原本只想安稳度日的修表匠人，救人时不慎暴露千面贼王的过往身份，被地方势力胁迫重出江湖。结伴寻人途中，接连揭开假死秘辛、金条隐情与重重黑帮阴谋。他以贼者之道行正义之事，冲破黑暗迷局，完成自我救赎，守住了心中不变的正道本心。

八十年代，穷苦匠人林建国隐忍坚韧、心怀大义，继承祖上遗产，抓住改革开放机遇，从修表匠逆袭成企业家。他踏实肯干、坚守诚信，不忘恩情、善待家人，更以宽厚之心回馈邻里，在时代浪潮中书写奋斗传奇，诠释坚守本心、向阳奋进的正能量。

知夏在古董展上被罗闻琢逼到台前，要她指认母亲失踪的 “凶手” 林砚舟。可她早已发现疑点，当众抛出怀表机芯编号、入库时间等证据，戳破罗闻琢的谎言。此时台下，她找了十五年的亲生父亲、修表匠钟国平，也带着工具走上台，准备揭开这场尘封十五年的阴谋。

顶尖钟表修复师陆宁出差回家，撞见侄子砸碎百万古董表，弟媳拒不赔偿反倒索要医药费。母亲与弟弟早已将她的千万豪宅、三十万翡翠视作自家财物。长久的付出只换来家人无休止的索取。陆宁不再妥协，果断搬家、取证报案。旁人都劝这只是家务纠纷，可陆宁决心不再退让，一场彻底的清算，就此拉开序幕。

多年前不慎走失亲人的老者在七十大寿前夕，终于寻回了流落在老街、以修旧手表为生的晚辈，他没有立刻说明身份，反倒装扮成落魄老人住进对方的小铺，收获了对方毫无保留的照料与善意。家中其他亲属都惦记家产图谋利益，唯有修表的年轻人靠手中的修表手艺赢得整条老街街坊的敬重。后续祖孙顺利相认，年轻人接手相关产业后叫停不合理的拆迁计划，保留老街原有风貌，还将传统修表手艺传承给更多年轻人，传递出真心远胜财富的正向理念。

七旬老人寻找失散三十一年的儿子，最终在老街找到靠修表维生的对方。他没有立刻相认，反而装作拾荒老人住进儿子的修表摊。善良的儿子对老人悉心照料，宁可自己省吃俭用也善待老人，反观老人膝下其他子女只惦记着家产。真相揭开后父子相认，儿子守住老街传承老手艺，也让人明白真情比财富更加可贵。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

一场都市生活的闹剧，一次道德底线的碰触，一出令人捧腹又倍感心酸的演绎，一声无奈地呐喊——《贼》这一部高清作品向我们绘声绘色的讲述了生活在都市底层的无业小青年、痴傻的乞讨者以及善于伪装的小偷之间发生偷窃与被偷窃，侮辱与被侮辱，人性的挣扎与沉沦。当这种小人物式的沉重被用一种活灵活现又不失幽默地口吻讲述出来，给人一种加倍的心灵触动，让人深省......

20世纪60年代，日本学生运动渐次激烈，学生和政府之间的对抗朝着暴力的方向失控狂奔。某晚，登川直造（笹原茂朱 饰）、丸山国男（山川蜜 饰）等人领导的学生组织在据点内遭到警方搜捕，混乱之中，他们夺下警察的配枪夺路而逃。在经过某个漆黑巷道时，他们将手枪扔在公共厕所的洗脸盆中，被路过于此的公司青年职员铃木（秋山未知污 饰）拾得。厌倦了枯燥呆板的公司氛围以及平庸无望的生活，铃木追上众人，希望加入他们的组织。次日，登川等人的拒捕行动被媒体歪曲成袭击警察的恶性案件。为避风头，他们跟随铃木躲进郊外一所公寓中，日常以吃喝、做爱打发时间，所有外务全由铃木打理。 学运的失败和理想的破灭让这群年轻人朝向破灭，纵情享乐。铃木却不愿面对这样的失败……

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第28名。曾获奥斯卡最佳动画短片提名