「再見童年」主要敘述民國五十年代台南鄉下小男孩阿標與阿胖的童年回憶，在鄉間，父母傳統而嚴厲的管教方式，呈現出家庭暴力的隱憂，父親因為好賭，於是將妹妹輸給別人，種種無法言語的情緒於是一一引爆出來，在這樣的哀愁回憶中，一家人卻又如此活了下來。 本片是亞太影展最佳男配角和平獎得主林奕志繼「一隻鳥仔哮啾啾」後，擔綱演出的第二部戲，此外劇中主演校長一職的陸一龍、主任王道、胖母秋乃華，也有相當出色的演出。

長年漂泊在外的男子，搭上一列返鄉的火車，再次踏上熟悉的街道。即將被查封的老舊眷村，獨自居住在空蕩祖厝的弟弟，塵封已久的回億漸漸顯影。本片不只描繪男子疏遠親故的愧疚之情，也銘記著某片走入歷史的風景。

24岁的Jack这几年一直在香港发展音乐事业，努力让生活保持正常，可惜过去的事情始终纠缠着他。今天他踏上了告别之旅，最后一次见证城市里的人和事，渴望能得到一个答复，为他的离去赋予意义。

Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.

哲明の祖父、戦争のころ来日した韓国人の松江勇吉（劉忠植）。その祖父の最期の言葉は「哲明バカヤロー！」だった… 祖父、そして家族が歩んできた歴史を、孫（在日三世）の視点でたどる笑いと涙の記録。

Mandarin movie about the romance of a nightclub entertainer and a company executive.

原明莉（藤原纪香 饰）是一名在白鸟宝石精品店里工作的店员，和店里的会计师迅人正在交往中。原明莉和迅人都暂时没有想要结婚的念头，同时原明莉自己知道，她对于这家店来说，只不过是一个随时都可以被替代的花瓶而已。已经29岁的原明莉，无论是爱情还是事业，都陷入了深深的迷惘之中。 在同学会上，原明莉意外的邂逅了曾经的恋人阿兰（大泽隆夫 饰）。此时的阿兰已经结婚成家，他幸福的样子令原明莉的心里很不是滋味。当原明莉得知阿兰虽然已为人夫，但是和妻子并没有小孩后，竟然萌生了将阿兰抢回自己身边的念头。

Using footage shot between 1974 and 1978, this experimental documentary offers an intimate portrait of Hung Tung, one of Taiwan’s most singular outsider artists. Born in 1920 in Nankunshen, Tainan, orphaned at a young age, Hung Tung worked as a laborer, fisherman, and spiritual medium before suddenly beginning to paint at fifty. His densely imagined world—filled with plants, humans, animals, gods, ghosts, and symbols—captivated the Taiwanese art scene of the 1970s and secured his reputation as a legendary folk artist. Combining observational footage, interviews, and a distinctive musical structure—from Tibor Szemző’s evocation of innocence to Leonard Cohen’s “Bird on the Wire”—the film traces a life of solitude, frustration, and pride, shaping a restrained yet poignant portrait of an artist who remained fiercely autonomous within his own inner universe.

阿正管理詐騙組織，從事非法勾當。偶爾，還帶著兒子小傑在街上「碰瓷」，賺取外快。然而，最近因集團據點被查獲，他必須偷渡離開。面對別離，他想珍惜最後時光，反常行徑卻招小傑誤解。看著小傑，阿正試圖誠實以告，卻還是無法控制地避重就輕……。

范文諜（花名阿龍）和范文旺是一對兄弟，八十年代從越南逃到香港避難。自政府關閉難民營後，兄弟倆輾轉流離，常常在天橋底過夜。有一次，阿旺出獄時，卻發現阿龍已遭人打死。