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    伊朗的相亲革命 - 纪录片

    2016英国纪录片
    《伊朗的相亲革命》:在伊朗,18至35岁人群中有超过半数的人仍然单身,这个伊斯兰国家正面临一场婚姻危机。《未报道的世界》首次深入伊朗,镜头对准当代伊朗年轻人的真实生活。在这里,宗教与世俗不断碰撞,那些遵从保守伊斯兰教义的人与追求自由浪漫恋爱的人,该如何实现两全呢?

    伊朗电影起革命 - 纪录片

    2007法国纪录片
    关于伊朗新浪潮电影一代的纪录片,法国ARTE出品DVD。 Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.
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    伊朗内幕:战争与革命 - 纪录片

    2026英国纪录片
    深入伊朗腹地,以记者和平民的证词记录2025-2026年的抗议活动以及近期与美国的冲突。
    搜索《伊朗内幕:战争与革命》

    1979年革命后的伊朗电影 - 纪录片

    2000美国纪录片
    Every time our annual international film fest hits town, I scan all the offerings, with special attention to Iranian productions. I have seen so many fascinating films from a country that, in recent years, has banned Hollywood and other films foreign to them, and yet their filmmakers, despite having to follow strict guidelines and risking censorship at every turn, produce some of the finest films in world cinema. This documentary features interviews with several Iranian filmmakers, plus clips from a number of their best films. Among various aspects of Iranian film-making, they talk about how their reflective films differ from the Hollywood action variety, although there is such a role for Iranian film as well. What perhaps is really remarkable is how freely these producer/directors talk in a critical way about the censorship exercised in their country. The clever ways they get around it actually appear to challenge and enhance their creativity (as Duke Ellington once said, in describing how he had to compose his music to fit the talents and limitations of his band members, "It can be good to have limits"). Unusual scenarios between husbands and wives get around the rule that men and women, even when married, can't touch. Children are sometimes used to state in an allegorical or analogous fashion what could not be presented by adult characters. And the role of women is wondrously portrayed in these productions from a country that severely limits women's roles.
    搜索《1979年革命后的伊朗电影》

    狂野伊朗 - 纪录片

    2018美国动物·纪录片
    从冰雪覆盖的山脉到地球上最热的地方,伊朗的荒野是伊朗的一扇窗,这里是位于中东的一片生存环境极端之地。
    搜索《狂野伊朗》

    伊朗往事 - 电影

    2021伊朗历史·战争
    It is the story of a family on the first of September 1941, which undergoes changes during the occupation of Iran by the Allies.
    搜索《伊朗往事》

    伊朗电影 - 纪录片

    2005英国纪录片
    搜索《伊朗电影》

    伊朗实验 - 纪录片

    2014法国·瑞士纪录片
    It took two years for Mehran Tamadon to persuade the four supporters of the Iranian regime to risk taking part in an experiment with him. Now he receives them as guests at his family’s country house to try out something that does not exist in Iran: a pluralistic society. As the women disappear into the guest rooms, the men discuss the advantages and disadvantages of a secular society, the veil, abortion, freedom of the press… The guests not merely outnumber the filmmaker, who is critical of the regime, but are also masters of rhetoric. Again and again, they twist his words and use them against him. His secular society, they argue, is just as ideological as their religious one. The mood is contentious, but there’s also a great deal of communal laughter, prayer and cooking. In the end, the attempt to create a social utopia fails as there are simply too many issues that are non-negotiable. But does that mean that the experiment itself has failed? After all, for a brief time, differing lifestyles and opinions managed to co-exist. A dialogue took place. For the filmmaker, however, there’ll be a high price to pay. (Berlinale 2014)
    搜索《伊朗实验》

    德黑兰是伊朗的首都 - 纪录片

    1966伊朗纪录片·短片
    導演在1964年從羅馬回到德黑蘭,開始研究並拍攝伊朗社會的黑暗面,完成六部此類題材的作品。但是這些影片以及素材,後來皆被沒收、禁止發表。在伊斯蘭革命(1979年)之後曾有一段短暫的時間解禁,導演得以在這段時間完成剪輯。本片為六部作品其中之一,記述伊朗政府於1963年推行白色革命(White Revolution)以後,德黑蘭南方的克哈撒內(Khazaneh)城內居民生活的改變。片中訪問十幾名不同背景的民眾,包含學校孩童、紙袋工人、洗衣婦、流浪漢等等。
    搜索《德黑兰是伊朗的首都》

    伊朗与西方 - 纪录片

    2009英国纪录片·纪录
    1979年霍梅尼在伊朗掌权是现代激进伊斯兰的第一次重大胜利。在这部三集纪录片中,当年的一些关键人物会向您讲述这其中的故事。 美国前总统卡特第一次在电视面前讲述那次使其在选举中失去总统职位的事件。伊朗扣押了在德黑兰的美国大使馆人员,这总共的444天一点一点的夺去了卡特的时间和能量。卡特总统的最后任期被绝望的试图营救人质计划所笼罩。那些和他一起在白宫中试图营救人质,如何谈判,最终怀疑自己能否救回人质的人们,他们都讲述了自己在其中的故事。其他参与者包括前副总统沃尔特·蒙代尔,前副国务卿克里斯多夫以及前国家安全顾问兹比格涅夫·布热津斯基。 另一面的故事由伊朗高层讲述:霍梅尼的顾问,大阿亚图拉蒙塔泽里;他的第一位外交部长,亚兹迪;其美国谈判代表,萨迪克·塔巴塔巴伊;伊朗革命卫队创立者之一,穆赫辛。
    搜索《伊朗与西方》
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