本片改编自著名作家苏童的短篇小说《小偷》。 　　曾经有人感叹过：有谁真正哀痛过孩子的灵魂吗？苏童的《小偷》应该是做到了。因为他以笔作刀，一刀便切开了孩子的灵魂，使我们清晰地看到了人类原初状态的善与恶、美与丑，并以此给予孩子心灵极大的尊重和关爱。难能可贵。因此我个人认为，影片《小火车》的戏剧核心是“出卖”——孩子对友谊的“出卖”。

本片改编自著名作家苏童的短篇小说《小偷》。 　　曾经有人感叹过：有谁真正哀痛过孩子的灵魂吗？苏童的《小偷》应该是做到了。因为他以笔作刀，一刀便切开了孩子的灵魂，使我们清晰地看到了人类原初状态的善与恶、美与丑，并以此给予孩子心灵极大的尊重和关爱。难能可贵。因此我个人认为，影片《小火车》的戏剧核心是“出卖”——孩子对友谊的“出卖”。

在第三季里，一深依旧与他的小伙伴们快乐的生活在小镇里，与此同时每天也经历着各种各样的生活趣事，但无论遇到怎样难题和挑战，一深和小伙伴们都会想办法努力克服这些困难，并在其中获取各种正确理论和科普知识。

In the world of burning matchsticks, there is one match that can’t ignite. He feels out of place in a society that values combustion. Striving to fit in, he continuously searches until he discovers his own shining secret.

南斯拉夫“黑浪潮”一代的经典作之一，柏林最佳导演金熊奖提名。 　　The Dog Who Liked Trains 　　(Pas koji je voleo vozove) 　　Screenplay: Gordan Mihic 　　Directed by: Goran Paskaljevic 　　Camera: Aleksandar Petkovic 　　Scenography: Dragoljub Ivkov 　　Music: Zoran Hristic 　　Editor: Olga Skrigin 　　Cast: Svetlana Bojkovic, Irfan Mensur, Velimir Bata Zivojinovic, Pavle Vuisic, Danilo Bata Stojkovic, Dusan Janicijevic, Boro Begovic, Katica Zeli, Gordana Pavlov, Ljiljana Jovanovic, Dragomir Cuma, Ratko Miletic. 　　Genre: Drama 　　Year: 1977 　　Awards: 　　PULA: Bronze Arena for the film, Golden Arena for the best actress – Svetlana Bojkovic 　　BERLIN: Critics' Prize 　　A girl named Mika, convicted for drug smuggling, escapes from the transport train. Mika dreams of going to her brother to Paris, but without money or passport she is forced to accept the help of a former stuntman who is now touring provincial towns presenting primitive rodeo shows. On the road they pick up a boy in search of his long lost dog who was trained to jump on and off trains. When the youngster realizes that the cowboy is going give up Mika to the police, he offers her a ride to Belgrade on his motorcycle. There she attempts to get a passport with money she stole from the cowboy, but her criminal friends deceive her and the boy's bike is destroyed. In desperation, Mika tries to get rid of the affectionate boy who still wants to help her and jumps on a passing train. Trying to catch up with her, the boy injures himself and falls under the train. With the horrific scene moving further and further away from her, Mika notices the boy's dog peacefully riding her train. Goran Paskaljevic, Yugoslavia, 1977, Serbian/Subtitles: Slovenian, 83 min, fiction film, DVD-ROM 　　A girl named Mika, convicted for petty black-marketeering, makes her escape from the train transporting prisoners to prison. She has been dreaming of Paris for some time, and that's where she wants to go at all costs. 　　Her freedom, however, is illusory: without money and identity she must accept the help of a former stuntman now touring provincial towns and presenting primitive rodeo shows with "scenes" from well known westerns. 　　During his tour, stuntman also meets a young man, with no family and no job, who's searching for his long lost dog. He truly believes in love and friendship, unlike the stuntman and Mika, and will do anything to win their affection.

