the fashion company objected to its release. An earlier version was shown at the 2007 Berlinale. TV5MONDE supports all French-language productions at IDFA 2018. For more French documentaries with Ducth subtitles, visit TV5MONDE.