Another look at the greater MCU and this film's connections to it.

Another look at the greater MCU and this film's connections to it.

“我没死”是一个身份模糊的年轻人对情人发出的呼唤，他不满足于自己的生活，羡慕一名成熟男人的风度、事业、妻子，于是在这个男人奇异死亡后，年轻人占有了他的灵魂乃至爱情。本片看似“奇幻”，实则残酷刻骨，光天化日下的亲情仇恨和三角爱欲纠缠在导演哲学家式的讲述下平添了几分离奇。曾出演过《低俗小说》的葡萄牙美女玛丽亚·德·梅黛洛在片中与帅气小生麦赫迪·德比（《继子》）共同演绎赤裸叛逆的一见钟情。

“我没死”是一个身份模糊的年轻人对情人发出的呼唤，他不满足于自己的生活，羡慕一名成熟男人的风度、事业、妻子，于是在这个男人奇异死亡后，年轻人占有了他的灵魂乃至爱情。本片看似“奇幻”，实则残酷刻骨，光天化日下的亲情仇恨和三角爱欲纠缠在导演哲学家式的讲述下平添了几分离奇。曾出演过《低俗小说》的葡萄牙美女玛丽亚·德·梅黛洛在片中与帅气小生麦赫迪·德比（《继子》）共同演绎赤裸叛逆的一见钟情。

退伍美国大兵David （High School） Flannigan回到家乡跟妹妹Martha Flannigan一起生活，并当汽车修理员维生。他的整副心思仍留在越南战争的记忆中，因此变得沉默自闭。老战友Joseph9(Jacknife) Megessey来探望他，跟David的妹妹擦出了爱情火花，与此同时，则尽让David勇敢面对隐藏在脑海深处的战争创伤，好让他早日解除心结恢复正常。

退伍美国大兵David （High School） Flannigan回到家乡跟妹妹Martha Flannigan一起生活，并当汽车修理员维生。他的整副心思仍留在越南战争的记忆中，因此变得沉默自闭。老战友Joseph9(Jacknife) Megessey来探望他，跟David的妹妹擦出了爱情火花，与此同时，则尽让David勇敢面对隐藏在脑海深处的战争创伤，好让他早日解除心结恢复正常。

What if your home becomes a place you fear? Ahmaied, an Iraqi father returns to Fallujah to face the threat of improvised explosive devices. Join him in his home and discover the unfolding of a tragic event. As you follow his story, the narrative takes a shocking turn. An unfortunate truth looms in the space – the death of Ahmaied’s sons by a booby trap. Ironically, while he was concerned about his home being safe, his sons died in an incident in another home just around the corner. You experience the explosion in first person. As you wind down from this climax, you hear Ahmaied speak of his loss and his hopes for his family, country and the world.

What if your home becomes a place you fear? Ahmaied, an Iraqi father returns to Fallujah to face the threat of improvised explosive devices. Join him in his home and discover the unfolding of a tragic event. As you follow his story, the narrative takes a shocking turn. An unfortunate truth looms in the space – the death of Ahmaied’s sons by a booby trap. Ironically, while he was concerned about his home being safe, his sons died in an incident in another home just around the corner. You experience the explosion in first person. As you wind down from this climax, you hear Ahmaied speak of his loss and his hopes for his family, country and the world.

Alix is a woman of 27 looking for the only thing she is incapable of: love. After a series of boyfriends who pass her on to each other, she finds herself in the hands of the pimp Raphaël, who works in Rome and Saint-Ouen. He sells her to a Pole. This man rapes her and leaves her for dead. She’s found by Frédéric, whose love has been repeatedly rejected after the breakup with his wife, and Hélène, a young woman who is taking care of her comatose mother. Alix and Frédéric have a sort of relationship and form two opposite poles in the concept of love, about which the film philosophises at length. Despite this charged subject, the film also maintains a light tone. 　　I Did Not Die, a three-hour film, is made up of three parts: Par les beaux soirs d’été, followed by Le chant des séparés and ending with Par des chemins étranges. There is a surfeit of anecdotes and stories within stories are repeatedly told in an unconventional way. The imagination is unbounded, and that can occasionally seem too ambitious and repetitive but in any case it’s always surprising. You could say that Jean-Charles Fitousse has shaped his ars poetica.