南斯拉夫“黑浪潮”一代的经典作之一，柏林最佳导演金熊奖提名。 　　The Dog Who Liked Trains 　　(Pas koji je voleo vozove) 　　Screenplay: Gordan Mihic 　　Directed by: Goran Paskaljevic 　　Camera: Aleksandar Petkovic 　　Scenography: Dragoljub Ivkov 　　Music: Zoran Hristic 　　Editor: Olga Skrigin 　　Cast: Svetlana Bojkovic, Irfan Mensur, Velimir Bata Zivojinovic, Pavle Vuisic, Danilo Bata Stojkovic, Dusan Janicijevic, Boro Begovic, Katica Zeli, Gordana Pavlov, Ljiljana Jovanovic, Dragomir Cuma, Ratko Miletic. 　　Genre: Drama 　　Year: 1977 　　Awards: 　　PULA: Bronze Arena for the film, Golden Arena for the best actress – Svetlana Bojkovic 　　BERLIN: Critics' Prize 　　A girl named Mika, convicted for drug smuggling, escapes from the transport train. Mika dreams of going to her brother to Paris, but without money or passport she is forced to accept the help of a former stuntman who is now touring provincial towns presenting primitive rodeo shows. On the road they pick up a boy in search of his long lost dog who was trained to jump on and off trains. When the youngster realizes that the cowboy is going give up Mika to the police, he offers her a ride to Belgrade on his motorcycle. There she attempts to get a passport with money she stole from the cowboy, but her criminal friends deceive her and the boy's bike is destroyed. In desperation, Mika tries to get rid of the affectionate boy who still wants to help her and jumps on a passing train. Trying to catch up with her, the boy injures himself and falls under the train. With the horrific scene moving further and further away from her, Mika notices the boy's dog peacefully riding her train. Goran Paskaljevic, Yugoslavia, 1977, Serbian/Subtitles: Slovenian, 83 min, fiction film, DVD-ROM 　　A girl named Mika, convicted for petty black-marketeering, makes her escape from the train transporting prisoners to prison. She has been dreaming of Paris for some time, and that's where she wants to go at all costs. 　　Her freedom, however, is illusory: without money and identity she must accept the help of a former stuntman now touring provincial towns and presenting primitive rodeo shows with "scenes" from well known westerns. 　　During his tour, stuntman also meets a young man, with no family and no job, who's searching for his long lost dog. He truly believes in love and friendship, unlike the stuntman and Mika, and will do anything to win their affection.

"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a film screening room as she conducts a workshop for children under the auspices of the Catholic church. The hundred or so children involved had never seen a movie, and in the workshop they see and learn about the cinema: photograms and moving images, projection, camera angles and movement, film genres, and much more. And they watch movies: Chaplin, Disney, Lamorisse's 'The Red Balloon,' the Lumieres' 'The Arrival of the Train to the Station.' Finally, each child designs his own film with drawings. And then, for the first time in most of their lives, the children got to the movies in downtown Santiago." [from the video container] Written by Fiona Kelleghan <[email protected]>

"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a film screening room as she conducts a workshop for children under the auspices of the Catholic church. The hundred or so children involved had never seen a movie, and in the workshop they see and learn about the cinema: photograms and moving images, projection, camera angles and movement, film genres, and much more. And they watch movies: Chaplin, Disney, Lamorisse's 'The Red Balloon,' the Lumieres' 'The Arrival of the Train to the Station.' Finally, each child designs his own film with drawings. And then, for the first time in most of their lives, the children got to the movies in downtown Santiago." [from the video container] Written by Fiona Kelleghan <[email protected]>

离结婚还有一个月的文浩和善英在去父母家的途中把车停在了休息所。文浩去买咖啡的时候，善英接了一通电话后急忙跑出去，等文浩回来看到的是被打开的车门…

某个下雨的日子，经营宠物医院的张文浩（李善均 饰）带着还有一个月就要与之共赴婚姻殿堂的姜善瑛（金敏喜 饰）前往老家看望父母。途中文浩下车购物，而善瑛在接了一通电话之后便从男友身边神秘失踪。焦急的文浩四处寻找，结果却发现一桩桩令他难以置信的事实。善瑛曾于2007年债台高筑宣布破产，而当年的照片与他失踪的未婚妻竟完全是两个人。这个失踪的女人真身为何？她的背后又隐藏怎样的秘密和故事呢？ 　　本片根据日本作家宫部美雪的同名原著改编，“火车”来自佛教用语，指载着作恶亡灵前往地狱的冒火的车子。《观无量寿经》云：“人以恶应堕恶道，命欲终时，地狱众火俱至，必有火车来迎。”