许知薇陪陆斯年白手起家七年，无名分却发现他与叶姗姗秘婚，还想夺她股份踢走她。心冷的她笑其不知公司顺境靠自己，转与陆的死对头沈砚闪婚。后沈砚公司兴旺，陆斯年事业困顿，追悔莫及。

重生穿越到1959年，携带成就系统科技兴国，杜易梦只是想在这缺衣少食的年代里，吃饱穿暖。但是为了身边的值得守护的人，开始从机械厂发明小电扇到科研，一步步引领祖国科技遥遥领先。

The series follows an outspoken woman, Chelsea Newman (a character based on the real Chelsea Handler and the show's main protagonist) and her circle of working-class twenty-something friends in New Jersey. Through the narration and observations of the fictional Chelsea, most of the situations were inspirations from Handler's book, which is based on her early career in her twenties.

意外重回六零年代，还意外获得了特殊系统。凭借系统助力，开始带领全家为美好生活努力。面对当时的生活条件，利用系统优势，结合家人的努力，一步步改善家庭状况，从解决基本需求到朝着小康生活迈进。全家上下齐心协力，在充满烟火气的日常里，共同书写着温暖又充满希望的奋斗故事。

地质勘探研究生王复遇山体滑坡穿越，成书中恶妇王彩霞。他一改原主舔狗本性，怼负心男、护家人，凭书中记忆夺孙家温泉宝地，借现代知识开发富锗温泉，逆袭成为女首富，更在相处中收获亲情与爱情，改写高家悲惨命运。

秦以漾穿越进了小说里，成了书中的炮灰女配，幸运的是，她绑定了谐音字修改剧情系统吗，改变一个字，即可爆改全剧情，小小谐音字轻松被谐音梗女王秦以漾拿捏，拯救破产的妈、坐牢的爸、破碎的哥，听到秦以漾心声的家人们感慨女儿真是个天才!本剧改编自番茄小说《救命!反派偷听我用谐音梗改剧情》，作者-三樱里。

作为一名资深“软饭男”，好吃懒做的李勇长期寄生在妻子青青的生活里——不仅心安理得花着对方的工资，还出轨假白富美，落入对方精心设计的杀猪盘。假白富美百合盯上吴天，不仅频繁送他‘奢侈品’，更主动提出资助他“创业”。李勇白日做梦以为自己遇到真千金，殊不知百合正是跨境杀猪盘团伙的核心成员，她精心设计的“富婆人设”背后，是一整套通过情感操控实施诈骗的成熟套路。待李勇发现真相后已落得妻离子散的境地，他为了追回被骗的钱款假意加大投资引百合和天哥上钩，吴天将2人绑架准备鱼死网破，好在前妻青青带警察前来阻止，才避免软饭男李勇铸成大祸。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”