保罗·纽曼多才多艺，是美国有史以来最伟大的演员之一。他有着希腊雕像般的轮廓和迷人的湛蓝眼眸，堪称典型的好莱坞明星。然而，他似乎从未感到满足。他的父亲是一名犹太体育用品零售商，对他颇为嫌弃；母亲是天主教徒，对他宠爱有加。他深受自我怀疑的困扰，内心深处渴望得到他人的认可……

Melanie enlists Joy's help to convince Jenna to go to medical school. Victoria obsesses over a nude scene for her new show. Elka takes “Councilman for the Day,“ Lance, under her wing.

賽巴斯，三十歲單身漢，有一隻八歲的愛犬相伴。只要他不在，狗狗就會頻頻哀鳴，引起鄰居抱怨，他只好帶著狗去上班，卻因此被公司開除，只能靠打零工度日，過著流浪犬般的人生。當神祕隕石撞擊地球，空氣被污染，離地一百二十公分以上的人，得要靠呼吸器才能行走。幸好賽巴斯早就超前部署，「魯」到沒在怕！他的魯蛇人生會因此而有所轉機嗎？ 阿根廷導演安娜卡茲繼2007年成名作品《分手假期》後，再次以精準的影像語言、絕妙的台詞設計，施展冷調黑色幽默，結合末日感軟科幻，在黑白的荒唐人生中提煉一絲安慰。長達三年的拍攝期，正好遇上全球疫情，導演靈機一動，巧妙將大環境變動嵌入這則描繪青年無力感的哀歌，意外讓本片成為一則饒富深意的末世寓言。

A Whodunit from the great! The investigation into the suicide of a young woman found dead at the bottom of a cliff uncovers many lovers of both sexes, including her Brother's sister and her psychiatrist, a weird tale of absolute power and love.

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

女主产后特意聘请金牌月嫂照料孩子，起初对方做事勤恳利落，家中日常也安稳有序。可没过多久，公公执意要求月嫂顺带照料自己，女主满心疑惑却拗不过长辈意愿。 诡异之事接连发生，丈夫归家撞见月嫂在沙发举止反常，公公慌忙编造借口掩饰。后续女主偶然透过门缝，撞见公公与月嫂亲密相拥的出格画面，震惊之余悄悄拍下实证。 原本温馨的小家暗流涌动，看似靠谱的月嫂暗藏心思，长辈背弃本分越界行事，平静生活彻底被打破，一场藏在屋檐下的荒唐纠葛就此爆发。

Feature length documentary chronicling the 35 year racing career of Paul Newman -- Showcasing Newman's prolific racing career as both a driver and an owner. As a driver Paul Newman won four SCCA National Championships, 24 Hours of Daytona, took true second at Le Mans (winning his class) and won multiple professional Trans Am races. Newman also owned Newman/Haas Racing with Carl Haas. Together with drivers Mario Andretti, Michael Andretti, Sebastien Bourdais and others, they were one of the most prolific Indycar teams in history, winning 8 Championships. Newman lived and breathed racing -- This is his story.

华莱士·埃弗瑞曾经在业余的高尔夫联赛上打出漂亮的一击，后来，他参加了职业联赛，因为发挥出色，而被人称为“Choker”。可是再一次比赛中，华莱士却因为紧张，而犯下重大失误，从此败走麦城，蛰伏了起来。几年之后，厌倦做一个失败者的华莱士选择了“假死”，为自己制造了一个叫做亚瑟·纽曼的新身份，重新开始在高尔夫球的世界里的遨游。不期而遇的爱情来临了，而这个目前叫做纽曼的男人也要在纽曼和华莱...

第二次世界大战期间，约西亚·纽曼上尉在亚利桑那州沙漠医院管理神经精神科病房。他经常用非传统的手段和人来配合，包括他的新保镖杰克逊·莱博维茨。 在他们病房里的病人中有自杀性的布利斯上校，他最终爬上了水塔，还有一个身患战争创伤的下士，名叫汤普金斯，他在潘托塔尔钠的魔力下暴露了他的痛苦来源。纽曼还协助温斯顿上尉的婚恋生活，与自己的护士长科鲁姆中尉调情一两次。

铁工兄弟阿祈、阿钦和板模工昌仔、怪手阿全，几个怀抱发财梦的好友，在工地里搬演一场又一场荒谬搞笑的发财戏码，这些古怪梦想述说着这群人面对的各种困境。他们发梦、梦破、满腔热血再来一个，以噗咙共精神在尘土中不败向前。从这块地转那方围篱，帮人做工盖房，却只能望楼兴叹。有着各种人生难题的他们，努力用自己的方式活着，只是再怎么乐观，如果期待的一直事与愿违，还能怎么撑下去。