An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

21岁的清云毕业回国，发小海云来投奔她。希望成为第二个清云，快速赚到第一桶金，出国留学。清云教海云，“弃爱才能求财”。很快，海云尝试和一个不喜欢的男人周旋。另一头，在清云的出生地，清云自小被认定为妖的人物命运展开…….

《你可以叫我比尔》（You Can Call Me Bill）是威廉·夏特纳（William Shatner）在这个地球上90多年个人旅程的亲密写照，它剥去了他为塑造无数角色而戴的所有面具，揭示了这一切背后的男人。

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

顾韵月离婚后独自抚养女儿，因生活压力将女儿托付给大哥嫂子，却遭虐待。女儿病重后，顾韵月欲回村照顾，却遭阻挠，误传女儿死讯。得知真相后，顾韵月痛恨大哥嫂子，通过女儿日记揭露虐待事实，将他们告上法庭。同时，她通过女儿生前成立的基金会帮助农村留守儿童，以此纪念女儿。姜晓敏和顾海涛因误会误解姜玥，姜晓敏试图教育姜玥，但姜玥坚持要向母亲解释。姜晓敏和顾海涛的矛盾升级，姜晓敏感到失望无助。顾韵月想带女儿回家，却被张晓敏欺骗，误以为女儿在卫生所治疗。顾韵月情绪激动，与张晓敏、顾海涛发生争执，最终发现女儿被村民和王村长欺负，决定揭露真相。顾韵月因女儿失踪和母亲离世的悲痛，与村民、保镖和刘明等人发生冲突，指控他们虐待女儿。顾韵月愤怒地要求查清真相，最终识破顾海涛和张晓敏的隐瞒。顾韵月因孩子被虐待致死，与保镖和村民发生冲突，被判处死刑。她的行动展现了对女儿深沉的爱和对社会公正的追求。

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

萨马德是一位反毒品专案组的警察，他正在搜捕毒枭——纳赛尔·哈克扎得。几轮交锋后，纳萨尔虽在表面上已经自杀身亡，萨马德在他的住处追寻到了他的踪迹。纳萨尔在一系列法律程序后，被判处死刑。在这个过程中，萨马德却开始意识到，纳赛尔会走上这条路，也只是为了抵抗崩坏的社会秩序下的生活压力。晋升为派出所长的萨马德递交了辞呈：他开始相信多年来的逮捕行动和次次处决，根本没有办法解决毒品问题，而一系列的暴力，最终也只是让毒瘾者的数量从100万人增加到了650万人。

十二个不同的灵魂在世界各个地方游荡，他们都渴望获取更多。随着生命的意外相交，他们每个人都将会发现基督的十字架力量……即使他们仍旧不相信它。一位当地牧师被一位年老的街头传教士的信心所撼动，他开始领悟到真正的信仰是需要行动的。这位牧师点燃了自己的信仰旅程，并以上帝的旨意来作工把这种信仰的感动传递给每一个人。这不仅仅是一部电影，同时也是一个我们人生中必须回答的问题：你相信上帝吗？