Mitch (Randall Sims) is a senior in his eighth year of college. He has switched majors several times. This is part of a strategy to prolong his college experience as long as possible. Mitch enjoys the comfort of school and fears the real world. This is due, in part, to the fact that he has no idea what he wants to do with his life. Dwight (Christopher Lapish) is Mitch's roommate. He is also in his eighth year of school. Dwight enjoys hanging out with Mitch and has no real inclination to do anything. Lisa (Noelle Manuel) is a fourth year senior and the object of Mitch's affection. Lisa has a thing for Mitch, but neither has ever had the nerve to approach the subject so they remain "just friends". When Lisa gives Mitch a copy of ON THE ROAD by Jack Kerouac, Mitch's life takes a definite turn. Mitch decides to become a beatnik, hitchhike to New York, talk with Jack Kerouac, and write the Next Great American Novel. Dwight and Lisa both decide to join him on his quest, but their journey is flawed from the onset. The trio travels by car, bus, train, and on foot. Along the way Lisa and Mitch confront their feelings and all of them learn the value of true friends.

Unzips America's obsession with sex and takes us on a steamy trip through the milestones of erotic cinema.

"Das Kino und der Tod/Cinema and Death"(1988), is one of his 'Cinema Anthology' ,which was made by extraordinary Bitomsky's voice and movement of his hands that turn over photos of murder in films.It's 'a film noir as a film essay which analyzes film noir'. When he analyzes classic films like Hitchkock's "Torn Curtain",Lang's "Hangmen also die", Siegel's "The Killers",Aldrich's "Kiss me deadly",etc, each viewer tries to remake the images that always becomes uncertain in the memory,with the movement of Bitomsky's hands and voice as a detective showing photos of evidence of murders. There is an astonishing moment of new discovery of the image which we remember as a movement of the film.

After his brother dies in a car crash, a disgraced MMA fighter takes over the family nightclub and soon learns his sibling's death wasn't an accident.

在他的兄弟死于车祸后，一名名誉扫地的MMA拳击手接管了家庭夜总会——很快就知道他兄弟的死不是意外。

《黑色电影与电影黑色》是一部按时间顺序拼贴的作品，它挪用了那些来自所谓的经典好莱坞时代的大量影像——也就是在1950年代，法国评论家称之为“黑色电影”的作品，这个特殊的类型，被认为是20世纪人类心理史及战争史黑暗景观的表征。这部拼贴作品涵盖了从美国1940年代早期到1950年代后期横跨20年、近310部黑色电影，同时也采用了一些其他国家的黑色电影。它将黑色电影们化作自己的“操作领域”，重现于当代语境，并以极具破坏力的剪辑再创造，与历史上的黑色电影交相辉映形成了一次闭环，像一只在历史和欲望的门槛上游荡的“衔尾蛇”，那可见和不可见的光与影的交织令我们沉迷。

《黑色电影与电影黑色》是一部按时间顺序拼贴的作品，它挪用了那些来自所谓的经典好莱坞时代的大量影像——也就是在1950年代，法国评论家称之为“黑色电影”的作品，这个特殊的类型，被认为是20世纪人类心理史及战争史黑暗景观的表征。这部拼贴作品涵盖了从美国1940年代早期到1950年代后期横跨20年、近310部黑色电影，同时也采用了一些其他国家的黑色电影。它将黑色电影们化作自己的“操作领域”，重现于当代语境，并以极具破坏力的剪辑再创造，与历史上的黑色电影交相辉映形成了一次闭环，像一只在历史和欲望的门槛上游荡的“衔尾蛇”，那可见和不可见的光与影的交织令我们沉迷。