在一个废弃工厂里，亲如手足的两兄弟李桥和江斌正在殊死搏斗。一切都只是为了争夺一部电脑。因为这部电脑里有江斌死去的女友念念写下的，一篇对心理疾病研究具有重要意义的论文。李桥却把这篇论文冒名顶替发表了，并凭借这篇论文声名鹊起。但是事实的真相真的如此吗？这似乎并不符合李桥平日里的为人。在调查李桥的过程中，江斌发现李桥的身边似乎有一个隐形人在帮助他...这到底是一场老谋深算的表演？还是病人的癫狂想象？江斌决定和好友晓来一起设计一探究竟...

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

17 岁的孩子毅然决定离开舒适的家，踏入成人世界。然而，现实很快给了他沉重一击，成年生活远非他所想象的那般美好。

基于真实时间改编，发生于养老院的诡异事件。

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

玄学大师顾思雨为躲避生辰劫数，必须寻找特定命格的男子结婚。她踏上寻找天命之人的旅程，却意外卷入陆氏集团的权力斗争。陆天，一位被诅咒的商业巨头，身边之人皆遭不幸。顾思雨凭借玄学知识发现陆天正是她命中注定之人，决心接近他改变双方命运。然而，陆天对顾思雨的突然出现心存疑虑。在解开诅咒、化解危机的过程中，两人渐生情愫。但顾思雨背叛师门的师姐虎视眈眈，暗中谋划着不为人知的阴谋。

玄学大师顾思雨为躲避生辰劫数，必须寻找特定命格的男子结婚。她踏上寻找天命之人的旅程，却意外卷入陆氏集团的权力斗争。陆天，一位被诅咒的商业巨头，身边之人皆遭不幸。顾思雨凭借玄学知识发现陆天正是她命中注定之人，决心接近他改变双方命运。然而，陆天对顾思雨的突然出现心存疑虑。在解开诅咒、化解危机的过程中，两人渐生情愫。但顾思雨背叛师门的师姐虎视眈眈，暗中谋划着不为人知的阴谋。

还有待观察吗？ 有没有看到最糟糕的情况？