俄罗斯纪录片。1853年至1856年的战争通常被称为克里米亚战争。 但是克里米亚的战斗只是一场更大战争的一部分。 俄罗斯帝国与大英帝国，法国，土耳其和撒丁岛王国的盟军之间的对抗影响了从波罗的海到太平洋的广袤地区。 事实上，这是一场争夺世界霸权的世界大战。 　　导致十九世纪中叶大国之间对抗的原因是什么？ 俄罗斯帝国最终在世界政治舞台上扮演的角色是如何？这就是“第零次世界大战”所讲述的。

2014年克里米亚危机中一个关于爱、信仰与忠诚的故事

It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do? 　　Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections. 　　While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.

It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do? 　　Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections. 　　While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.

A story of the officers, soldiers and seamen who have not betrayed their oath of loyalty to the people of Ukraine during the takeover of Crimea. This is a film about a military honor, in the midst of undeclared war.

本片片长145分钟的纪录片,详细地讲述了俄罗斯营救亚努科维奇的行动,又通过对普京以及近50位"克里米亚之春"的见证人的采访,道出了克里米亚人民选择加入俄罗斯的原因。（文/涅瓦字幕组）

This Cuban film focuses on the history of foreign intervention in Laos, first by France and then by the United States. It shows how the liberation forces of Laos, under continuous U.S. bombing, were able to run an entire society in hidden caves and tunnels. Through the leadership of the Pathet Lao, they organized schools, cultural activities, clinics, as well as political and military activities literally underground.

对许多美国人而言,朝鲜战争是一场"被遗忘的战争".之所以被遗忘有许多原因,但深层的原因则是,这是美国历史上第一场没有打赢的战争,也是一场不得人心的战争,因此许多美国人选择遗忘作为他们对待这场战争的态度.这种态度的一个直接后果是美国朝鲜战争文学创作受到冷落,从数量到质量上都表现出一种"微不足道"的现象,相应的评论则更是如此.事实上美国朝鲜战争文学--主要是小说--并非如人们想象的那样是一个被遗忘的角落,而是不断受到关注.