Clarissa Harlowe is a young 18th-century Englishwoman. Her family have aspirations to move into the aristocracy and want her to marry the repellent Mr Soames as part of their plan. Clarissa manages to escape from them with the help of the handsome Lovelace, whose intentions towards her prove to be less than entirely honourable.

Vienna before the First World War: Clarissa Schuhmeister grows up in the monastery. Strict discipline determines her life until she meets the Frenchman Léonard and falls in love with him. Just when she expects a child from him, the First World War tears the happy couple apart. Out of pragmatism, Clarissa marries Gottfried, a deserter, with whom she makes a painful yet realistic agreement so that he will not be sent back to war. But she never feels love for him because she can not forget Léonard.

A modern reimagining of the Virginia Woolf novel Mrs. Dalloway. Follows society woman Clarissa as she prepares to host a party at her home in Lagos, Nigeria, where she will unexpectedly encounter once-intimate friends from her youth. As the group reflects on their shared past over the course of a single night, memories of their intricate relationships, passionate love, hidden desires, and lost aspirations give rise to bittersweet reckoning.

年轻女孩丽莎和她瘫痪的爷爷住在远离镇上的一个独立农场里，一天三名不法之徒闯入了她的家，面对暴徒，丽萨和爷爷没有选择……

年轻女孩丽莎和瘫痪的爷爷居住在离镇子较远的一座独立农场里。某一天，有三名不法之徒闯入了他们家中，面对这些暴徒，丽莎和爷爷并未做出选择……

在影片《母狗》中费雷里描绘了一个女人如何接近一位连环画画家。画家生活在一个孤岛上，正在画无产阶级的第一个英雄斯巴达克思的连环画。这个女人由于能在这个男人面前扮演一个俯首贴耳的角色而得到满足。她给自己套上了一个狗项圈，跪在他面前，舔他的手。费雷里不是以此来美化大男子主义，而更多的是为了谴责资本主义社会男女之间的病态关系；但这里也应责备费雷里的两重性、他的玩世不恭和过多的滑稽效果。也许那个生活在孤岛上无所作为的画家正是费雷里自己的写照，因为费雷里不满他的生活和工作：“我试图在这个制度里拍摄影片，而且是拍摄我想拍的影片。我本应该是幸福的；但我并不幸福，因为我相信我的影片是没有用的。我从来不抱幻想，我知道只有少数人看我的影片，而且即使看了，又会起什么作用？这些影片只会使人不安。但这是不够的，而且也没有什么意思。"

一名 14 岁的女孩，因不满单身母亲的种种限制，开始给陌生英俊的男人打电话——却不知道其中一人是专门杀害单身女性的凶手。

暂无剧情简介

暂无剧情简介