MBC新综艺《休息下就是万幸》是一档“0.5星无人岛打卡真人秀” 任何梦想逃离拥挤城市、生活在大自然中的名综《不吵架就是万幸》的热衷观众都可以申请入住0.5星级的无人岛上的废弃房屋，没有水没有电，MC的目标是在0.5星级的环境中提供5星级的服务。

展聿为了复仇隐忍多年，甚至不惜和仇人女儿庄南音结婚，最终杀死庄南音的父亲，抛弃庄南音，庄南音无法接受事实自杀身亡，于此同时，展聿却发现自己的仇人并不是庄南音父亲。重来一世，庄南音决定逃离展聿，姜媚复仇失败不甘心，决定撞死庄南音，却撞伤了展聿，让展聿阴差阳错回忆起前世的所有记忆，庄南音也感动于展聿的舍命相救，两人重归于好。

1981年版百老汇音乐剧《欢乐岁月》的演职人员回顾这部看似必火却恶评如潮的剧目，讲述了制作过程中所发生的悲喜故事。

2002年足球世界杯的"传奇"安正焕和李荣杓相遇，收视率和话题性一下子被压制住了。《不吵架就是万幸》首播收视率为4.9%-7.2%，威胁SBS TV《同床异梦2-你是我的命运》（7.4%-6.9%）。节目中，安正焕和李荣杓遇到了生活在不通手机和电的偏僻无人岛上的自然人。 第一次经历极限状况时，两人展现了之前从未有过的"化学反应"，引发了观众们的笑声。

After A Bright Summer Diary (IFFR 2020) and Ningdu (IFFR 2022) we once again welcome Lei Lei to Rotterdam with this compelling tribute to bygone images and memories. As always, the mundane comes alive through a conscientious montage of gorgeous compositions. A two-part quest for what has been lost through time, Break no.1 & Break no.2 fires the imagination. 源自：https://iffr.com/en/iffr/2024/films/break-no-1-break-no-2

42 workers take their lunch break in a corridor that stretches the entire length of a shipyard. What was a brief interval in their work day expands into a sustained gaze. 源自：https://www.cinemadureel.org/en/films/lunch-break-2/

王晓禾和傅言意外生女，之后独自抚养女儿五年。作为王家长女，王晓禾成绩优异，却辍学养家，而家中分下来的一百万拆迁款，却全分给了自己打工抚养的弟弟妹妹，王晓禾一分没有，甚至连女儿住院的三千块，王家人都没一个人愿意借。此时傅言正在医院探望傅奶奶，正好与被王家羞辱的王晓禾相遇，当场认出妻女，打脸王家，幸福生活。

妈妈平时很操劳，一群可爱的小朋友想在三八节来临这天帮妈妈做些事，让妈妈好好休息休息。虽然心意是好的，可是这些平时娇生惯养的小公主小皇帝们什么都不会做，结果越帮越乱。动画片想要告诉小朋友们，平时就应该帮助妈妈做一些力所能及的家事，在日常生活中培养自立能力，以及勤劳的品质。

The second movie of Kiarostami, made in 1972. It calls in my mind some of the very first movies of Brakhage, especially The Way to Shadow Garden. In both cases, a minimalistic gem, nothing explained, a personage without history, without motivation, with the unique role of putting in value a disconcerting universe. Is it the admirable end of Breaktime a negative stasis (like in the movie of Brakhage)? Well, it is somehow a way to the Gardens of Shadow, too, though I think it is, much more, something else: it is an end refusing to be the end (as the movie actually has no beginning, also). This fourteen minutes movie dares to eliminate the story from its structure! It is a shame that Breaktime passed unobserved, because it was marking a new age in the history of cinema.

威尼斯街景，连放三遍