In the beginning of the Twentieth Century, in Britanny, Pierre-Jacques narrates the story of his peasant parents since they got married in their province. Pierre-Alain and Anne-Marie got married and live with their parents in the same house. They work with their neighbors, women and men performing separate work. They have good moments with their plantation and bad moments with starvation. The Breton's religion, superstitions, beliefs and customs are transmitted by parents to their kids along with the stories told by the elders. When the men go to fight in the World War I, the women need to work harder to survive with their families. Despite the poverty, people is proud of their lives. Since the family of Pierre-Jacques cannot afford to have a horse, his grandfather Alain and his father put him on their shoulder to ride on the horse of pride.

一场意外之夜，让两个地位悬殊的灵魂意外交织。他傲慢强势，视她为金钱交易下的玩物；她冷静自持，用言语反击其轻蔑。当误会与羞辱并存，一段纠葛不清的关系就此展开。她能否摆脱他的掌控，证明自身价值，亦或深陷这场危险的引力？

在一个美丽的王国，小国王傲慢地奖赏着他的国民，大家都对国王尊敬又崇拜，然而有一个小姑娘对高高在上的国王很是不屑，因此，二人展开了争斗……

一个坚信老式浪漫有着独特魔力的女人，与一个秉持现代约会理念的务实男人，尽管二人对浪漫的理解大相径庭，却依然坠入了爱河。

我攒了半年工业券，花160块买下全新飞鸽自行车，碍于亲戚情面，一直大方借给表弟代步带对象上班。哪知表弟为了撑面子，默认车是自己的，还和对象在车把挂木牌，骂我这个车主是蹭车的要饭狗。我去县城办事顺路吃饭，偏偏碰到二人，对方当众羞辱我是穷酸蹭车，表弟反倒让我躲去外面蹲着，维护他装阔的谎言。

旁观的人群在窃窃私语，他们说一台手风琴永远无法和一匹白色的马对话。

Also known as At Great Cost, this adaptation of a story by Mikhailo Kotsyubinsky—a Ukrainian writer executed in the Stalinist purges but rehabilitated in 1955—anticipates the wave of Sixties poetic cinema in its focus on star-crossed lovers and its celebration of nature. Set in the 1930s, the film begins as Solomia is forced into an arranged marriage. She escapes with her lover, Ostep, and for a while it looks as if the fugitives will make a clean getaway. Yet eventually they come to the attention of the police, who mistake them for being part of a gang of thieves. One of the major figures of the earlier current of socialist realism, Donskoy, in one of his first post-Stalin era productions, here loosens his style to reveal a delicate romanticism rarely felt in his earlier films.

美国无声记录短片《跃起的马》（英语：Bucking Broncho），由爱迪生制造公司（Edison Manufacturing Company）1894年出品，制作人威廉·迪克森（William.K.Dickson），摄影威廉·海斯（William Heise）。骑马者是李·马丁（Lee Martin ），是一位牛仔，也是“水牛比尔”马戏团西部秀的演员。该片记录了一次专业的表演，现场有观众在观看。

被切割的关于马的五个段落。

The Horse (1967) was a wide-screen spectacle; it conveyed a never-ending energetic variation of galloping with constant changes of mobile brush strokes. The feeling of excitement in the dashing animals was immediately transmitted to the audience and the experience proved unforgettable. It won a prize at the Cracow Film Festival "for its exceptionally interesting animation technique".