Early 20th Century explorers Robert Falcon Scott and Roald Amundsen spark an international competition to become the first to reach the South Pole.

Daredevil mountain climbers on their attempt to break yet another speed climbing record.

2006关8冬季短篇SP之一。

12岁的男孩杰山是个跑步天才，但是他生活不如意，他在学校里被老师和同学孤立，他的父母离婚，而他只能与终日醉酒的父亲一起生活，小小的肩膀过早的承担了照顾家人的重担，唯一热切盼望的就是拿到学校跑步竞赛的冠军，为了这个目标，他一路奔跑，直到精疲力尽。电影朴实而真诚地描绘了吉尔吉斯斯坦少年的成长困境，令人唏嘘。

本片为滨口龙介执导的《驾驶我的车》幕后纪录片。从COVID-19疫情前的开拍中断，直到原计划于韩国拍摄移至广岛的续拍，由制片人山本晃久拍摄，详细捕捉每一个场景的细微趣事，以及每一个演员的杀青时刻，真情流露，触动心底。导演特殊的念白执导风格也可窥之一二。

地理杂志社编辑项南，在意外收到父亲离世的消息后，为了解开父亲遗留下来的刻有神秘数字照片的谜题，她与理想主义音乐青年肖子杰踏上新疆之旅。二人历经艰险，与父亲的挚友——草原电影放映师，孙灏相遇，通过孙灏提供的线索，项南最终解开父亲毕生追寻的谜题，肖子杰也在旅途中完成悬置已久的音乐作品创作，二人从代际隔阂与生存焦虑中走出，在迁徙与守望的二人同自己和解，并找寻到了生活的意义。

叛逆少女清韵被墨守成规的哥哥抓回老家，清韵在大城市里变了模样，红发露骨，哥哥无法接受，他要求清韵留在家乡安稳生活，可清韵压根不服管，想尽一切办法逃离哥哥的安排。

19岁的报务员鲁枫，带着5W小电台“小五子”，负责重庆谈判期间密集往来于延安、前线和重庆之间的密报工作。抵达重庆后，鲁枫便加入了电台台长李文峰设立的秘密电台组。秘密电台组设在红岩村八路军办事处，众人刚布置完发报室，国民党老牌特工、曾任北平电监科科长的叶知秋就带着手下赶到了。

The film starts with a very long section of footage that shows a journey by railroad in a beautiful mountainous region, it's quite beautiful but not immediately apparent what the relevance is. It may be that attention is being drawn to the actual track itself (the final sequence is exclusively looking down at the tracks), perhaps slave labour that went into building it, and blasting tunnels through mountains. It may be just an exotic opener. Subsequently we go to the north pole where we see folks taunting polar bears and hunting walruses. Quite wholly different than modern wildlife documentary, as the expedition with the documentarian is here intent on disturbing what they find. Then we're into Italian versions of zeppelins and howitzers and footage of war which may or may not be staged. The Italians were the first to drop bombs via dirigibles, during their expansionist invasion of Libya, one of the first truly "modern" wars. There is also a lot of African and Indian footage. The African stuff has a classroom of tiny black children all clothed in white being indoctrinated by a nun, which is quite disturbing after the previous local colour you see. There's a beautiful scene of an African mother with splendid hairdo carrying her sleeping baby in a sling by her side. The wild playfulness of African children is counterposed with impeccably mustachioed debonair Europeans having a splendid time slaughtering rhinoceri. The most iconic shot I suppose is a staggered line of blacks transporting goods across a river, two chest-deep individuals making sure the Italian flag doesn't get wet. There's irresistible power all through the film (maybe the train at the start, is a metaphor for this), travel, movement, kinetic energy, jingoists spreading like a plague over the world. Pretty haunting in the end, like a mad dream.