Film of Simon Fisher Turner's new album, Instability of The Signal, directed by Japanese filmmaker Isao Yamada.

Filmed with a Bolex camera, Unstable Rocks offers a meditative exploration of the Portuguese landscape, where geology, animals, and human presence seamlessly merge. Shifting between black and white and colour, the film lingers on rocks, animals, religious imagery, and quiet, everyday moments. The rhythmic pace invites contemplation of time, the landscape, and the subtle traces left behind by both human presence and the natural world.

地球有释放极端灾害的能力，火山、地震、飓风和洪水都有着极大的破坏力。我们也许认为已经见过大自然母亲最无情的一面了，但随着科学家的进一步探索，我们发现过去有着更极端的灾害事件。火山的威力足以杀死数百万人，使建筑土崩瓦解。飓风在温暖的海面上积聚力量，能够跨越数百公里，成为了“死亡”和“毁灭”的代名词。水是生命之源，但水也拥有毁灭的力量，那种力量叫——洪水。这些强大的急流每年可夺走大约两万五千人的生命。但这还不是最可怕的，据说在久远的年代，大自然显示过更大的威力。

Picture three places. 1. A workshop in Germany where we follow the making of a prosthetic hand. 2. A traditional glove-making workshop in Millau, in the south of France. 3. A jeans factory in Istanbul, illustrating large-scale industrial production. A succession of three workplaces, but with a common viewpoint and subject: the relationship between the hand and the machine, the work and the material, all of them patiently and rigorously observed. Daniel Eisenberg scrutinises these interactions and gestures meticulously, and he pays close attention to each action involved and to the time required for each operation, from the starting point to the finished forms. With this film, Eisenberg continues the work he started with his previous one, The Unstable Object (FID 2011), in which he also used a triangular structure to compare the work in a high-tech car factory in Dresden, then in an antiquated clock repair shop in Chicago, and finally in a cymbal factory in Istanbul. From one production site to the next, the film focuses on hands, bodies, images: reconstructed bodies, modelled bodies, dressed bodies. And on the social body as well – either collective bodies at work, or their images, shaped by the very objects which are being produced. The patience of an attentive camera and the fascinating rhythm of this choreography let the gestures fully unfold. The geography of production modes also shapes the story it underlies, like the globalisation of exchanges. And what is also paramount here is that the time it takes to make the objects seems to mirror the experience of the viewer watching the film, like an echo between absorbed gazes, theirs like ours. A nice piece of actual work from the gaze and the mind about the ever so unstable object that is work. 源自：https://fidmarseille.org/en/film/the-unstable-object-ii/

暂无剧情简介

怀揣着成为女优的梦想在东京工作的纯，遭遇了恋人的背叛，不仅积蓄被夺，脸上还受了伤。她回到了 5 年前离家出走的长野老家。在那里，纯得知了难以接受的过去，精神失去平衡，开始做出不顾一切的举动。这是一部由在日本从事影像制作活动的印度新锐导演安舒尔·乔汉执导的人文剧情片。影片真实地讲述了一位失去梦想与爱情、失去生存希望、在绝望深渊中挣扎的女性的故事。本片在包括大阪亚洲电影节在内的国内外电影节上斩获了众多最佳女主角奖。主演有精彩演绎主人公的饭岛珠奈，以及川口高志、望月奥森等。

当全民都被卷入一场诡异的航海求生游戏，瘫痪八年的杨逸迎来了他人生的转折点 —— 他康复了。但自由的代价是成为游戏的一员，他开局便获得了一艘受诅咒的 “梦魇号” 幽灵船，并被要求在七天内抵达起源之海的中心。这是一场与时间赛跑的生死游戏，失败的代价是沦为黑雾的养料。在航行中，他遭遇了无数 “替身” 怪诞的追杀，九死一生。途中，他救下了占星少女苏娜，两人结伴，共同面对航行中的种种危险，穿越暴风海域、脸船、时间孤岛，向着中心前进。

西班牙一个靠近山区偏远小镇，炎热酷暑笼罩大地，然而这里的人们每天都生活在轻松快乐之中，当然，这里也住着一群怪家伙。 小工人平多（Pablo Pinedo 饰）经常拎着两个液化气罐走来走去，偶尔被民兵追得慌不择路，最终却总能化险为夷；谦恭的卢卡斯神父（Pietro Olivera 饰）常蹬着单车卖力行驶在山路上，就这样还不得不搭载肥胖的平多，敢怒不敢言，时常会被小孩子欺负扑在狗屎上；还有迷恋音乐的电话架线工，高度近视枪子乱放的巴斯塔维约森林护林员，酷爱洁净的老门卫阿玛多……这些怪人使小镇每一天都快乐非常。

In between cities, I think of home. But I wonder if there’s even such a thing. One day, two ladybugs stopped on my index finger. I let them stay for a while.