niuya毕业设计作品

在东京的一家便利店，副店长酒井麻木地重复着日常工作，直到新员工小川察觉到痴迷于规则的店长所强加的令人窒息的秩序。店长自杀后，生与死的界限变得模糊，这迫使酒井开始质疑生存的意义。

小女孩欣瑶贪玩爬进父亲刘洋的冷藏车，被粗心的父亲锁在车厢内。路过的新保安赵晨听到呼救，急忙撬门救人，却被刘洋认定是小偷，遭其阻拦、索要赔偿。家人因打麻将疏忽，未察觉孩子失踪。欣瑶在车内冻至昏迷，赵晨历经波折找到孩子，还为稀有血型的她献血救命。最终刘洋一家幡然醒悟，向赵晨忏悔致歉。

十六岁的“借物一族”少女阿丽埃蒂和爸爸妈妈一起住在一座大房子的地板下面，爸爸波德每天九死一生地向房子里的“大人”“借东西”维持生计，小阿丽埃蒂却从未被允许踏出家门，直到一个圣诞节她碰巧认识了房子里的小男孩，几乎给一家人招来灭顶之灾，却也为她展开了光怪陆离的奇妙之旅……

Johnny a dix et ne s'intéresse qu'aux histoires des adultes. Dans sa cité HLM en Lorraine, il observe avec curiosité la vie sentimentale agitée de sa mère. Cette année, il va faire la découverte de l'amour.

The degraded socio-economic condition of Argentina leading to the December 2001 rebellions, and its consequent social chaos analyzed by focusing on real people from Buenos Aires poorest shantytowns, crumbling hospitals, and women middle class farmers fighting multi national banks that are shamelessly appropriating their farmlands. 影片记录了2001至2005年间阿根廷的政治经济动荡对底层人民的无情冲击，以及这些小人物为了生存和尊严而进行的自救和对抗。

There are small people wearing hats in the society. Graduation film from the Royal College of Art, 2014 Hand-drawn on paper A film by Sarina Nihei Sound design by Horret Kuus B6 STUDIOS

Employees attending an extreme team-building function for the weekend find new meaning in teamwork, thinking outside the box, and risk management as they fight for survival from a deranged killer bent on revenge.

he movie may well be one of the first 'Conceptual' film ever made anywhere in the world. It was a rather slow, but clearly defined daily motions of Kazakura, a mysterious underground figure of Japan, who is still unknown in Tokyo, yet has a strange presence in his remote area of Japan, KYUSYU island.