In a world where the main dialogue is soccer, video games and the content of your iPod, 19-year-old Javier seeks to prove that he is finally an adult by seducing girls. “We’re over 18 now,” he says to his current target, Valentina, as if to imply that now that it’s legal to have sex, it is also practically required. Not that Valentina is unwilling. After a bit of flirting and sparring they are back at his apartment, taking their clothes off under a James Dean poster. But when Valentina dumps him and sleeps with his best friend Nicolás, Javier is disconsolate and tries to seduce Nicolás’s girlfriend. Unsuccessful once again, now Javier has a hard time even talking a prostitute into sleeping with him. “The world is shit,” says Nicolás, offering a nugget of adolescent wisdom as consolation to his buddy. Twenty-five-year-old filmmaker Ché Sandoval understands this world on its own terms, and with all its contradictions. We chuckle at hearing the once-fresh Javier feel sorry for himself, but we still hope he recovers from his crushing rejections. In Martín Castillo’s Javier, we see traces of Jean-Pierre Léaud’s Antoine Doinel, at turns smart-assed and vulnerable. The Chilean teen tries to pass himself off as a snarky Lothario, just as Doinel tries to play the Paris intellectual for the young ladies. And like many of the astute romantic comedies about adolescent fumblings at love that have preceded it, You Think You’re the Prettiest turns on its head the idea of the boys dominating the girls; the girls own the boys in this one. —Miguel Pendás

A chronological look at The Doors, focusing on lead singer, Jim Morrison (1943-1971), from the formation of the band in 1965, it's first gigs, and first album, to Morrison's death, after years of alcohol and drug use. Along the journey, we see archival footage of rehearsals, performances, and private moments including a Miami concert resulting in Morrison's arrest and trial for indecency. His love of the spotlight, his desire to be a poet, and his alcohol-fueled mood swings lead to a back and forth between public and private desires, successes, and failures. The band's music plays throughout.

查理兹（CLOE BARRETO）通过网络上发布自己的X感视频的收入来支持学业。当她得知她的顶级订阅者 Trystan 正是她的教授，却没想到教授是一个衣冠禽兽的渣男，她计划对他进行痛苦的报复......

查理兹（CLOE BARRETO）靠在网络上发布自己的性感视频所得收入来支撑学业。当她发现自己的顶级订阅者特里斯坦（Trystan）竟是自己的教授时，没想到这位教授是个道貌岸然的渣男，于是她打算对其实施痛苦的报复……

比诺什在片中饰演50岁的离异教师克莱尔，她为了监视自己的情人乔，在Facebook上虚构了一个24岁漂亮黑发女生的人物身份。但是乔只接受自己认识的人的好友请求。为了能接近乔，克莱尔给他最好的朋友克里斯发了好友请求，克里斯接受了。 不曾想，经过一段时间的聊天，克莱尔爱上了克里斯，克里斯也爱上了这个虚构出来的女生，他提出想见一面的要求。于是克莱尔不得不编出了一份繁忙的工作，一次长时间的出差旅行，还有一个嫉妒心很强的前任。她要么只能继续编造各种谎言来维持这份没有未来的爱情，要么就得承认自己的欺骗并做好失去爱情的准备……

追踪黑人电影的历史，主要集中在70年代，通过档案和对那个时代许多关键人物的新采访。

节目将从全方位的专业视角出发，从医学角度深入讲解食材的食疗功效。每一集聚焦人体的不同部位展开剖析，融合中西医观点、食疗方法以及嘉宾的经验分享等内容，旨在教导大家如何维持身体健康、保持青春活力，进而拥有强健的体魄！

这部电影是一场充满美学之美的梦幻图景。

暂无剧情简介

有些回忆，愈想忘记，偏愈记起。教师夫妇在异国海滩一夕缠绵，引来三名好色之徒尾随入屋殴打强奸。回德国后致力重新开始，两年过去，罪犯竟在眼前出现，揭破生活回复正常的假象。恐惧、压抑、内疚的阴魂埋在心底从未消散，伤口二度剖开血流泻地。妻子不欲过去伤痛缠绕现在生活，选择宽恕；丈夫无法挥去屈辱与愤怒，一心报复。左右殊途，恩爱夫妻必须抉择：埋藏本相，继续自欺欺人；抑或放下自我，拥抱爱情重生？