大自然在给植物无尽的生长能量同时，也有吞噬一切的狂风暴雨，但是不论如何，当一切被雪覆盖大地回归平静，生命消失的地方又会有新生命诞生。最后农夫推开门，拂去最后一抹白雪，他收到了新年大自然的第一份礼物——随风而来的风车种子以及漫山遍野呼呼转动的风车。 片子的灵感来自Joaquin Baldwin一次在Palm Springs的驾车旅行中朋友说的一句话，一年之后把它拓展成一个故事，而动画从最初开始制作到最后混音完成只花了4个月的时间哦！ 镜头运用上配合人物的黑色剪影效果与整个故事相得益彰，在制作上也会大大减少工作量，这种方式对于独立动画人来说很值得借鉴。当然，这不是鼓励偷工减料~~从随时间不断变化的华丽背景里他花费了多大的心思就显而易见了，一繁一简一动一静，这背景人物搭配得多巧妙。

穷小子戴红旗在深城的海滨浴场做救生员，一次潜水的时候，突然遇到了一个神奇的小海龟，获得了一个神奇空间，戴红旗空间中种了一些蔬菜，结果发现空间能够加速植物的生长。从此逆袭转运，做个富豪大农民，乡村变乐土，住豪宅，开豪车，带领村民搞种植，青山绿水乐淘淘！

A beautiful girl from Istanbul moves to a small village and that changes her life.

影片改编自诺贝尔文学奖得主、波兰著名作家符瓦迪斯瓦夫·莱蒙特的同名小说，讲述农家女孩贾格娜尽管深爱着儿子安特克，但还是被迫嫁给了年长的富农博瑞纳，后来贾格娜成为村民羡慕嫉妒恨的对象，不得不为维护自己的独立而奋斗。故事发生在19世纪和20世纪的波兰乡村，故事的戏剧性转折与季节的变化、田间的 辛勤劳作和当地的传统节日相联系。多洛塔·科别拉执导，灵感来自19世纪流行的现实主义和前印象派绘画，将采用超过60位画家的手绘技术，完成电影的79000帧画面。

影片改编自弗拉迪斯拉夫·莱蒙特的诺贝尔文学奖获奖小说，讲述农家女孩贾格娜尽管深爱着儿子安特克，但还是被迫嫁给了年长的富农博瑞纳，后来贾格娜成为村民羡慕嫉妒恨的对象，不得不为维护自己的独立而奋斗。故事发生在19世纪和20世纪的波兰乡村，故事的戏剧性转折与季节的变化、田间的辛勤劳作和当地的传统节日相联系。多洛塔·科别拉执导，灵感来自19世纪流行的现实主义和前印象派绘画，将采用超过60位画家的手绘技术，完成电影的79000帧画面。

美女还是正义，装猪还是吃虎，你说世事不可两全，错，且看最强农民工李青是如何在都市丛林坐拥美女维护正义扮猪吃虎走上强者之路！

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

本剧是以山东龙大集团为生活原型，而创作摄制的。反映农民企业家的创业生活。 主题曲：你的尊严 演唱：范琳琳 作曲：孟庆云

"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum