一个看起来呆头呆脑的男孩（Fernando Garcia Marin 饰）正被母亲（Guadalupe Del Toro 饰）责骂，原来他刚刚弄砸了几何考试，母亲无情的奚落让他无地自容。暴风雨过后，母亲倚靠在客厅观看电视里播放的恐怖片，男孩则默默走入自己的房间。他找出一 本古老的咒语书，上面记载了召唤魔鬼并实现愿望的方法：即用自己的鲜血划出五星图案，站在五星中以防魔鬼加害，然后向魔鬼提出要求。男孩照此行事，然而却犯了一个致命的错误…… 本片为西班牙导演吉尔莫·德尔·托罗（Guillermo del Toro）学生时代的短片作品，该片拍摄于1987年，而直至2010年才算最终完成。片中母亲的扮演者则由吉尔莫现实中的母亲来担任。

Primal Matter, the entire work in seventeen minutes, is a condensed cinematic summary of Dimitris Papaioannou’s original production, Primal Matter, presented in 2013 at the Athens Festival. Originally spanning one hour and fifteen minutes, this live performance featured Dimitris Papaioannou and Michalis Theophanous and was filmed by Stefanos Sitaras and edited by Dimitris Papaioannou. Primal Matter is Dimitris Papaioannou’s personal response to a new political, social, and ethical reality, where issues of national identity are re-interpreted. The challenge that lies ahead is how to face a wounded national identity, the trauma continues, but so does the resistance of creativity. Papaioannou employs the simplest means, the body itself. Primal Matter offers a universal language of decoding, and a shortcut to the truth – the fusion of the two bodies through optical illusions is a fusion of attitudes, of identities and a struggle between the matter and the mind, the shadow and the light, the creator and its creation. (源自: TIDF 2024)

《立体几何》描写一个男人根据其怪僻的数学家祖父在日记中遗留的指示，用一种近乎拓扑学中的变形方法让夫人消失。 原著来自于伊恩·麦克尤恩22岁处女作，短篇小说集《最初的爱情，最后的仪式》。

苏念卿走投无路，在寺庙误认陌生牌位为“亡夫”，被侯府夫人接回，成了“遗腹子”的未婚妻。面对青梅竹马姜婉儿的步步紧逼，她凭智谋屡次化险为夷。然而，雨夜致孕的真相、木匣中的铜钱、神秘危险的镇北侯霍去尘，皆指向一场精心布局。当伪装被层层撕开，她才惊觉自己不过是对弈者手中一枚任人摆布的棋子。

叶开好不容易找到恩人，宁愿入赘也要护她一生，不料渣妻还反咬他一口，他无奈离婚，感叹有缘无分！怎知，天意弄人，原来他找错了恩人！还好及时发现，现在弥补为时不晚！什么？我们已经有了女儿？病重被欺辱？！恩人、女儿你们等我！我来护你们一世周全！

民国时期军阀割据，豆蔻才女林杭景因父亲被害入狱，投奔父亲好友萧大帅，虽寄人篱下却不卑不亢，萧家的霸道三少萧北辰从起先对她极尽欺负到逐渐被其坚强…

纪录片将观众带回艾滋爆发的最初年代，再现旧金山最人心惶惶的一刻，讲述男女同性恋如何面对这场毫无所知的世纪疫情。当朋友相继染病，当医学束手无策，同志族群以爱、勇气和决心携手抗艾，阻止病毒扩散，相互扶持面对。导演从容揭开了影响全球人类的血泪一页，本片入围2011年圣丹斯电影节和第61届柏林电影节。

帷幕揭开，树舞婆娑，心涛拍岸，游乐场的笑声，难辨来自甜梦抑或梦魇。进三步退两步，来到仿似伊甸园门口，有勇气折返的话，就会是第二出电影吧。传奇心灵大导烈治奥，「生活三部曲」后再次伙拍音乐大师菲利普格拉斯，在剪接圣手尚简尼协力下，娓娓道出一个裂变而不失琐碎、空灵而不陷混沌的童话。科技与精神结合同时冲突，末日与重生急激纠结，连串实验影音展现奇异的缓解。当字幕打出「这是哪个时代：日落还是黎明？」我们都变成潘多拉，喘息如故。

颜家六小姐颜心满怀期待嫁给姜家庶子姜寺峤，却遭遇丈夫冷落与情感背叛的故事。剧中姜寺峤始终钟情颜心表妹颜菀菀，甚至在土匪胁迫下选择放弃颜心。幸好苍天有眼，叫颜心重活一世。这次她悬壶救世的初心不改，她决定要将真心交给值得托付的人，而这个人，竟然是前世与她没有交集的少帅景元钊

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.