Miss Grand自制迷你短剧《删除你的过往》 忘掉痛苦的过往 重头来过

影片讲述三位社交媒体的受害者向科技巨头宣战。

如果用拍照手机拍一张简单的照片就能让你想要的人消失，那这个人会是谁呢？艾姆和莉莉陷入了婚外恋的漩涡 — 两人都和各自的伴侣相处的不愉快。当“删除”手机偶然落入莉莉的手中时，艾姆和莉莉决定用它的超自然力量“抹去”他们的伴侣，开始他们的新生活。要是事情有那么简单就好了…

The Deleted follows members of a cult in Northern Washington who escaped to Los Angeles and go off the grid. When escapees begin disappearing, they're driven to find one another for protection as nefarious cult leaders hunt them down.

如果用拍照手机拍一张简单的照片就能让你想要的人消失，那这个人会是谁呢？艾姆和莉莉陷入了婚外恋的漩涡 — 两人都和各自的伴侣相处的不愉快。当“删除”手机偶然落入莉莉的手中时，艾姆和莉莉决定用它的超自然力量“抹去”他们的伴侣，开始他们的新生活。要是事情有那么简单就好了…

Politics meets personal survival, in this urgent, courageous and poetic bricolage diary that traces an exiled filmmaker’s escape from violent repression to the West via Thailand – only to face new forms of onerous control. Socrates Saint-Wulfstan Drakos is not the real name of the director who made Unerasable! And when the film is over, everyone in the audience will understand why. The creator of such a politically outspoken work, one that confronts both the limits of civil liberties in an authoritarian Southeast Asian regime and the inner colonialism of a very neoliberal European country, would naturally prefer to take shelter behind an assumed name. On the surface, the story is simple. An independent filmmaker, tortured for his participation in a pro-democracy movement, fled his home in 2018 and relocated to nearby Thailand, undocumented. After five years, he left the region for the West, hoping to build a new and finally dignified life for himself. Instead, he became caught in another struggle, this time with bureaucracy. The story Drakos weaves from various kinds of images, some rough and nervous, others with a more professional sheen, and gradually develops a serene poetry that seems impossible to foresee in a work with such political urgency. It stands as a film shaped by pure heart and true dedication.

任小豪本是一个高级住宅区的保安，某天夜班巡逻的时候看到一个女孩正在自拍，自拍后女孩竟然奇迹般的消失，只剩下地上一个卡片照相机。任小豪捡起照相机，发现里面存有女孩的照片，但是照片上已经没有了脸。任小豪拿着照相机对着流浪猫拍照，猫消失了，照相机里有猫模糊的照片。任小豪明白了照相机的原理，拍到什么活物，什么活物就会消失！

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

在悲戚的童年走过来的明浩，守着唯一的姐姐和歌唱的梦想一步步的成长，追求音乐梦想的路上遇到了深爱一生的女人，有了短暂的幸福和快乐。当美好崩塌后，…

一位年轻的电影人偶然发现了自己尝试与某人共同拍摄但未完成的影像。 她独自在公寓中审视这些片段——它们仿佛记忆中巨大的断层，她探索的禁地，似乎潜藏着某个隐秘的事件，而这也正是那长久沉默的缘由。