Ernest, a lovable loser who works as a summer camp handyman and dreams of becoming a guidance counselor, must find a way to inspire a group of juvenile delinquents while stopping a shady strip mining company from closing the camp as well.

Nestor, a man with several obsessive-compulsive behaviours lives in an unstable houseboat which never stops oscillating.

Ernest P. Worrell is now in the military as a soldier. Once he begins, him and his team investigates a dictator who was responsible for the wars in the nearly village. Suddenly, Ernest finds a lost boy and has to keep him safe until his father recovers.

The title says it all. There's a mix up involving stolen diamonds which Ernest has (naturally) made into a yo-yo and given to his would be girlfriend, Rene. But Rene wants a man of action, and doesn't think that Ernest fits the bill. After the bad guys come looking for the stolen diamonds and kidnap Rene, all of her fantasies come true as Ernest has to go to Africa to rescue her.

2017年，六万张底片在瑞典一家银行中被发现，这些照片出自南非摄影师欧内斯特·科尔之手。1967年，其出版的摄影集《奴役之家》揭露了种族隔离制度的残酷现实，而他本人也因此被迫流亡。通过这些作品，哈乌·佩克深入探讨了科尔的艺术人生和西方对罪恶的沉默。

Ernest Bliss is a rich young man with too little to do. Not realizing the depression he's in is due to boredom, Ernest consults a doctor. Sir James Aldroyd gives Ernest a prescription that he doesn't think Ernest can fill: Ernest must earn his own living for one year using none of his current wealth. Ernest bets him 50,000 English pounds that he can.

“所有女人都会变成跟她们母亲一样，这就是她们的悲剧；男人则不然，这也是男人的悲剧。” 《认真的重要性》（又译《不可儿戏》）被认为是最能够代表奥斯卡·王尔德喜剧创作的杰作，充满了王尔德式的妙语连珠；剧中人如同双生子一样的真假身份带来了误会与巧合，最终的假戏真做皆大欢喜，更是在继承莎士比亚喜剧衣钵的基础上，以王尔德独有的、玩世不恭的态度，讽刺了维多利亚时期上流社会的虚伪矫饰，至今犀利依旧。 《认真的重要性》故事里的杰克和阿尔杰农一个看似正经，另一个则是花花公子，实际上皆以不同的身份游走于伦敦社交圈与乡野生活之间。他们分别追求格温多林和塞西莉两个姑娘，却眼看就要因为同时用了“厄内斯特”（Ernest谐音Earnest，意为“认真”）这一虚构的姓名和身份而搞砸婚事…… 由前任环球莎士比亚艺术总监多米尼克·德洛姆戈尔（Dominic Dromgoole）创立的公司Classic Spring制作的奥斯卡·王尔德演出季于2018年登上伦敦西区，以纪念这位维多利亚时期的天才作家。作为该季最热门的剧目之一，此版《认真的重要性》由迈克尔·芬特曼执导，奥利弗奖得主索菲·汤普森领衔主演，再次领略到高级讽刺喜剧的“机智俏皮”、“迷人魅力”。

“所有女人都会变成跟她们母亲一样，这就是她们的悲剧；男人则不然，这也是男人的悲剧。” 《认真的重要性》（又译《不可儿戏》）被认为是最能够代表奥斯卡·王尔德喜剧创作的杰作，充满了王尔德式的妙语连珠。故事里的杰克和阿尔吉侬一个看似正经，另一个则是花花公子，实际上皆以不同的身份游走于伦敦社交圈与乡野生活之间。他们分别追求格温多林和塞西莉两个姑娘，却眼看就要因为同时用了“厄内斯特”（Ernest谐音Earnest，即“认真”）这一虚构的姓名编造不同的故事而搞砸一切……剧中人如同双生子一样的真假身份带来了误会与巧合，最终的假戏真做皆大欢喜，更是在继承莎士比亚喜剧衣钵的基础上，以王尔德独有的、玩世不恭的态度，讽刺了上流社会的虚伪矫饰，至今犀利依旧。 英国国家剧院这版由曾执导大卫·田纳特版《麦克白》的马克斯·韦伯斯特导演，奥利弗奖得主莎伦·D·克拉克，当红演员舒提·盖特瓦（《神秘博士》《性教育》）和休·斯金纳带来了极为精彩的表演，肢体喜剧元素的加入带来更多令人捧腹的笑料。在忠实于王尔德原文本的同时，本版完美融合了现代社会的趣味性和对当代议题的讨论，将这部1895年的喜剧经典从旧有时代的传统中解放出来。加勒比风格与维多利亚时代的服装色彩鲜明，更添活色生香的魅力。