描述在二战末期，希特勒下达“韦斯作战命令”，德军大举进攻南斯拉夫。游击队员们肩负着护送大批难民撤离的艰巨任务，而撤离的关键是跨越纳若维河的大桥，德军已始经从四处调兵遣将至河畔，企图一举全歼游击队。于是在桥边展开了一场惊心动魄的追击与反击战。

The Battle of the Somme (1916) is one of the most successful British films ever made. It is estimated that more then 20 million tickets were sold in Great Britain in the first two months of release, and the film was distributed worldwide to prove Britain's commitment to the First World War. It is the source of many of the conflict's most iconic images. The Battle of the Somme gave its 1916 audience an unprecedented insight onto the realities of the trench warfare, controversially including the depiction of dead and wounded soldiers. It show scenes of the build-up to the infantry offensive, including massive preliminary bombardment, coverage of the first day of the battle - the bloodiest single day in the British Army's history - and depictions of the small gains and huge costs of the attack. As a pioneering battlefield documentary, the very concept of The Battle Of The Somme outraged commentators on its release, inaugurating a debate about the on-screen depiction of combat that continues to this day. Its use of a staged sequence to represent the opening of the assault also set the scene for continuing controversy about the 'truth' of the documentary format. The film's importance was recognised in 2005 by its formal inscriptions in the UNESCO 'Memory of the World' register - the first British document of any kind to be included. The film has been digitally restored, offering a startling improvement on previously released video versions. These words of welcome are by David Lloyd George, Secretary of State for War and where read at the film's first screening on 10 August 1916. This was barely a month after the events it showed. To its original audience the film was not history but a dispatch from the front. This film was shot between 26 June and 7 or 9 July 1916 at the Somme front by Geoffrey Malins (29th Division of VIII Corps) and J.B. McDowell (7th Division of XV Corps) and had it's première at the Scala Theatre in Clapham on 10 August. Geoffrey Malins filmed the offensive from positions near Beaumont Hamel in the northern parts of the battlefield, J.B. McDowell was based further south near Fricourt.

1885年11月的一个夜晚，缅甸最后一位国王底博王被流放，期间一位将军为保护秘密历史文物不幸牺牲。乔治·J·哈林是来自英国的英裔印度人，他对缅甸的古代文化遗产饶有兴趣。乔治收养了一个缅甸养子，名叫Elvis。Htet Paing在欧洲生活了十多年，因家庭变故回国后，突然成了仰光班索丹街一家律师事务所指控的罪犯。桑南达继承了父亲对古代历史的热爱与兴趣，还有发现和收集古代文物的能力。

这部为加拿大公共电视台制作的短片讲述了中世纪村庄图雷特叙卢的故事。1971年，克朗伯格曾在此居住，并成为该村的荣誉市民，期间他正尝试转型成为一名小说家。

一部电影能否既客观写实、富有教益，又梦幻缥缈、神秘莫测呢？当然可以，而且还能兼具更多特质。从精彩的《战场》（Battles）中便可见一斑。这是一部纪实性的影像随笔，探究了欧洲四个不同地点的近期冲突在地貌和当地民众身上留下的痕迹。即便在和平时期，战争的余响仍在回荡。《战场》以一种耐心的……

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男孩J的少年时代几乎在变装酒吧里度过，因为缺乏父爱，长期帮表演者梳妆理发，想成为变装皇后的憧憬也愈加强烈。男孩终于站上舞台的一刻，15年未见的拳击手父亲A却从人群中冲出，狠揍了他一顿。父子间从未平复的伤口和悔恨是否能为两人的生命带来和解呢？

拍摄里《威士忌》的导演胡安-帕罗·里贝拉、帕罗·斯托号称去年国际影坛的大发现，郭利斯马基式的冷调幽默。2001年，两位年轻导演曾以三个无所事事的年轻人一天生活为题材，拍摄了黑白片《25瓦》，当时在包括鹿特丹电影节等欧美数个影展引起注目。

无父无母,沉默寡言的少年荷苏在荒凉小镇过着边缘人的生活,靠着为街坊婆婆妈妈理发的微薄收入度日。一次偶然的机会他站上扮装皇后的舞台,身着华服粉墨登场的孤独少年找到了前所未有的力量,自幼缺席的父亲却在此时服刑期满归来,搅乱他的人生。荷苏所不知道的是,父亲当年离去与今复返,都是耶希重生的契机。呈现哈瓦那变装皇后的世界,情感真挚。