弟弟赵成金以低价抢走哥哥赵成钢的全部订单，赵成钢虽陷困境仍坚守品质。廉价煤问题频发后真相大白，他不计前嫌帮乡亲渡难关，凭好煤赢得县城市场，让诚信胜出。

Coal Face (1935) was the first influential film to be made by the GPO Film Unit. It continued the experimentation with sound effects and music first initiated in Song of Ceylon (d. Basil Wright, 1934) and Pett and Pott (d. Alberto Cavalcanti, 1934), and was described in the Film Society programme of 27 October 1935 as "an experiment in sound". What links these three films is the contribution of Alberto Cavalcanti. Cavalcanti had been a member of the French avant-garde film movement during the 1920s and, by 1934, had established a reputation for himself as an expert on the creative use of sound and music in film. In 1934 the British documentary film movement acquired a rudimentary sound system, enabling its filmmakers to make sound films for the first time; it was at this point that Cavalcanti was appointed. Coal Face was one of the most overtly modernist films made within the movement, comparing only to Drifters (d. John Grierson, 1929) in its use of formalist montage techniques. In addition to a montage editing style largely derived from the Soviet cinema of the 1920s, however, Coal Face also experiments extensively with a variety of sound/image relationships. Although Cavalcanti was responsible for the overall orchestration of sound and music, W.H. Auden and Benjamin Britten were also contracted to write the script and music score respectively. The film's narrative is relatively conventional, providing details on the structure of the coal industry, and the processes used for extracting and treating coal. However, one of the strategies adopted by the documentary movement was to explore the creative possibilities of filmmaking within the framework of such conventional narratives, and here this takes the form of a non-naturalistic deployment of sound, language and music, so that natural sounds, dialogue, speech, music and choral singing are integrated in a dramatic, often strident manner. Coal Face was an important film both for its innovative aesthetic style and for its ability to express critical social comment (noting, for example, the accident rates in the mines) in a film which was, in effect, made for a government department and sponsored by a commercial industry.

徒弟陈小川曾靠卖低价掺假煤抢生意，一场婚宴烧煤事故让他身败名裂，赔光了全部家底。师父陈万山始终坚守煤品质量底线，不趁寒潮坐地起价，反而因此拿下了县运输站二十万斤的长期稳定订单。走投无路的陈小川重回师父的煤场，从扛煤筛料的基础活干起，重新学手艺，也重新学习为人立身的根本。

故事发生在北方某城市—盖城，某经济学院毕业生童地，因纵火嫌疑入狱5年，出狱后重返社会，当童地走出高墙的瞬间，恶运就向他袭来，未婚妻谷穗已成为弟弟童天—副秘书长的妻子，并有一子。真正的纵火者，同父异母的弟弟童天，并不欢迎哥哥回家。

当一名海军陆战队的士兵在一次飞行任务期间，于海上失踪，剩下妻子和两个孩子痛苦度日。自此，他那个总是麻烦不断的弟弟接手照顾起哥哥的妻儿，他们之间…

影片讲述了时隔三年因父亲去世而回到故乡的兄弟，遇到穿越到人世的女子后发生的搞笑喜剧。影片中马冬锡饰演卖掉家谱的无用哥哥，李东辉饰演出卖家业的废物弟弟。

年轻的丹尼尔·巴格罗夫服满兵役后回到家乡，母亲要他去圣彼得堡找哥哥维克托，以便找到合适的工作。到了彼得堡他在市场救了一个绰号为“德国人”的摆地摊的男子霍夫曼，并结识了爱吃药的女混混凯特。 丹尼尔找到了哥哥维克托，发现他已成为了一个杀手，维克托刚刚结到一笔订单要干掉一名恐怖分子“车臣人”，维克托要丹尼尔帮忙干掉“车臣人”。丹尼尔先租了一个房子居住，后来尽管丹尼尔成功干掉了“车臣人”，但却遭到雇佣者的追杀，原来雇佣维克托的黑帮大佬想干掉贪财的维克托。丹尼尔在逃脱途中打伤了一名大佬的手下，并得到开有轨电车的女司机斯维特兰娜的帮助，此后丹尼尔与斯维特兰娜发生感情并一起生活了一段时间。之后丹尼尔再次为哥哥做事，打死了大佬的几名手下，而大佬为了报仇，以维克托为人质想除掉前来的丹尼尔。最终丹尼尔将黑帮分子干掉，并救出了哥哥。之后他带着大佬留下的一大笔美金离开，他去找斯维特兰娜要求她与他一起远走高飞，然而她坐牢的丈夫已归家，而她仍深爱着丈夫因此拒绝了丹尼尔的要求。丹尼尔感到大城市的人都只爱钱贪生怕死，包括哥哥维克托，最终离开彼得堡去了莫斯科。

网络天才张非凡 （ 王浩信 饰），冷面保镖夏天行 （ 杨明 饰）和正义刑警何铁男 （ 伍允龙 饰）为失散多年的亲兄弟，在危机时刻能感受到兄弟间的心灵感应。三人因1997年的金融风暴而各散东西，长大后成为网红教主、网络天才和非扬集团CEO的张非凡与威信保安公司保镖夏天行和何铁男重聚，张非凡同时也是“非扬集团”CEO，行为做事出人意表，也因为“得罪人多称呼人少”结下不少仇家。他为在香港举办的拳赛到菲律宾物色拳手，几次身陷险境，为此聘请了由夏天行为首的私人保镖保护自己。而在香港举行的拳赛发布会上，刑警何铁男因接报有拳手藏毒，到场拘捕疑犯，与张非凡产生了交集。拳赛一事让失散的三兄弟的命运重新交织到一起，而一个全民监控系统和一份黑客名单，则让三人卷入一场更大阴谋。三人慢慢发觉冲散他们一家人的原因，原来埋藏着巨大的阴谋 。

剧情讲述觉雷和李强原本皆为交情甚好的警察，李因遭上司无端责怪而辞职。一伙匪徒蒙面打劫金铺，雷竟然发现其中有李强。雷为保护强而提供假证词，雷大学毕业后任高级督察的弟弟文有所怀疑。强等再次打劫时，雷暗中跟踪，文也在后监视。众匪怀疑强串通雷出卖兄弟，于是对他追杀；警方则怀疑雷和匪徒暗合……

14岁的马库斯和11岁的卢卡斯住在奥斯陆中部的一座古老的房子里，房子边有条河，河边的参天大树和水中的神秘都对两人的童年有着无限的吸引力。这里就是大城市中心的天堂，他们在这里成长，在这里憧憬未来。马库斯热爱足球，并希望可以成为职业选手。他从五岁就开始踢球，而进入最棒的利物浦球队是他的梦想。那么他的努力奋斗终有结果吗？卢卡斯喜欢思考，思考他自己，思考整个世界。他问妈妈：“在我死后，我的梦想也会随我死去吗？” （豆瓣电影字幕翻译2.0小组）