唐棠对家境贫寒的闺蜜田晓楠多有照拂，却不料对方贪婪成性，不仅肆意插手她的生活，还觊觎她的财产、母亲的遗产，甚至谎称怀了唐棠首富哥哥唐默阳的孩子，联合父亲试图敲诈勒索、实施暴行。唐棠兄妹揭穿其谎言，田晓楠父女锒铛入狱。然风波未平，唐棠从田晓楠母亲遗物中发现母亲的尘封秘密，竟牵扯出非法基金案，还引来势力觊觎，田晓楠也被人利用再度现身。最终唐棠兄妹找到证据，捣毁非法利益集团，守护了真相与自身安全。

法医童言和刑警吕逐因一场纠纷相识，磕碰之中逐渐对彼此改观，也察觉到对方身上的隐痛。 一起离奇奸杀案让童言不得不直面萦绕多年的梦魇:杀害孪生妹妹的连环杀手时隔24年再度出现，而且还在跟踪自己！ 二人联手追凶之时，童言的孪生妹妹沈邵洁突然出现。三人之间的关系如同海浪，平静之下暗流涌动。 当24年前的连环凶手终于落网，幕后真凶却出乎所有人的意料。残酷的真相浮出，童言和吕逐将做出怎样的抉择……

A husband-and-wife team are working over Christmas as the only two people who can save humanity from an alien parasite — tiny tapeworm creatures which have invaded the bodies of the human race. Isolated and suffocating under the weight of their circumstances, the fault lines of the married couple’s relationship are exposed.

林晚棠为攀附权贵，狠心活埋亲生幼子江砚，白龙出手救下婴孩，托付给曾救过自己的苏怀瑾抚养。蒙面首领觊觎江砚身上锁龙金印，屡施邪术作乱；林晚棠、赵翠娥等人各怀歹心，接连加害。苏怀瑾携手白龙，凭药王谷遗物对抗邪祟，公堂之上揭穿所有阴谋。她以灵力破阵，终使恶人伏法，灵龙守护一方乡土，印证善念自有回响。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

中年女同性恋者马诺克（Manok）关闭了经营多年的同志酒吧“彩虹”（Rainbow），在母亲去世后回到了故乡伊班里（Iban-ri）。然而，家的感觉依旧令人窒息且陌生。在这个村子里，她的前夫如今担任村长，村民们对她的归来充满猜疑，根深蒂固的偏见和排斥依然存在。但马诺克拒绝退缩……

Shots ring out on a Brooklyn street and suddenly a young girl lies dead on her front steps. The killer's name is Zooman (Khalil Kain), and though dozens of neighbors saw the unintentional shooting, no one is willing to come forward with information. Life goes on, a killer goes free, and one grieving, broken father (Louis Gossett Jr.) is forced to take his cry for justice to the media, hoping to spark a confrontation with his daughter's murderer. Charles Dutton and CCH Pounder costar in this powerful original drama.

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

一个菲律宾家庭在为他们侄女在伦敦的婚礼进行冗长的餐饮配送时状况不断，这似乎让他们离婚礼招待会现场越来越远。